Posts Tagged ‘Vampires’

“Listen to them—the children of the night. / What music they make!”
– From Bram Stoker’s Dracula

So begins the second of three readings, by me (cf. October 17), on the topic “Let Us Explore Where Vampires May Be Found,” on the Indiana University Public Broadcasting Station WTIU.  The program:  THE POETS WEAVE, produced by LuAnn Johnson and announced by Romayne Rubinas Dorsey, and which may be heard by pressing here.  Thus, to repeat the introduction:  Today, [James Dorr] will read on the subject of vampires and things vampiric from his all-poetry collection Vamps (A Retrospective), which is available from White Cat Publications or Alban Lake Publishing.  More information can also be found on James’ blog.

James reads “Why She Started Writing Poetry,” “California Vamp,” and “Chagrin du Vampire.” 

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Listen Now:  Let Us Meet Some Of The Vampires

The word does not necessarily travel fast, but it comes.  Let us recall posts for August 17 and 8 (and also related, September 30, August 26) in which I spoke of recording poems for the WFIU radio feature THE POETS WEAVE.  Today, from producer LuAnn Johnson:  I’m not sure if I ever got back to you about air dates for your episodes.  . . .  The first aired this last Sunday.  The second is scheduled to air this Sunday, Oct 21 — but we’re in our fund drive week so there is a chance they will need to cut it for pitch time.  If so, I’ll reschedule for the following Sunday, and then the third will air the Sunday after that.

Thus the first of three sessions for which one may press here,* as announced by MC Romayne Rubinas Dorsey:  James Dorr writes short fiction and poetry leaning toward dark fantasy and horror, with his latest book a novel-in-stories, Tombs: A Chronicle of Latter-Day Times of Earth.

Today, he will read on the subject of vampires and things vampiric from his all-poetry collection Vamps (A Retrospective), which is available from White Cat Publications or Alban Lake Publishing).  More information can also be found on James’ blog.

James reads “Le Meduse,” “Vampire Thoughts,” “Daylight Savings,” and “Night Child.”
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*(Or for gluttons for punishment and/or lovers of King Kong, for WTIU’s TV counterpart one may also check here, cf. September 25, 18.)

Yes it was, the Bloomington Writers Guild “Second Thursday Player’s Pub Spoken Word Series” (see October 9; October 13 2017, et al.) with a special early Halloween lineup to honor October.  How special?  Even the five open mike readers at the end chose at least some poems, etc. specifically for spookyness while featured musical guest Travis Puntarelli also went out of his way to play and sing numbers with, let us say, Gothic overtones.  Then of the headlined readers, the first one was . . . moi.  Or to read from the blurb, JAMES DORR is a short story writer and poet, working primarily in dark fantasy and horror with some forays into science fiction and mystery.  . . .  The story he’ll be reading tonight is called “River Red,” and appears in THE TEARS OF ISIS.  It is set on a far-future dying Earth, populated by various creatures including ghouls — eaters of the dead — and is in the same universe as his latest novel-in-stories, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, out from Elder Signs Press.  This was followed by another musical interlude, then by the main event, a dramatic reading by Writers Guild members of . . . well, to quote again from the blurb, DRACULA is a screenplay for a never-made film by the late, notorious Ken Russell, Britain’s cinematic sultan of excess and outrage whose films include TOMMY, ALTERED STATES, LAIR OF THE WHITE WORM, and GOTHIC.*  The script was written in the late 1970s and published in 2009.  The film came close to being made only to be abandoned when Universal put its Frank Langella headlined version of DRACULA into production.  Russell’s script, however, allegedly formed the impetus for Francis Ford Coppola’s 1992 version, whose screenwriter James V. Hart was directly involved in the inception of Russell’s interpretation.

