Archive for the ‘Book’ Category

Beginning now (March 3rd) through March 11th, we’re offering 30% off every single ebook title published by Untreed Reads throughout The Untreed Reads Store.  VERY IMPORTANT!!:  There is no discount code for this promotion.  The 30% off will automatically show up during the last step of the checkout process.  . . .  Remember that when people purchase through our store they get EPUB, PDF and Kindle versions for just one price!  Plus, they Pedscan gift a title to someone or send an ebook directly to their Kindle.  So begins the announcement from Jay Hartman of Untreed Reads Publishing, home of two stand-alone short story e-chapbooks by me, the steampunkish-mystery VANITAS and Christmas horror I’M DREAMING OF A. . ., plus my dystopic science fiction novelette PEDS.  To take advantage, press the picture of any of these in the center column and, as an extra, you’ll also find the New Year’s Eve anthology YEAR’S END:  14 TALES OF HOLIDAY HORROR with its opening story, “Appointment in Time,” also by me.

So what’s the occasion?  According to Editor Hartman:  Every year, the ebook world celebrates Read An Ebook Week, and this year is certainly no different!  This year, the dates of the event are Sunday, March 5th through Saturday, March 11th.  Also, he points out, although the discount is only 25%, PEDS and I’M DREAMING OF. . . . are also on sale at DriveThruFiction from March 5 through 11, which can be reached by pressing here.  No coupon code is needed for either sale, though the one directly from Untreed Reads seems the better deal.

So the first answer starts with a citation to “Allan Poe.”  That’s Edgar Allan Poe, of course, but what’s in a word — I still stand by the answer.  And thus the promised interview by Weldon Burge for Smart Rhino Publications (cf. January 11, 8), in conjunction with a Kickstarter campaign for their upcoming ZIPPERED FLESH 3 anthology, is now live.  A mention is made at the very beginning about my Smart Rhino story appearances, “The Wellmaster’s Daughter” in UNCOMMON ASSASSINS, “Labyrinth” in INSIDIOUS ASSASSINS, and “Golden Age” in the upcomi8451b32b-e3c4-41cb-8f3e-7c6834708f13ng ZIPPERED FLESH volume, but that’s not what the interview is about.  Rather, with reference to Poe as well as my Stoker(R) nominated collection THE TEARS OF ISIS, we talk about short story writing in general and why, as a writer, I find short forms more interesting than novels.  But then novels come up too with reference to TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH (expected in June this year, not really “spring,” but that’s because of a change in schedule after my original biographical notes were in) and what is, exactly, a novel-in-stories, also known as a “mosaic novel”?  And, more importantly, why TOMBS is put together in that style.

The Poe citation, incidentally, is to his essay “The Poetic Principle,” which I believe he meant to apply to prose fiction as well.  But to read the whole interview, including some things on the challenges and joys of writing, and what to expect once one has written, why not press here?

Another interview lurks in our future.  Completed just now, this one was rather a quickie as well, the contact coming from Smart Rhino Publications Editor Weldon Burge just last week:  James, would you be open to a short interview for the January Smart Rhino newsletter?  It would only be three or four questions, short and sweet.  But I’d need a pretty fast turnaround, if possible.  Please let me know.  Thanks!  My connection here is having stories in two Smart 463_zippered_cvr_3Rhino anthologies thus far, UNCOMMON ASSASSINS and INSIDIOUS ASSASSINS, and in a third to be coming out soon, ZIPPERED FLESH 3 (cf. September 9, et al.).  So, “sure,” I sent back, and we set things up to be done this weekend.

More, such as a tentative date, will be noted here when it is known, but I will say now that, while short, it’s one of the heavier ones I’ve done in terms of writing and writing theory, even including a quote from Poe from his essay “The Poetic Principle.”  Why that essay?  Because I think Poe intended it to apply to fiction in prose as well, perhaps then explaining his own predilection for the short story form, and hence, by extension, mine.  This is for a question having to do with my own short story collection, THE TEARS OF ISIS.  But then, from there, a question on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH brings up a discussion of form, in addition to content, and novels-in-stories or “mosiac” novels (see also, October 20), and why that form might be chosen over traditional narrative for telling certain kinds of stories.  And also, why the mosiac form might answer Poe’s dictum that effective “poetic” writing be kept short.

Aha!  It has come to pass!  Click on the center column’s picture of TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH (cf. December 1, et al.), scroll down to the author’s mini-biography and find these words:  Indiana writer James Dorr‘s The Tears of Isis was a 2014 Bram Stoker Award® nominee for Superior Achievement in a Fiction Collection.  Other books include Strange Mistresses: Tales of Wonder and Romance, Darker Loves: Tales of Mystery and Regret,tombswithsubtitle and his all-poetry Vamps (A Restrospective).  An Active Member of HWA and SFWA with nearly 400 individual appearances from Airships & Automatons and Alfred Hitchcock’s Mystery Magazine to Xenophilia and Yellow Bat Review, Dorr invites readers to visit his blog.  Who’s he, you may wonder?  “He,” here, is . . . me!

