Posts Tagged ‘Zombies’

Well, not just a “sheet” but a whole 256 page book, ITTY BITTY WRITING SPACE (see May 14, March 27, et al.), or at least a Word DOCX copy thereof.  The challenge:  The stragglers are in.  What’s attached is the manuscript proof for our book.  Here’s your assignment.

Step One:  Read your entry carefully (including your listing in the table of contents).
Step Two:  Email me here with either an indication that all is well or exact specifications of changes you want.  This is emergencies only.  Misspellings.  Typos.  Using your real name instead of your pen name.  The time for stylistic “improvements” is long past.
Step Three:  Read the entries immediately before or after yours, checking for typos and similar errors.  If you have the last entry, read the one before and the first.  If you have the first entry, read the one after and the last.
Step Four:  Include suggested changes in the email.

This is the compendium of “100 Stories by 100 Authors,” each story no more than 1000 words long, edited by Dani J. Caili and Jason Brick and with my story in it a 750-word epic, “The Junkie,” about current day medico-socialogical problems . . . and zombies.  And, the challenge further to be getting corrections in by the middle of next week, I made a point of returning mine (just one minor change needed) this evening.  Or as co-editor Brick expressed it, [i]f you can get this done by mid next week, that would be amazing. We’re still on track to ship in June, but we’ll have to hustle a wee bit. 

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Two quick bits of news arrived late yesterday and today, the first from Editor Andrea Dawn that payment (ahem!) for my story “The Bala Worm” (cf. April 26, 6) will be coming in less than a week, with the Tell-Tale Press anthology CREATURES on schedule to appear on Kindle on May 23 with stories also available then on the publisher’s website.   “The Bala Worm,” a novelette of dragon hunting in modern Wales, is itself a reprint, originally published in BLACK DRAGON, WHITE DRAGON (Ricasso Press, 2008) and also appears in my collection THE TEARS OF ISIS.

Then today’s note comes from Editor/Publisher Jason Brick that things had gotten a wee bit behind for ITTY BITTY WRITING SPACE (see March 27, et al.), so to catch up we’re going to . . . skip the step where everybody gets a pdf proof of the copy of their story individually, and roll right on to sending out a pdf proof of the book itself.  Which I’m hoping we’ll send out late next week.  This is an anthology of 100 stories of 1000 or fewer words apiece, “any genre, any style,” including my original flash piece,”The Junkie,” with publication still expected for June.

This afternoon brought the Bloomington Writers Guild’s last “First Sunday Prose and Open Mic” readings at Bears Place (cf. April 8, et al.) for spring, the series going on summer hiatus for June and July.  There were two featured readers:  novelist and essayist Dennis McCarty, whose latest book, THOUGHTS FROM A GENTLE ATHEIST, is expected to be available on Amazon later this month, read parts of three chapters from his REFLECTIONS:  ON TIME, CULTURE, AND SPIRITS IN AMERICA about Idaho’s Minidoka War Relocation Center and the internment of Japanese-Americans during World War II; and mystery novelist and DJ/host of local WFHB radio’s weekly show “All That Jazz” Ray Zdonek read two short chapters from DIANA OF THE DUNES, the latest in his multi-volume Lee Kosac detective series.  Then, following a short break, there were five walk-on readers of which I was first with a holdover from last month, “Che,” originally published in the Summer 2006 BLEEDING QUILL, a flash fiction satire about the George W. Bush administration and how it defeated a terrorist Cuban zombie invasion of the moon.

It was the first new story acceptance for 2019, “The Junkie” (see January 21, 19), a 750 word epic of mean streets, addiction, and urban zombies.  Skid Row with a bite!  And, contracts all worked out, an edited proof copy came back yesterday from Editor Jason Brick for ITTY BITTY WRITING SPACE with a request to get it back “by the first week of April.”  The book:  an anthology of 100 stories, each 1000 words or fewer, in any genre and/or any style.

So today I opened the attachment up and found few changes, mostly technical (e.g., changes in the form of dashes), checked them off, and back it went with a note that I had no quarrels.  Thus one more step taken toward publication, with more to be here as it becomes known.