In a departure from usual practice, the evening ended shortly after 8 as opposed to a more normal 9 p.m., to allow for an additional band Players Pub had scheduled for the night.  This specifically cut down the amount of time set aside for the play, allowing for only two or three scenes, but enough to give an idea of its flavor, set in the 1920s, that of a vampire motivated by a love of music and on a quest to confer immortality on dying artists.  However, the Writers Guild also announced plans to present the play in its entirety at some time in 2019.
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*Re. GOTHIC, cf. October 5, September 30.  But readers may recall having met Mr. Russell before as creator of THE FALL OF THE LOUSE OF USHER (July 17 2015, “E. A. Poe Meets Alice in Wonderland”), described as a buggy interpretation “for the 21st century” of not just Poe’s “House” (which possibly more deflates than falls at the end of the picture) but almost everything else Poesque beginning with a wink of the eye to “The Tell-Tale Heart.”

Which is to say more October fun is approaching, this from the Writers Guild again in just two days from now, Thursday evening, October 11 at Bloomington’s Players Pub.  Or, let’s let Chair Tony Brewer say it again.  THU OCT 11:  switching gears from Frankenstein to Dracula . . . the Writers Guild at Bloomington presents a staged reading of excerpts from Ken Russell’s unproduced screenplay DRACULA, plus horror writings by James Dorr and music by Travis Puntarelli.  Booo!  And what will I read?  Well, maybe that should be a surprise (though I wouldn’t be all that shocked if I hadn’t mentioned it somewhere elsewhere — it’s sort of a “go to” for me for occasions of this sort).

For now anyway just know you have been warned.

With a busy week coming up, today’s “Last Sunday Poetry Reading and Open Mic” (cf. August 26, et al.), co-sponsored by the Bloomington Writers Guild and the Monroe County Convention Center, offered featured readings by relative newcomer Breon Rochelle Tyler (see May 29 2017) who read a poem about being free, introducing her own work on freedom, mothers, art, and creation; followed by many-time participant Maria Hamilton Abegunde (August 27, April 1, et al.) with several works in progress, including two inspired by current events, and ending with three selections from her LEARNING TO EAT THE DEAD.  In the audience readings afterward, my part consisted of three more poems from VAMPS (A RETROSPECTIVE), the second of the three recordings done for fall broadcast on WFIU’s “The Poets Weave” (see August 26, et al.), “Why She Started Writing Poetry,” “California Vamp,” and “Chagrin du Vampire.”

Of busy weeks, though, next Sunday’s normally scheduled prose readings will not be held due to FRANKENFEST (cf. August 5), the 200th Anniversary celebration of the first publication of Mary Shelley’s novel FRANKENSTEIN, co-sponsored by the Monroe County Library and the Writers Guild at Bloomington, and made possible by a grant from Indiana Humanities with additional funding from the IU Arts and Humanities Council.  Running October 3 through 7, events will include a Wednesday evening FrankenPanel, of which I will be a participant; FrankenFilms (FRANKENSTEIN, YOUNG FRANKENSTEIN, and GOTHIC) on Thursday, October 4; a FRANKENSTEIN Read-a-Thon among other activities on Saturday the 6th; and FrankenTheatre on Sunday, a live radio theater adaptation of FRANKENSTEIN by Russell McGee, who also directs, presenting the creature as an intelligent being who suffered the injustice of mankind.  All events will be held in the Monroe County Public Library.

Let’s give the piece its exact title, “The 100 best horror films,” subtitled “The best horror films and movies of all time, voted for by over 100 experts including Simon Pegg, Stephen King and Alice Cooper, and Time Out writers.”  The byline (that is to say, the TIME OUT writers themselves) is to Tom Huddleston, Cath Clarke, Dave Calhoun, Nigel Floyd, Alim Kheraj, and Phil de Semlyen and it was posted Friday April 13 2018 on the British site TIMEOUT.COM.  So how can you go wrong?  And, credit due, it comes to us courtesy of C.M. Saunders as mentioned in an interesting review on his blog of the Spanish film [REC] — one of the relatively few “found footage” films that really works — for which one can press here.

But to the main event, quoting the “Time Out writers” (as well, credit due, appropriating their title illustration):  For years, horror, unlike romance, action and science fiction, has been mistreated and subjected to vicious critical attacks.  For some, horror films are focused purely on provoking a reaction with little thought for ‘higher’ aspirations.  For others, they’re just a bit of fun.

