Posts Tagged ‘Vampires’

And it’s not really new either, only missing but now restored as a Valentine’s Day extra.  VAMPS (A RETROSPECTIVE) is a book of poetry about vampires and things vampiric, sexy, deadly, and by moi.  This is the White Cat edition which should eventually be updated, with new cover, etc., but the upgrade has been taking some time and no need to not buy the book now if vampscover001one wishes.  In print it only costs $7.00 (plus probably postage, but still a good price for a small love token for that special person) and even less in a PDF version.  Just click  its picture in the center column.

It isn’t listed on Amazon either in this edition, but probably will be when the new one comes out, although I believe print copies of this one can also be purchased through Alban Lake (for which one can press here).

Or, on this page with its link to White Cat Publishing (plus option for PDF), scroll down the center column, through books and chapbooks, to find an all-new category for Poetry.  And there it will be!

And why not, a little freebie for Valentine’s Day, in this case a portrait of Gloria Holden as DRACULA’S DAUGHTER, combined with a brief poem describing a scene that’s not in the movie.  Or in any vampire movie I’ve seen, come to think of it.

draculasdaughter

THE VAMPIRESS’S EMBARRASSMENT

she loved blood
but she hated the clots, when she laughed
and they came out her nose

So go the news cycles, days in which nothing happens at all, then periods where it all piles up, one or two happenings every day.  And so, today, a twofer the first of which is by William Herkewitz via POPULARMECHANICS.COM, “Behold Bat Bot, the First Flying Robot Bat.”  Yes, really, but not necessarily intended as an aid for blood drives, but landscape-1485967968-batbotrather activities where drones might otherwise be used, except they’re in close proximity to people.  That is, if there’s an oopsie, even mechanical bats are softer than something with four little whirling, sharp rotors.  And besides that, they’re cool!  But a robot bat does provide, it seems, some unique design problems, for more on which one can press here.

Then, actually a day before, what should be met in the computer cave mailbox but my authors’ copy of MEET CUTE (see December 31, 11, et al.), with my own tale of flying beings, “Butterfly.”  This is a small book of flash fiction concerning unexpected encounters between pairs of people, some romantic, some not so, but all with a touch of the unusual to them.  In this case, my story met up as well with an illustration by Marge Simon, but that wasn’t necessarily surprising — Marge and I being friends for some years, I had told her about it.

Edited by Kara Landhuis, MEET CUTE can be found on Amazon by pressing here.

Back for 2017, this afternoon saw the new year’s first “Last Sunday Poetry Reading & Open Mic” (see November 28, et al.), co-sponsored by the Bloomington Writers Guild and the Monroe County Convention Center.  Featured poets this time were Lisa Low, in her final year in the MFA program at Indiana University, whose reading covered such subjects as grocery stores, ghosts, and gold, ending with a group of poems from a work in progress about a girl named Ruby; and Stephen Hopkins, “born in Texas but raised in the Midwest, bloomingtonwritersguild[and] moved all over Ohio, often,” an IU PhD candidate who read works from his recent chapbook HYMNS OF PERPETUAL MOTION.  This was followed by snacks and an open mike session in which I was last of six participants, with five short, relatively light poems about vampires, “The Vampire’s Reflection,” “An Unsuitable Kiss for the New Year,” “Something New,” “Nothing Better,” and “The Vampiress’s Embarrassment.”

Also announced was a new Writers Guild “Second Thursdays” evening series to be held each month at Bloomington’s Players Pub, beginning February 9.  While programs will vary, the premiere offering will highlight prose readings,  including a short tale by me from THE TEARS OF ISIS, “River Red,” set in the same universe as my upcoming TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH.

MEET CUTE (cf. November 23), the flash fiction anthology of unexpected, eccentric, or just unusual meetings of couples, has had a few changes in scope, according to Editor Kara Landhuis.  An immediate one is a change in pre-publication funding from Kickstarter to Indiegogo, deemed a better fit for a smaller publication’s actual needs.  For other news, publication is tentatively planned for January for distribution in February; the funding project itself will close December 31.  meetcute

As Ms. Landhuis explains, MEET CUTE was born out of a love for several things, most notably:  Storytelling and connection.  I wanted to create a book that celebrates human connection, and I thought there was no better way than to invite writers and illustrators to collaborate.  MEET CUTE will include around 20 short stories (very short — fewer than 1000 words each) written by writers from around the world.  There will also be 10-15 black and white illustrations that enrich the stories.  My own entry in this is “Butterfly,” a saga of forests and fairytales — or was that insects and axes?  To find out more, one will just have to buy the book, or for an inside track, check out the Indygogo crowdfunder by clicking here.