One of many exciting developments in the horror genre during the 2000s has been the emergence of so many films coming out of Ireland.  Rather than yet another ranking of the Leprechaun franchise (I’ll save you the trouble – ORIGINS is still the worst), this St. Patrick’s Day holiday seems like a good time to celebrate some of the really cool Irish horror films of the last 15 years.  So the feature began, “10 of the Best Irish Horror Films to Watch on St. Patrick’s Day (Or Any Other Day!)” by Patrick Bromley, on BLOODY-DISGUSTING.COM with a note that it had been originally published “one week ago” on hallow-2March 14.  So two days after that it has come to my attention and, as an antidote maybe to the aforementioned “Leprechaun” films (which the SYFY channel actually had on TV on Saint Patrick’s Day itself, but then no-one’s accused them of having taste), here are some Irish films that are good, listed chronologically from 2005 and BOY EATS GIRL to 2019’s THE HOLE IN THE GROUND.

I have to admit I haven’t seen most of these myself (the one pictured is somewhat in the middle, from 2015’s THE HALLOW, picked I confess in part because it’s green) but from the descriptions Bromley offers all of them seem at least worth a look.  For more (better late than never) press here.

After a hectic afternoon including finalizing the PDF for A JAMES DORR SAMPLER (see February 21, below), yesterday evening saw me arriving a half hour late for the “Players Pub Second Thursday Spoken Word Series” (see December 15, et al.), co-sponsored by the Bloomington Writers Guild but on the third, not the second Thursday and not at Players Pub this month but, temporarily, ThBurroughse Blockhouse, another downtown Bloomington bar.  So not to worry, due to a problem involving the band “The Paperback Riot” the program started late as well with featured readers Ian Uriel Girdley and Tony Brewer reading poetry and Joan Hawkins with an elaborate reading of an imagined dialogue between William S. Burroughs and his wife, “William and Joan in the Bardo.”  This was followed immediately by four open mike readings, with the musical part just after, in which I was last with a reprise of my January “First Sundays Prose” (cf. January 6) reading of my building walls satire-with-zombies “Steel Slats.”

Next month the series will move again, this time to a new night, Wednesday, and a newer location at the university area pub Bear’s Place.  More as it develops.

Say what?  Yes, the Itty Kickstarter (see February 3, January 31, et al.) for funding ITTY BITTY WRITING SPACE — as well as its authors! — will end at midnight EST tonight.  That’s the book of one hundred flash fiction stories, by one hundred authors, all genres, all styles, including my epic “The Junkie” of (un)life as a zombie on the mean streets of the city.  And Editor/Publisher Jason Brick has added a new reward, an “Ebook Extravaganza” (also included in the “Book Me + Ebook Bundle” option, plus two at the $60 level and one at $85), to wit:  You get everything in “I Love Living In The Future” PLUS a collection of 12 full-length ebooks by our authors!  How cool is that?  It’s like getting a book for a buck twelve times!  How cool indeed!

The authors included are Ahmed A. Khan, Craig English, Randy Attwood, Cathy Smith, Halli Lilburn, Jean Harkin, Ian Jedlica, Karen Eisenbrey, Russell Nohelty, James Dorr, Ali Lauderdale, Melissa Dull, Stevie Ray Vaughan, Lisa Love, plus Jason Brick according to a recent email, actually a few more than

“At midnight it all turns back into a pumpkin.”

12 if I have it right, but there is one disclaimer.  My entry, anyway, is in the just over 30,000-word range which is a bit short of novel-length by most standards, so if it counts as a “full-length ebook” may be in the eye of the beholder.  The title is A JAMES DORR SAMPLER:  SEVEN STORIES OF FANTASY, SCIENCE FICTION, AND HORROR, and it consists of one story each from my early collections STRANGE MISTRESSES and DARKER LOVES (for more on all of these click the book’s picture in the center column), two from my Stoker(R) nominated THE TEARS OF ISIS, two from my novel-in-stories TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, and one uncollected extra, all in a somewhat “rough and ready” PDF format.

Seems like a pretty good deal to me, bit then I do have a rat in the race.  But check out the kickstarter for yourself by pressing here — and remember to hurry, it all ends at midnight!