Thankfully, it looks like the horror genre is finally getting the recognition it deserves, with recent releases getting Oscar buzz and proving to be box office hits.  To celebrate this often overlooked and thrilling genre, we approached horror experts, writers, directors and actors to help us chose the 100 best horror films.

Yes, I disagree with some, although if it is an endorsement of sorts I’ve seen or own well over half of these.  And everyone reading this will no doubt have their doubts about others, and possibly even criteria used to decide which is best.  And of course some favorites will fail to be there — we all have our tastes, yes?  But for me, also, part of the value of lists like these is finding the films I haven’t seen, but from the descriptions I might well want to.

So, giving a press here, shall we explore together?

So, okay, cutting to the chase I’m scheduled for Saturday afternoon at 3:30 p.m for a half hour (well, 25 minutes anyway — cf. just below, August 26) reading, probably of stories from THE TEARS OF ISIS.  But here is the entire two-day schedule from the horse’s mouth, as it were, of readers and performers, poets and prose writers, some known to us from before, some unknown.  So if in the area this coming weekend do plan to stop by — isisnewit’s the FOURTH STREET ARTS FESTIVAL, with artists’ booths galore, but also the Writers Guild’s Spoken Word Stage on Dunn Street, just south of 4th.  While I, in the meantime, practice timed reads while making my final story selections.  (Hint: it’ll probably be a short curtain raiser followed by “River Red,” which I’d read once before a few years back and had gone over well then, set in the TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH universe although actually printed in TEARS.  Two birds with one stone, eh?)

So read, plan, enjoy:

When:
September 1, 2018 @ 10:00 am – September 2, 2018 @ 6:00 pm

Spoken Word Stage at 4th Street Arts Festival

Presented by the Writers Guild at Bloomington
Supported in part by the Bloomington Arts Commission

Labor Day Weekend
Saturday, September 1: 10am – 6pm
Sunday, September 2: 10am – 5pm
Intersection of Dunn and Fourth Streets
Fourth Street Festival of the Arts and Crafts
http://www.4thstreet.org

Save the Date!

Now in its 8th year, the Spoken Word Stage at the 4th Street Arts Festival is one of the largest literary performance events in the Midwest, featuring storytelling, poetry, fiction, non-fiction, live radio theatre, and other unique collaborations.

And of course, the ever-popular Poetry on Demand table will be staffed with a fleet of poets armed with typewriters ready to deliver!

SCHEDULE SUBJECT TO CHANGE!
CHECK BACK FOR UPDATES!

SATURDAY SEP 1
10:30 . 5 Women Poets (poetry)
11:00 . Patsy Rahn (poetry)
11:30 . Merry MAC Players (theatre)
12:30 . Shana Ritter (poetry)
1:00 . Maria Hamilton Abegunde (poetry)
1:30 . Fig Tree Fellowship Radio Players (audio theatre)
2:30 . Mary Pat Lynch (fiction)
3:00 . Juliana Ramos Crespo (fiction)
3:30 . James Dorr (horror fiction)
4:00 . Shakespeare’s Monkey (poetry band)
4:30 . Erin Livingston (poetry)
5:00 . Butch D’Ambrosio (sonnets)
5:30 . Stephen Vincent Giles (storytelling)

SUNDAY SEP 2
10:00 . Eric Rensberger (poetry)
10:30 . New Leaf-New Life (poetry and fiction)
11:00 . Adam Henze (poetry)
11:30 . Monroe County Civic Theater
12:00 . Joan Hawkins (fiction)
12:30 . Lisa Kwong (poetry)
1:00 . Jasper Wirtshafter (poetry)
1:30 . Arbutus Cunningham (storytelling)
2:00 . Richard Hague (poetry)
2:30 . Cricket’s Bone Caravan (audio theatre)
3:30 . Michael Brockley (poetry)
4:00 . Jeffrey Pearson (poetry)
4:30 . Bloomington Storytellers Guild 