Yes, no more of the wilds of Pennsylvania, the arcane titles of works actually written by one James C. Simpson.  Just weeping goddesses and wonder and mystery, but, hey, it’s all mine!  And note while we’re there my sneaky product placement of AIRSHIPS & AUTOMATONS, also published (with TOMBS) by Elder Signs Press.  (And, seriously, also my thanks to the publisher for getting the error corrected quickly.)

Then finally, remember that TOMBS is available for pre-order — just press its picture in the center column (or if you’d rather, click here) and take it from there.  The official publication date, so says Amazon, will be June 1 2017, but why not slip in now ahead of the crowd, eh?

And there is something new under the sun to ring in December 2016.  TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH has been added to the portrait gallery in the center column, just to our right.  It is still scheduled for publication next year in June, but the link will take you to Amazon’s listing for pre-order, if desired, and which also contains the notorious James C. Simpson substitute biography instead of mine (cf. below, November 14, 4).  Well, we’re working on that one.  Also, as time goes on and some people may have a chance to have seen pre-publication copies, perhaps a few will be moved to offer early reviews there as well.

Also I’ve made another change in the center column, just below TOMBS.  If you click on the picture of THE TEARS OF ISIS it will now take you to Amazon’s listing for it, partly to bring it into conformance with most of the other books’ links, but also (*speaking of reviews*) to allow those who might wish to see them some thirteen other readers’ opinions.  (WARNING:  one or two didn’t care for the book!)  Just click on the picture, then scroll down and, if you like what you see (with the exception of the just aforementioned “one or two”), well this is one you can order for delivery right now!

So it would still be a while before delivery since the Amazon “publication date” is June 1 2017, but there it is.  To see for yourself, press here.  TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH is now listed on Amazon in a print edition with a “pre-order price guarantee” of $14.95.  And the listing hastombswithsubtitle its little quirks too, namely that the author’s biography, as in the anthology DARK HORIZONS, is for James C. Simpson, not me (see also November 14).  But I wrote it.  Honest!

Still, isn’t that neat, for a quick little late-Thanksgiving surprise? A special thing to be thankful for, that the novel-in-stories is that much nearer, including with a slightly updated cover.  Hopefully, eventually, with the right biography too, but there’s still time for that — and, maybe especially in that I ran across it quite serendipitously, with Thanksgiving and all, I thought this worth sharing.

Speaking of fast work, Tuesday, while skipping some of the slow, slow reports of election results, I was finishing up questions for a new interview by Carrie Ann Golden.  No ducks walking into bars or early crushes in this one (cf. October 24), but good writerly questions still, seven in all, including a few on my upcoming novel-in-stories, TOMBS:  A 13921093_549470955240395_4107293061612582985_nCHRONICLE OF LATTER-DAY TIMES OF EARTH.  And even a comment on THE TEARS OF ISIS.  But here’s the thing:  We were looking toward a publication date prior to Thanksgiving, just a couple of weeks down the pike, but when I sent my copy in Wednesday early afternoon, Carrie was back to me by that evening.  “These [the answers] are wonderful . . . am planning to post your interview on Monday, November 14.”

But wait.  That’s this Monday, the one coming up.  Four days from today, today being Thursday.  Talk about quick work!  So anyway, just around the (as it were) calendar corner, I’ll be there on Carrie Golden’s A WRITER & HER ADOLESCENT MUSE blog, more on which, with link, we will see here on the 14th.

In between movies, from 7:30-8:00, James Dorr will read from his new book, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH (for more on James Dorr see below).  Well, not below, but press here to read the whole preview for this Sunday’s Ryder Film Festival night-before-Halloween horror series with my reading added, postponed from last weekend (see October 24, 17).  Or, as the Ryder people put it:  HORROR OF DRACULA, THE WAILING & James Dorr.  So, yes, it’s now official with my story “Raising the Dead” scheduled for 7:30 Sunday, October 30, sandwiched between a 1958 Hammer Films DRACULA (full, uncensored version, with gore restored) at 5:45 and the Korean mystery/horror (also premiered last Sunday) at 8 p.m.  This Sunday’s showings will be at Bear’s Place, a local Bloomington tavern, so to enjoy them, remember you must be at least 21.

And, fun for all ages, today I read and sent back corrections on the proof copy of “The Stalker,” set to appear in Bards and Sages Publishing’s THE GREAT TOME OF CRYPTIDS AND LEGENDARY CREATURES (cf. August 3, et al.), volume 4 in their GREAT TOMES series.  “The Stalker” is the tale of a young geology student named Iris and her encounter with a windigo who may or may not be named Goliath.

