Posts Tagged ‘Horror’
Such is the spirit of serendipity, the things we discover. As, last night, re-checking URLs for Saturday’s post, what should I find out but that Amazon is running a fairly hefty discount for pre-ordered copies of TOMBS. I haven’t the foggiest idea of how long this is for — best to hurry, just in case! — but as of right now the pre-order price for the print edition of TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH is only $10.37, with publication planned for June 1. I’m not going to do the arithmetic to find the percentage, but the full price is listed as $14.95, giving a savings of $4.58 a copy which seems like a pretty good deal to me. So to check for yourself, just push on TOMBS’s picture on the center column or, if you prefer, press here. And please tell your friends — not to mention, when it arrives in June and after you’ve read it, if you like it please consider giving Amazon back a review!
Hark us back to a Thursday seven weeks ago, February 9, and recall that I had a guest blog published by Heidi Angell, “What Is a Novel-In-Stories?” (see February 13*), nakedly pimping — guess what? — my own mosiac novel, TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH. You thought it was over? But now it comes out: “What Is a Novel-In-Stories?” was only the first of a series of three essays planned for Ms. Angell’s blog, and word came today that the second of these, “It Began with a Map,” is scheduled for Thursday next week, March 30. So what will the third be? Well, most likely to come out in early to mid-May, anticipating the novel’s debut from Elder Signs Press on the first of June . . . well, I haven’t officially made up my mind yet, but we shall see then. Perhaps you have some ideas?
Meanwhile, for Thursday, “It Began With a Map” will touch a bit on the geography and peoples of the world of the “Tombs,” hopefully whetting appetites further. While I, having received an advance PDF just a few days ago, have begun the slog of proofreading the thing — another part of the thrill-a-minute life of the writer!
We would like to announce our third annual VESTAL REVIEW Award (The VERA).
Please feel free to nominate one story under 500 words published by your magazine in print or online in 2016. The winning selection receives a prize of $100 and a publication in VESTAL REVIEW, and the runner-up entry gets publication in VESTAL REVIEW at our usual terms. There is no nomination fee. Only a magazine editor is eligible to submit a nomination. One story per magazine, please.
Thus the VERA award, from VESTAL REVIEW, “the oldest magazine dedicated exclusively to flash fiction” as their subtitle has it, and yesterday came the news: Third Flatiron Anthologies editor Juliana Rew wanted to check if it was okay by me for a story, “Chocolat” (yes, that’s how it’s spelled), that appeared in their spring 2016 IT’S COME TO OUR ATTENTION (cf. February 21 2016, et al., including for special story background December 11 2015) to be nominated. “Chocolat” is the tale of a beleaguered Frenchman protesting a recent (really, though by now a few years past) European Union Financial Council change in the legal definition of chocolate — which is to say, chocolat in French — and what became of him.
When the winners will be announced is not known by me (I think stories can be nominated through September 30, which would mean not soon) and the chances, of course, of actually winning are probably not great, but Third Flatiron puts out a pretty good series of quarterly themed anthologies (for more information on which one may click here), including offering professional rates. Or in other words, just being singled out by them is itself an honor, and so I’ve said “oui!”
No, it isn’t an early April Fool’s trick and it is a new name (slightly), but the name was especially voted on to keep the initials the same. And so, as announced today, by fairly hefty vote margins the Science Fiction Poetry Association (SFPA) has become the Science Fiction and Fantasy Poetry Association (SFPA, though there was a minority vote to add an extra F for SFFPA). The change is simply a long-time-coming recognition that a lot of SFPA members actually write fantasy poetry, if one wants to be picky, and the name change parallels a similar change made some years ago by the SFWA (which is to say, the Science Fiction and Fantasy Writers of America, once the Science Fiction Writers of America, which for a brief time then initialed itself the SFFWA with occasional members pronouncing the name as if they stuttered). So what’s in a name? For nostalgia hounds, here presented is the old logo, which may take a little time to update and, new name or old name, the group still can be found by pressing here. (And between you and me, I write horror poetry, and I’m still a member.)