In other action, The Bloomington Writers Guild’s December business meeting and end-of-year party was Saturday afternoon.  As in previous years, it ended with an open reading for about a dozen participants, my contribution (in lieu of a story which I suggested I’d save for February’s First Sunday Prose, as being perhaps a bit long for this session) was three Santa Claus poems, posing the question — especially in the case of the first two, which also appear in my collection VAMPS — do we really need Krampus?

The end of November is getting exciting!  Books received, TOMBS early-listed on Amazon, freebies for EVERYDAY STORIES II, a new story accepted, and now another.  And this by a higher paying market!  The word came Sunday morning, sneaking vampire-like in with the mist at 12:17 a.m., “Thanks for sending ‘The Candle and the Flame’ to DARKFUSE.  I have finished my review and have decided to stlucia4accept it and offer you a contract.”  In fact the contract had arrived a few minutes before Editor Shane Staley’s email, but that’s the way the internet goes sometimes.  Suffice to say I opened the contract later that day, signed it, and now it is back in DARKFUSE MAGAZINE’s clutches.

“The Candle and the Flame” is a steampunky, fairytaleish story of a little girl at Christmas time selling not matches, but candles.  But nevertheless coming to grief in a friendless, ultra-capitalistic Victorian England.  As for DARKFUSE, to go to the guidelines:  Here’s what we’re looking for . . .  Horror, thriller, suspense, crime, sci-fi, bizarre — anything with a dark slant.  500-2K words paid.  They go on to say they will take longer stories, but the emphasis in on the short, with “The Candle and the Flame,” for instance, coming in at about 1700 words.  And one more note, publication is scheduled for January 13 2017 to help start off a happy new year!

Then Sunday afternoon brought the Bloomington Writers Guild’s “Last Sunday Poetry Reading & Open Mic” (cf. September 25 et al.), co-sponsored by the Monroe County Convention Center.  Featured poets were Indiana University Education PhD candidate Julia Heimer Dadds with, to paraphrase, perilous poems for perilous times among others, followed by first generation Sierra Leonean-American poet and MFA candidate Yalie Kamara.  No, neither read poems about vampires, and in fact the only such ones were read by me, one of eight walk-ons at open mike time in a well-attended session.  But both that I read were about vampires:  “Her First Time” from BLOODBOND, which we just met (see November 27, 7, et al.), and a just-written poem for the coming season, “The Vampire Before Christmas.”

Two more tomes have been added to the computer cave bookshelf, found in the mailbox Saturday evening.  The first of these is STREET MAGICK:  TALES OF URBAN FANTASY (see September 28, January 2, et al.)  with, I’m happy to say, James C. Simpson’s and my biographies in the “About the Authors” section properly placed with our respective namesstreet-magick2-194x300 (cf. November 14).  My story in this, number two in the lineup, is “Bottles,” a mystery/horror first published in CROSSINGS (Double Dragon 2004) and which also appears in THE TEARS OF ISIS, more on which can be found by clicking its picture in the center column, a tale of a Puerto Rican domestic caught in the midst of Cold War conniving and . . . vampires.  Then the second, BLOODBOND from Alban Lake Publishing, has a new poem, “Her First Time,” concerning the thrill of a young vampiress just learning her trade.  More on STREET MAGICK can be found by pressing here; BLOODBOND by pressing here.

Then, received today, EVERYWHERE STORIES, VOLUME II is being given away on Goodreads, or two copies anyway.  From the horse’s mouth:  Enter Everywhere_Stories_Vol_IIfor a chance to win a copy of Everywhere Stories:  Short Fiction from a Small Planet, Volume II.  Twenty stories by twenty authors set in twenty countries.  Discover why we say “It’s a Mysterious World!”  My story in this one is “The Wellmaster’s Daughter” (cf. September 29, 18, et al.), originally published in ALFRED HITCHCOCK’S and having to do with Saharan desert life in Mali.  The giveaway has started today and will last until Christmas Eve, December 24, for more on which one may press here.

Late Sunday evening’s email capped the weekend with an announcement/listing from Alban Lake Publishing of the contents of the current (or very bloodbond-november-2016-tyree-campbell-200x300near future) November issue of BLOODBOND.  And, speaking of vampires, it is not berift of a piece by me (cf. June 22), a poem of the apprehension, yet joy of the newly “turned” titled “Her First Time.”  She imagined pilots/ with their first solo flight/ felt somewhat the same way,/ elation combined with fear –/ so much could go wrong –/ yet. . . . 