Well, it’s been rather longer for my attendance it would seem, but this fall’s edition of “Last Sunday Poetry Reading and Open Mic” (cf. September 24 2017, et al.), co-sponsored by the Bloomington Writers Guild and the Monroe County Convention Center, came back from its summer break this afternoon.  Featured were Lisa Kwong who we’ve met before (see July 17 2016, et al.) reading selections from a new chapbook MS-in-progress, and PDVNCH who we’ve also just met (see August 5) with work from several poetry books he’s had published.  After the break, when “Open Mic” time came I was third of five, reading the first of three four-minute sets I’d recorded for local radio station WFIU’s “The Poets Weave” (see August 8) from my VAMPS (A RETROSPECTIVE) collection, the poems themselves being “La Méduse,” “Vampire Thoughts,” “Daylight Savings,” and “Night Child.”

With the city’s “4th Street Arts Festival” coming up in just under a week plus “Frankenfest,” celebrating the 200th anniversary of Mary Shelley’s FRANKENSTEIN (cf. August 21, 5), coming up in October, this fall is shaping up as an especially busy one locally for the written and spoken arts.  To help keep on top of things, one may want to check out the Bloomington Writers Guild’s website (as well as these pages) by pressing here.

Yesterday saw the arrival of STAR*LINE 41.3, for summer, in the computer cave’s postal mailbox.  My entry in this is “What She Learned” (cf. July 15), on page 22, a humorous poem of a novice vampiress and how she was warming to her new career.  STAR*LINE is the quarterly publication of the Science Fiction and Fantasy Poetry Association and with it came their annual DWARF STARS anthology of poems of ten lines or less, the best of which will be voted on by the SFPA membership.  More on it as well as STAR*LINE can be found on the SFPA website, for which one may press here.

Then speaking of vampires, this afternoon I read poetry at the Indiana University Radio-TV building for “The Poets Weave,” a series of five-minute poetry segments presented on WFIU, the University public radio station (see August 8).  I ended up reading three groups of four, three, and four poems each on the “who,” the “where,” and the “attraction” of vampirism, all from my 2011 collection VAMPS (A RETROSPECTIVE), preceded by brief quotations from Rudyard Kipling, Bram Stoker, and Sheridan Le Fanu, respectively.  According to coordinator LuAnn Johnson, these probably won’t be aired until fall, as the season of Halloween approaches, with more exact dates as they’re known to be reported here.

One gets used to visual media, reading on book pages, movies, even public readings as a sort of live play (see just below, August 5, et al.).  But what about only the words themselves, through the medium of sound?  And hence, in a sort of message tag known only to Facebook, a few weeks ago I received an invitation from LuAnn Johnson of WFIU, the Indiana University Public Broadcasting Station, dating back to about early spring.  Ms. Johnson runs a program called THE POETS WEAVE in which local poets read short groupings of their work on the air. Or more specifically:  Prepare to read one or more groups of POEMS.  Each group should be approximately 4 minutes in length.  Selections should be acceptable for broadcast, (i.e., non-sexually explicit, non-scatological, and expletive free), per FCC restrictions.  It’s best to time yourself reading aloud, and please bring a couple of shorter poems in case we have to exchange a longer one for time.

I’m not entirely new to this, actually, having done a few similar types of readings some years in the past, though the programs here are perhaps a little more complex, involving not only a host-read introduction of the poet, etc., but also from the poet one or more BRIEF QUOTES — anything relating to the poetry you’ll be reading (or poetry in general), or writing, reading, and life.  It can be your own words or from another writer/poet you admire.  You’ll read one quote for each show set, so do bring a copy of the quotes with you; the host will read your bio when she introduces the show.  And also there is that idea of more than just one performance, but perhaps several groups on successive programs.

Anyhow while it took some time (as well as some emails back and forth) to consider quotes, select and time groups of poems, and figure a structure for multiple readings, this afternoon I sent back a proposal for three groupings of poems on the overall topic of Vampires and Things Vampiric, divided loosely into “the Who” (to meet some vampires), “the Where” (on where they might hang out), and “the Attraction,” all from my collection VAMPS (A RETROSPECTIVE).  And graced with suitable quotations from Rudyard Kipling, Bram Stoker, and Sheridan Le Fanu respectively.

More as it develops.




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