This comes to us today via Nathan Rowark on Facebook, a sale through June 30 from Horrified Press to include all e-titles. Other than that I know no details, nor does the publisher’s Facebook page provide any more, except that all anthology titles are thus priced at $3.00 or less. And, as it happens, I have several stories published by them although one, “Lobster Boy and the Hand of Satan” in HOW TO TRICK THE DEVIL (cf. October 14 2015, et al.) appears to be available in print only, at least on Amazon, and hence doesn’t count. Two others, though, do: “Tunnels,” concerning familial love in an underground post-apocalyptic world, in UNTIL THE END (see June 15 2014, et al.) on sale for $2.99; and “Flesh,” of a man who strives to get fat (but, when all is said and done, perhaps not enough), in NIGHTMARE STALKERS & DREAM WALKERS (see October 14 2015, December 21 2014, et al.) for an even $3.00. For more, for UNTIL THE END press here; and for NIGHTMARE STALKERS here.
Here’s one I blundered on via Facebook’s ELDER SIGNS PRESS site, dated March 9 and touting a two-week only sale on Amazon. Today being the 16th, I think that would mean there’s a week to go, ending March 23. So for a happy Saint Patrick’s Day Eve, check out these deals for DARK HORIZONS (Amazon’s price is 12.95, but individual new copy offers start at $9.67 as of this writing) and STREET MAGICK (Amazon price $9.21) and, as a bonus, give the figure on STREET MAGICK’s cover a green suit and hat, and it could look a little bit like a leprechaun.
To check it all out, press here for the ELDER SIGNS PRESS Facebook site, then scroll down just a tad for the sale
announcement with links to Amazon for both books — just under the listing for early orders for TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH, in fact, with its own link to Amazon should you wish to indulge while you’re at it! My dogs in these donnybrooks are “Bottles” for STREET MAGICK, of vampiric doings in the late 1950s Boston area, complete with Cold War paranoia, and “Dark of the Moon” in DARK HORIZONS, of an international expedition to the Moon’s back side, combined with a dollop of H.P. Lovecraft and Russian myth to become dark indeed. Also (ahem!) while the books haven’t gotten too many reviews on Amazon yet — and let this be a *hint* to readers, if you like a book you do your favorite authors a favor by sending reviews in — one review under each title (cf. “Mr. Vlesco” for the one for STREET MAGICK) singles my stories out for special mention.
If you’re familiar with Smart Rhino’s anthologies (and we certainly hope you are!), you may remember his stories “The Wellmaster’s Daughter” in UNCOMMON ASSASSINS, and “Labyrinth” in INSIDIOUS ASSASSINS. His story “Golden Age” will be published in ZIPPERED FLESH 3, now in production. So marks the start of Monday’s outing of Smart Rhino Press Editor/Publisher Weldon Burge’s blog, BULLETS AND BUTTERFLIES. Here you will find things concerning my collection THE TEARS OF ISIS and the lure of short stories, as well as my upcoming novel TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH, though of the latter the publication date is now set for June (i.e. rather than “spring,” which only means things sometimes get out of date; also the poet Allan Poe may be better known as Edgar Allan, but typos can happen too). Also the blog itself may seem familiar, having also been published in Smart Rhino Publications’s own January NEWSLETTER (see January 18). But as Weldon himself says on his Facebook page: Just posted my interview with Bram Stoker nominee (and frequent writer for Smart Rhino Publications) James Dorr. His story “Golden Age,” will appear in the upcoming ZIPPERED FLESH 3. He has some great advice for writers from his own experience. So maybe it will be worth reading anew.
Or in any event for those new to this blog it can be found here.
This was to be the one on poetry, last month’s premiere “Second Thursday Players Pub Spoken Word Series,” co-sponsored by the Bloomington Writers Guild and local tavern and music venue Players Pub, being dominated by prose fiction — including, ahem, my opening reading of “River Red” from THE TEARS OF ISIS (cf. February 10). And so it was, mostly, with even its musical component being poetry-based via Evansville Indiana group SHAKESPEARE’S MONKEY, a “poetry band” reminiscent of 1950s coffeehouse poetry accompanied with jazz (albeit in this case, guitars and hand percussion), who we’ve met before at the Bloomington Arts Festival Spoken Word Stage (see September 4). The featured readers this time out were Writers Guild Chair Tony Brewer whose poems included a Pushcart Prize nominee, local poet Eric Rensberger who began his reading with a guitar accompanied “Medicine Show” spiel introducing bartender “Dr. Joe” and the pub itself before continuing with the more “serious literary part,” and First Sundays Prose Series Chair Joan Hawkins breaking the pattern with two prose “creative memoirs.” Then the open mike session added four readers of whom I was second, reading three pieces from VAMPS (A RETROSPECTIVE), “La Méduse,” “Émile’s Ghosts,” and “Night Child.”
