Posts Tagged ‘Speculative Poetry’

‘Tis the season and all that, so Saturday had me attending not one, but two parties, the first of which was the Bloomington Writers Guild year-end business meeting, pot luck fest, and open mike for everyone gala (see December 9 2017, et al.).  Chicken, salads, pizza, sweets.  Come reading time, my presentation was four very brief, humorous horror poems, all of which were in this Spring’s STAR*LINE: “Never Trust a Vampiress,” “She Did What?,” “The Young Transylvanian’s Guide to Dating,” and “From the Zombie Hunter’s Field Guide: Tracking the Zombie,” all of which I now discover I’d read before but nonetheless which went over well.

That was Saturday afternoon, while evening brought the local Society for Creative Anachronism annual Yule fest:  more food (ham and turkey, pulled pork, deviled eggs, more sweets) and music, the latter of which I helped provide, my recorder group playing carols for a sing along session, followed, as time in the hall ran low, by a Renaissance tune for people to dance to.  In all a pleasant end to the day, but exhausting also.

Advertisements

“…and to this hour the image of Carmilla returns to memory with ambiguous alternations — sometimes the playful, languid, beautiful girl; sometimes the writhing fiend I saw in the ruined church; and often from a reverie I have started, fancying I heard the light step of Carmilla at the drawing room door.”
– From J. Sheridan Le Fanu’s Carmilla

So this, the final reading on THE POETS WEAVE, on radio station WFIU, was actually broadcast Sunday, October 28.  But that was simply because that’s the Sunday closest to Halloween, while here we can greet today officially with its recording.  Two previous segments were aired on October 14 and October 21 respectively (see October 17, 21), on the “Who” and the “Where” of vampirism.  And now, to end it, are four poems on the “Attraction of Vampirism,” as produced by LuAnn Johnson and introduced by Romayne Rubinas Dorsey:  “Moonlight Swimming,” “The Aeronaut,” “When She Won the One Million Credit Galactic Lottery,” and “The Esthete.”  All poems are still from my collection VAMPS (A RETROSPECTIVE) and may be heard by pressing here.

It starts with a longish poem from Marge Simon, “Robert Browning and the Spider Poet,” and ends with a flurry of poetry by Christina Sng (a fun one, her second, “Catsitting on Halloween”).  No, Triana, don’t get any ideas.  But what it is is a “Gallery of Poetry” in a jam-packed October/Halloween edition of the HORROR WRITERS ASSOCIATION NEWSLETTER.  And, between the two poets already mentioned, are three mini-poems (two haikuish, the third a four-liner) by me.

But for extra fun, the three I chose were all published first on this very blog, on February 14 2013 (yes, that’s Valentine’s Day) and February 14 and September 24 2017.  And one at least, the first, is a love poem (well, sort of a love poem — a warning perhaps).  The others, perhaps, a bit more on the dark-humored side.  The poems themselves are titled “Best Appraise that Diamond Fast,” “The Vampiress’s Embarrassment,” and “Land of Milk and Honey,” and all may be seen (Marge Simon’s, Christina Sng’s, and mine) by pressing here.

“Listen to them—the children of the night. / What music they make!”
– From Bram Stoker’s Dracula

So begins the second of three readings, by me (cf. October 17), on the topic “Let Us Explore Where Vampires May Be Found,” on the Indiana University Public Broadcasting Station WTIU.  The program:  THE POETS WEAVE, produced by LuAnn Johnson and announced by Romayne Rubinas Dorsey, and which may be heard by pressing here.  Thus, to repeat the introduction:  Today, [James Dorr] will read on the subject of vampires and things vampiric from his all-poetry collection Vamps (A Retrospective), which is available from White Cat Publications or Alban Lake Publishing.  More information can also be found on James’ blog.

James reads “Why She Started Writing Poetry,” “California Vamp,” and “Chagrin du Vampire.” 

Listen Now:  Let Us Meet Some Of The Vampires

The word does not necessarily travel fast, but it comes.  Let us recall posts for August 17 and 8 (and also related, September 30, August 26) in which I spoke of recording poems for the WFIU radio feature THE POETS WEAVE.  Today, from producer LuAnn Johnson:  I’m not sure if I ever got back to you about air dates for your episodes.  . . .  The first aired this last Sunday.  The second is scheduled to air this Sunday, Oct 21 — but we’re in our fund drive week so there is a chance they will need to cut it for pitch time.  If so, I’ll reschedule for the following Sunday, and then the third will air the Sunday after that.

Thus the first of three sessions for which one may press here,* as announced by MC Romayne Rubinas Dorsey:  James Dorr writes short fiction and poetry leaning toward dark fantasy and horror, with his latest book a novel-in-stories, Tombs: A Chronicle of Latter-Day Times of Earth.

Today, he will read on the subject of vampires and things vampiric from his all-poetry collection Vamps (A Retrospective), which is available from White Cat Publications or Alban Lake Publishing).  More information can also be found on James’ blog.

James reads “Le Meduse,” “Vampire Thoughts,” “Daylight Savings,” and “Night Child.”
.

*(Or for gluttons for punishment and/or lovers of King Kong, for WTIU’s TV counterpart one may also check here, cf. September 25, 18.)