Well, it’s on THE-LINE-UP.COM and it’s actually titled “10 Romantic Horror Movies To Watch on Valentine’s Day,” by MacKenzie Stuart, but I didn’t run across it until today.  And anyway, really, ten movies on one day?  To quote the author:  Does the word rom-com send chills down your spine?  If you’re a true horror flick aficionado, you’re likely to dread md_e4939c90cafa-auditionventuring outside of your comfort zone of zombies and psychopaths.  However, horror and romance don’t have to be mutually exclusive.  You can enjoy the best of both worlds with a romantic horror movie that seamlessly weaves touching love stories into your favorite gory films.

And indeed, what films are being suggested, something for everyone starting with SWEENY TODD:  THE DEMON BARBER OF FLEET STREET all the way down to ONLY LOVERS LEFT ALIVE (these two movies, by the way, with a strong musical interest too).  With, in between, WARM BODIES, HELLRAISER, PRIDE AND PREJUDICE AND ZOMBIES . . . and five in addition, all to be checked out by pressing here.  So break out the amaretto along with the popcorn, snuggle up with your significant other (and/or the family cat — yes, Triana, you’re invited too) and enjoy, enjoy!

This one seemed somewhat a long shot for me, but you take a chance and you never know.  It’s in how you translate the guidelines, yes?  The call in this case:  We at Zombie Works Publications are ready for 2019, and are currently seeking thirteen short stories to go into our ALL NEW Monsterthology 2.  Yes, it’s back for a second volume!  Like the original anthology, we are looking for short stories that involve classic movie monsters (Dracula, the Wolfman, Frankenstein, you know classics).  But then what exactly do we mean by classics?

Well, in for a penny, in for a pound.  There wasn’t much time and, while I didn’t really have anything that was exactly a spin off of the movies cited, I did have one dark-humored detective parody set in a post-Katrina New Orleans where certain supernatural creatures (yes, vampires, werewolves, zombies. . .) had come out of the horizontal closet, as it were, to integrate themselves into society.  The title was “Beefcake and the Vamp” and starring in the role of the Vamp was one Guillemette Écouteur which, as I explained in my cover letter, is a French translation of Mina Harker.  Yes, she really had been “turned” (though the 1931 movie with Bela Lugosi would seem to deny this), had gone underground (ahem) in France and then New Orleans, and moreover a long-dead-himeslf Doctor van Helsing had a great great granddaughter who strived to maintain the family tradition.

A bit on the far afield side, one might think.  (And only thirteen stories to be accepted?)

That was January 25.  Then yesterday afternoon, Monday, the email came from Editor/Publisher Alan Russo:  I am pleased to inform you that your story, “Beefcake and the Vamp,” has been approved for publication. We expect it to appear in MONSTERTHOLOGY 2 due out later this year.

And there you have it.

Following sub-zero weather just four days before, Sunday was sunny and in the sixties possibly contributing to a fairly low turnout for February’s “First Sunday Prose Reading and Open Mic,” again at the downtown Soma Coffeehouse (see January 6, et al.).  Featured reader Tom Bitters, with short fiction credits in BERKSHIRE REVIEW and HAMPSHIRE LIFE, among others, lead off with a story as yet untitled about married life and competitive bowling, followed by novelist Julia Karr with the opening chapter, titled “Homecoming,” of the third book in a young adult dystopic trilogy, and with Rwandan documentary filmmaker and author of RWANDA:  COMING TO THE MEMORY Gilbert Ndahayo batting third with descriptions of his life there and in the US, as illuminated by excerpts from a second book in progress.  This was followed by four “open mic” readers in which I was second with my most recent sale, “The Junkie” (cf. January 31, et al.).

Then, speaking of “The Junkie,” even if the special library option has expired, the Kickstarter for ITTY BITTY WRITING SPACE, including that 750-word saga of life on the mean streets and . . . zombies, continues to seek pledges up until February 21st.  It’s doing well so far, but more may be needed to push it to where the writers (that is, including me) can receive a professional pay rate, for more on which press here.




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