Then for another quick note, I’ve added two pieces to “Poetry (Essays)” under PAGES in the far right column, my ILLUMEN feature “It Begins With the Sound” (see November 5, et al.) and “What Is a Novel in Stories” (see February 13), the latter admittedly really about my upcoming TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH, but springing from Edgar Allan Poe’s essay “The Poetic Principle.”
The announcement, from Editor/Publisher Weldon Burge, was brief: All of the Smart Rhino books are currently on sale at Smashwords, most at 50% off. The sale is until March 11, so grab them while you can. Just search for the individual titles. But the finding them may possibly not be quite so simple as it may seem (hint: for some, you may have to toggle the “adult” switch ON). For mine, press here, but — remember — then toggle the words “Adult Content” at the top right to be sure it’s on (a check mark is good, circle with a slash through it is bad). Then scroll down past THE GOOD FIGHT 3: SIDEKICKS for the ones I’m in, and ignore PRESIDENTIAL PULP plus the history one at the very end. These are all anthologies or magazines with stories by me in them, whether or not they may be on sale, with the Smart Rhino ones being INSIDIOUS ASSASSINS and UNCOMMON ASSASSINS (this latter, I think, toward the very end). But linger a bit, perhaps there are others that you may like too. Or if in a hurry, UNCOMMON ASSASSINS can be found here and INSIDIOUS here (the “Adult” switch pre-set), with my stories in each being “The Wellmasters Daughter” (see August 16 2012, et al.) and “Labyrinth (see January 23 2015, et al.) respectively.
In other news, we had another pleasant, sunny afternoon for this month’s “First Sunday Prose Reading & Open Mic,” co-sponsored by the Bloomington Writers Guild and Boxcar Books. And for two hours, we had a good crowd as these things go, with about eighteen people (fourteen of who persisted through open mike afterward) for featured readers Eric Rensberger, with a contemplative essay on books and dust; Joan Hawkins, standing in for advertised reader Jenny Kander who couldn’t make it due to illness, with a memoir of 1974 Prague under Soviet occupation; and bestselling “rural noir” fiction writer Bonnie Jo Campbell with two short shorts from her MOTHERS, TELL YOUR DAUGHTERS collection, an excerpt from the title story, and the opening paragraph of her novel ONCE UPON A RIVER. Then after the break (with lovely cookies), mindful of Mardi Gras having been less than a week before, I ended a walk-on session of some five readers with a New Orleans set “Casket Girls” story, “Death and the Vampire,” in which the flavor of Death is found to be, if not the best, at least not bad.
Beginning now (March 3rd) through March 11th, we’re offering 30% off every single ebook title published by Untreed Reads throughout The Untreed Reads Store. VERY IMPORTANT!!: There is no discount code for this promotion. The 30% off will automatically show up during the last step of the checkout process. . . . Remember that when people purchase through our store they get EPUB, PDF and Kindle versions for just one price! Plus, they can gift a title to someone or send an ebook directly to their Kindle. So begins the announcement from Jay Hartman of Untreed Reads Publishing, home of two stand-alone short story e-chapbooks by me, the steampunkish-mystery VANITAS and Christmas horror I’M DREAMING OF A. . ., plus my dystopic science fiction novelette PEDS. To take advantage, press the picture of any of these in the center column and, as an extra, you’ll also find the New Year’s Eve anthology YEAR’S END: 14 TALES OF HOLIDAY HORROR with its opening story, “Appointment in Time,” also by me.
So what’s the occasion? According to Editor Hartman: Every year, the ebook world celebrates Read An Ebook Week, and this year is certainly no different! This year, the dates of the event are Sunday, March 5th through Saturday, March 11th. Also, he points out, although the discount is only 25%, PEDS and I’M DREAMING OF. . . . are also on sale at DriveThruFiction from March 5 through 11, which can be reached by pressing here. No coupon code is needed for either sale, though the one directly from Untreed Reads seems the better deal.