So it’s over now, the Monday after.  Thanks have been Facebooked to the participants, of which I’m one.  But it ended last evening with a flurry, a reading performance (with sound effects) of a radio play version of FRANKENSTEIN, written and directed by Russell McGee (cf. September 30) and produced by Writers Guild Chair Tony Brewer, for which to quote the playbill, [t]his faithful adaptation presents the creature as an intelligent being that has suffered the injustice of mankind.  In celebration of the two hundredth anniversary of Shelley’s creation, we felt it was important to emphasize Shelley’s text and allow the creature to speak for itself, in Shelley’s own words.  And then one extra twist, to help de-emphasize the hulking, inarticulate monster we may have met in the movies, [t]o that end, we have cast a female actor as the creature to help lift Shelley’s own voice from the text.

It was interesting, the novel itself depicting the “monster” as one that suffers rejection when it really wants companionship with, if friendships with normal humans are too much, at least a creature like itself.  It teaches itself to speak and to read, including such books as Milton’s PARADISE LOST.  But in the end, eight-feet tall and misshapen, it is still driven away, ultimately seeking instead revenge against its creator.  And, if you missed it Sunday, all is not lost.  From the Facebook “thank yous” (including, I might [*ahem*] add, “much gratitude to our panelists and FrankenExperts Monique Morgan, Adam Henze, Joan Hawkins, Rebecca Baumann, and James Dorr”):  The performance will be broadcast on cable access and WFHB, and available online before long, so if you missed the performance you’ll get a chance to see/hear it.

Making buttons, making monsters on Barbie Doll bodies, these were among the attractions in the “Crafts and Activities” room Saturday.  Also scheduled for all day Saturday, and maybe part of the night too, was a full read-through of the novel’s text, part of FrankenFest as well as the Indiana State Library’s One State/One Story program.  This was a team reading, with people signing for 15-minute time slots, and as it happened was of the 1831 text, one available in a large print edition which was a great help in a not always that brightly lit Monroe County Library auditorium.  I was scheduled myself for 1 p.m. to 1:15 but, noting not as many had signed up as had been hoped, also took over an extra slot just after 3.  Be that as it may, Writers Guild Chair Tony Brewer was talking about continuing for hours after the Library’s normal Saturday closing time (which means, as I write this, they might be just finishing up about now), with hopefully extra readers arriving with more late-evening fortitude than me.

Two other items, which also caused pauses in the reading as readers wanted to be at them too, began with a 2 p.m. “FrankenSlam Poetry Presentation” with poems having to do with the novel itself as well as ancillary topics recited by Adam Henze.  That took us to 3 and my volunteer “extra” in the reading room, and then at 4 p.m. IU English Department assistant professor Monique Morgan (who we met two posts below on the FrankenPanel, see October 4) spoke on “The Science and the Fiction in Mary Shelley’s FRANKENSTEIN, on scientific thought in the early 19th century and the influrence on the novel of Erasmus Darwin, Luigi Galvani, and Humphry Davy, and other intellectual threads which added to the novel’s texture.

Well, the lighting seems a bit dark to my eye and it sounds like I might have made a hideous mistake early in the first poem, seemingly reading “or I’ll” for “or else” (hence implying Fay Wray would willingly get her hands dirty, doubtful in light of the second poem), but here it is, my reading of three poems “all revolving around everyone’s favorite, skyscraper-obsessed giant ape,” or so says the accompanying blurb.  And there, for Tuesday September 25, my public TV reading at the local WTIU studio (cf. September 18) of three Kong poems, “Godzilla vs. King Kong,” “On the Other Hand,” and “Monkey See,” for which press here.   (sigh)

Let us recall August 17’s post, including a reading of three vampire poetry presentations I taped for local public radio station WFUI’s “The Poet’s Weave.”  Today was the day for its TV equivalent at sister station WTIU with, according to producer Payton Knobeloch, possible airing on YouTube, etc., “as early as the end of the week.”  Or later, depending on editing, etc.

So, while the vampire readings will wait until closer to Halloween, this approximately three-minute set should appear in such places as YouTube quite a bit earlier, date and link to be shared on this blog if/as soon as I know myself.  Also unlike the radio, these poems were not that closely identified with horror as such, representing a celebration of movie great King Kong.  And to be sure, his love, Fay Wray.  Thus the poems themselves, “Godzilla vs. King Kong,” originally published in DREAMS AND NIGHTMARES, May 2016; “On the Other Hand” in GRIEVOUS ANGEL, 30 August 2015; and “Monkey See” in SPACE AND TIME, Fall 2011.

This one’s just one poem, of a group of three, but every one counts. The email came this afternoon from Editor Tyree Campbell:  I’m accepting one of these, “Escalations,” for the Winter 2019 [that’s this January] ILLUMEN, and you’ll receive payment with your contributor’s copy.  The poem itself is a dark humored one, some might say “silly,” a sort of riff on the classic film short “Bambi Meets Godzilla.”  As with many tales of horror, though, perhaps the real fear should be for what comes after.

Tyree continues, and I agree with him, [m]eanwhile, keep promoting poetry.  So many folks are terrified of it because they’re afraid someone might find out that they don’t understand it sometimes . . . it’s a never-ending battle for us publishers.  Poets, please take note.  While as for “Bambi Meets Godzilla,” to see it for yourself on YouTube press here.




  • My Books

    (Click on image for more information)
  • Chapbooks

  • Poetry

  • Enter your email address to subscribe to this blog and receive notifications of new posts by email.

    Join 1,533 other followers