For this and more, one can check out Alban Lake’s “store” by pressing here.  And, for the other contents as well:

Stories
The Walri Project by Kendall Evans
A Helping Hand by Alison McBain
KAMY25V by Lee Clark Zumpe
Shooting by the Light of the Moon by Jeremy Hayes
Gordon by Joel & Angela Enos
Tail to Treasure by Olga Godim

Flash Fiction
Stealth by Karen Heslo
le souper a la maison d’ombres by Terrie Leigh Relf
Another Full Moon by Marge Simon
The Other Victorians by Justin Holliday
Companions of Dead Things by Matthew Wilson

Poetry
Featured Poet: Sandy DeLuca
The Carnival
The Crone’s Dream
Dracula
Conjuring Nosferatu
In the Hollywood Hills
Frankenstein by Ron Larson
Her First Time by James S. Dorr
Blending Scents by Marcie Lynn Tentchoff
Tomb of Wolves by Matthew Wilson

I had had to skip the open mike part of last week’s Last Sunday Poetry due to getting ready for early check-in for my “Raising the Dead” reading at that evening’s Ryder Film Festival (see October 31).  This week, however, all was on schedule for November’s “First Sunday Prose Reading and Open Mic” (cf. October 3, et al.) with local short fiction writer Tom Bitters and a tale of young love nearly torpedoed by an inflatable doll named Mistress Ping; poetry and prose performer Gabriel Peoples with the rambling and funny quasi-historical “The Story of Jack Daniels,” including audience participation; and First Sundays MC and co-sponsor (with host venue Boxcar Books) Bloomington Writers Guild member Joan Hawkins with more of young love, the “Ballad of Renee and Buzz,” and the start of a second piece, both examples of creative nonfiction.

The crowd was reasonably large at the start although, as sometimes happens, it thinned down to about half its size during the break, after which two people read at the open mike session, me and local poet and essayist and sometimes short fiction writer Tonia Matthews.  My piece this time was of young love also,”Smashing Pumpkins,” that of the vampires Aloysius and Vendetta in an adventure of Halloween, ice-blood (or is it “bloodcream”) cones, and rampaging clowns, all ending up with a trip to the polls on Election Day.

But let us start Thursday with something I was not in, but attended.  Thursday night offered an, as it were, otherworldly start to the Halloween weekend with a 100-year commemoration of Cabaret Voltaire.  Say what?  In the sponsors’ words:  On 5 February 1916, in the back room of a small bar in Zurich, a group of artists launched a nightclub which changed the course of modern art.  Cabaret Voltaire was the home of Dada, a movement that revolutionized European culture and led to seismic global shifts in art, literature, music, film.  Like Punk, Dada survives as an attitude, a rejection of aesthetic convention and authority.  A hundred years later, The Burroughs Century Ltd. and the Wounded Galaxies Festival are creating a dracula1958-melissastriblingandchristopherlee-50one-night-only homage:  a feast of the senseless.  This was at a local Bloomington nightclub and included, yes, movies as a sort of background/ accompaniment, some old, some just filmed,  but all experimental.  Added were musical and spoken word performances, as well as costumes — some quite creative — worn by onlookers (mine, less creative, was of a Zurich bourgeois who has come for an evening of entertainment).  Odd and fun, the event was also a fundraiser for Wounded Galaxies Festival to help with more presentations in the future.

Then Friday came the reading performance of Act I of D. L. Mabbott’s play THE UNFINISHED (cf. October 19), with two readers who also performed the night before, Joan Hawkins and Anthony Brewer, and two who didn’t, Shayne Laughter and me.   Or, quoting Shayne, [f]ree, tonight, at The Back Door!  I’m reading with Joan Hawkins — we are two lovely ladies in the organ harvesting biz, Tony Brewer is the burglar who sees too much, and James Dorr is the Inspector who . . .  well.  We could call this a 21st-century “Arsenic and Old Lace,” with more sex and stabbing.  This also was at a local nightclub, sponsored by the Bloomington Writers Guild, and while underattended (in this case perhaps because it was early, before many patrons had arrived, but more to the point before we’d be displaced by the night’s headlined band*), quite a bit of fun.

Then, Saturday having been a day off of sorts, Sunday night brought back the Ryder Film Festival (see October 27, 24, 17), this time with two films at local tavern Bear’s Place, 1958’s Hammer production HORROR OF DRACULA and new Korean ghost movie THE WAILING (the latter also screened tombs-final-copylast Sunday at the Buskirk-Chumley theatre), including my rescheduled reading of “Raising the Dead.”  As originally planned for last week, it preceded THE WAILING, scheduled at 7:30 but, because that’s the way things seem to work, actually starting about ten minutes late.   Like Friday’s play-reading the “crowd” was sparse (maybe the big kids were out trick-or-treating too) although at all times it outnumbered the players (me), even picking up a bit about half-way through.  Such is the way of the oral presenter.  “Raising the Dead,” billed by the Ryder as a tale of necromancy, dark fantasy, airships, and doomed love, is a story/chapter to be included in my forthcoming novel TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, due out from Elder Signs Press in spring-summer next year, and concerns an attempt to reunite a deceased man’s soul to his body by raising the latter up into the air, where souls congregate, during an impending storm.

But of course, if things all worked as planned, it wouldn’t very well be horror, would it?
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* The walk over, in fact, included fording a river of Halloween-costumed children and parents.




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