Seven days more until Halloween, starting the countdown today.  And to help all to celebrate Halloween week, Max Booth III of Perpetual Motion Machine Publishing has pmmpsalechosen my 2014 Bram Stoker® fiction collection nominee THE TEARS OF ISIS, with nine other books, to put on sale for one week only for 99 cents each!  To let Max tell it in his own words:  Starting now and ending November 1st, we are offering ten of our horror titles for only 99c on the Amazon kindle store.  If you’re the kind of person who loves horror and cheap eBooks, then look no further.  Well, okay, look a little bit further — you still have to actually click the links.  So first click here, then scroll down to THE TEARS OF ISIS, fifth on the list — or, to get to TEARS directly, just press here.

In other news, it is nearly Election Day as well and aren’t we all beginning to think in political clichés?  But this one marks the first new fiction acceptance for all of October (not to mention on Halloween week to boot), making it a pleasant surprise indeed!  And oh, the odds!  The email came Monday from Bob Corry of PHOBOS:  After rejecting more than five hundred stories, I’m very happy to accept “Dark Call of the Sea” for our fourth issue.

Well, there were a few things in its favor, though the acceptance did take some time.  The theme for the issue is “Deep Black Sea,” for stories, flash, and poetry hauled from the brine of oceans both real and fantastic. . . .  Did I mention the story’s title is “The Dark Call of the Sea?”  And in fact it hisisnewad been narrowly rejected by PHOBOS for a previous issue, with an apt, but not quite that apt theme, and with a suggestion for a small change which I thought was okay and so adapted to a slightly rewritten ending.  The story itself is a Lovecraftian fable of music and art and a summer ill-spent on a seaside vacation at Innsmouth.

And, speaking of sea stories (as well as art), let me point out that the opening prose tale in THE TEARS OF ISIS — on sale through Halloween, remember? — is “In the Octopus’s Garden.”  For more information on THE TEARS OF ISIS you can click on the link above or, for perusing reviews from its Amazon site, press here.

On a far-future, exhausted Earth a ghoul — an eater of corpses — explores the ruins of one of its greatest cities in hopes of discovering the one thing that made its inhabitants truly human.  This is the premise, the quest. . . .  And so starts the first answer to British blogger Sonnet O’Dell’s questions on DUSTY PAGES (see also just below, et al.) for October 24, exactly one week prior to Halloween.  Other topics include if the glass is half full or empty, motivations, appearing in public, and my first crush — at least that I’ll admit to.  And at the end, we’re back to my upcoming TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH with a quote from the book for the start of a final blurb:  “The city had once lived, blazing with light.  The books all described this.  The Ghoul-Poet sat in the midst of a heap of them, pages torn, rotting, spread out all about him.  This was a library, the pride of New City, or rather a square that had faced the library, that had received this avalanche of thought — words embossed on parchment tombs-final-copy— that cascaded down when the library burst, its walls weakened with age. . . .”  For more, one may press here.

Then Sunday evening, at downtown Bloomington’s Buskirk-Chumley theatre, I was to read the same quote and a little bit more as an introduction to the flavor of TOMBS, followed by one of the book’s story-chapters, “Raising the Dead.”  This was an entr’acte of sorts between screenings of THE EXORCIST and a new Korean film, THE WAILING, as part of a three-film Halloween festival sponsored by local magazine THE RYDER (cf. October 17 — the other film, screened first, was ARSENIC AND OLD LACE followed by a live mini-dramatization of Angela Carter’s short story “The Company of Wolves” by Cricket’s Bone Caravan), billed in THE RYDER’s calendar as “a tale of necromancy, dark fantasy, airships, and doomed love.”  But a funny thing happened on the way from the 1 p.m. sound check to the actual screenings having to do with, live stage sound okayed, a glitch in the sound for the films themselves.  This took about 40 minutes to work out, which was okay for the first two films and the “Wolves” presentation, but by the time THE EXORCIST ended, it was already a bit past 8 p.m.  As a result, including a significant audience drop-off (it being Sunday night, meaning many had to be up early for Monday), we decided to postpone my reading to get THE WAILING back on only-slightly-delayed schedule.

So, tentatively, but more if/when it actually comes to pass, “Raising the Dead” will be read by me at the Ryder Film Festival’s continuation next Sunday, October 30 (yes, All Hallows Eve Eve) at local Bloomington drinkery Bear’s Place at probably a bit after 7 p.m., sandwiched between HORROR OF DRACULA at 5:30 p.m. and an 8 p.m. reprise of THE WAILING.  And, oh yes, for this one you must be over 21.




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