Posts Tagged ‘Tombs: A Chronicle of Latter-Day Times of Earth’

And now, as promised (see November 9), Lindsey Goddard’s interview for DIRTY LITTLE HORROR is here!  As some may have noticed, these interviews have been sort of frequent of late, as if there’s almost been one every month, and, while I can’t guarantee when the next one might be, there is a reason.  The hope is the word may spread not so much about me but that there’s a new book lurking in wherever it is one goes to find new books:  my novel-in-stories TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH.  And thus some may read it and, if so moved, will hopefully think it worth reviewing on their own blogs, Amazon, Goodreads, et al., and so spread the word further.
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Of course, someone could just find it interesting too.  So for the latest, including the dirt on not just TOMBS but THE TEARS OF ISIS as well, on the lure of dark fiction, on writing styles and whether I have one (or at least can describe it), on creating collections, and more . . . press here.
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A very quick announcement, a new interview of me by Lindsey Goddard is tentatively set for next Thursday, November 16, at

Please, take a seat. funny pics (how’s this for setting it fine) probably about 9 a.m. EST.  Not that it might not be actually announced here until a little later, as I generally email in early afternoon.  But . . . more news on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, the origin of 2013’s THE TEARS OF ISIS, a note about style — and maybe poetry?  Something to chew on in other words, exactly one week before Thanksgiving.

I also might mention that some of us may recall having met Lindsey Goddard before, along with her DIRTY LITTLE HORROR website where she shared with us a series of very funny horror-related pictures (cf. August 29).  One of which (why not?) is reproduced here.

 

So once upon a time, say a month or so before October, the Horror Writers Association was setting up a series of Halloween-related member columns to post, given sufficient participation, one or more a day in October up to the big night.  And so I wrote up a piece on how, in a university community with a lively arts scene, those of us too old for trick-or-treating and/or jaded on parties can always find things like mini spooky film festivals to help celebrate the season.  Calling it “No Place to Go for Halloween?” I wrapped it together with bio and social link material plus a raft of info on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, as participants were instructed to do (that is, to include information on latest books, projects, etc. — also, if desired, to offer prizes for those who commented and the like) and sent it in.
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Well. times were busy, and while I checked in at one point to see if my piece had been put on the schedule, I didn’t find it (or so I thought, though in retrospect it may be just that things weren’t final yet).  So I figured that maybe they couldn’t use it — no big deal, one can’t use everything.  So it goes.  And it being a busy time for me, I ended up failing to follow the feature myself after about the first week and a half .
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Silly me!  So yesterday afternoon (today being exactly one week after Halloween) I received an email from Coordinator Michele Brittany with contact information on those who had commented on my column.  It had in fact been used after all on October 21!
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And so, in lieu of having  announced it at the time, for those not members of the HWA or otherwise having missed “HALLOWEEN HAUNTS,” to see my part in it (and from there, if desired, to go to the other daily columns — just  click “HALLOWEEN” on the bar at the top) one may press here.

Two quick items, the first that Gehenna and Hinnom’s YEAR’S BEST BODY HORROR 2017 ANTHOLOGY (see September 25, et al.) arrived in yesterday’s street mail just in time for a glance through on Halloween, which seemed sort of proper.  It is a big book, as noted before just from the contents, with my story in it a reprint from some years back titled “Flesh,” about a man who wishes to gain weight.  For more on YEAR’S BEST BODY HORROR 2017 one can press here.

Then this morning I came across a short tale on Carrie Ann Golden’s A WRITER & HER ADOLESCENT MUSE blog, “A Halloween Haunt Story,” which is well in the spirit and can be read here.  But the thing is, then scroll down to the end and at the right is a link to “Author Interview:  James Dorr” — a rerun, as it were, of Carrie’s last year’s just-after-Halloween (cf. November 14 2016) interview of . . . moi.  So for still valid info on me, for those who may have missed it, on the not yet out TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH as well as THE TEARS OF ISIS, themes found in my writing, characterization, an excerpt from TOMBS, and other such lore, just give it a click as well.*

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*As now it happens (November 2) that the links below the story may change from day to day, mine no longer being in the slot.  So, if still interested in Carrie’s year ago interview of me, a direct link is here.

Nine days to Halloween — how time does fly!  So to anticipate the upcoming holiday, THE HORROR TREE has just posted an interview of me, a long one by Ruschelle Dillon which even includes a question, with picture, about the Goth Cat Triana (with mention as well of dear departed Wednesday).  Did you know both of them have their own web pages (look for their names under “Pages” to the right)?  Captain Kirk or Jean Luc Picard?  (Yes, that’s one of the questions, but how do the “Casket Girls” fit in?)  Meldings of horror, science fiction, and romance.  Art and Death. Which TOMBS tale was “honorable mentioned” in Circlet Press’s BEST FANTASTIC EROTICA 2007?  Inspirational kitties.  Novels-in-stories.  And what does Poe’s “Poetic Principle” have to do with it all?

These and more — you know the routine!  Some things secret, some better well known, but all of them open for readers’ enjoyment by pressing here.

We may remember Heidi Angell.  To quote myself from June 9 this year, one of several posts linking to Heidi’s blog (cf. that date, et al.):  “It began innocently enough with a Meet the Author Interview.”  So begins Heidi Angell’s entry on her blog, AN ANGELL’S LIFE OF BOOKISH GOODNESS, complete with a link to the interview itself (cf., also, January 10), followed by a note and links for the three guest posts also published on TOMBS over the past several months (cf. May 18, et al.).  But that’s not all, even before that Heidi has posted a video of her first impressions which, by way of a preview, you can check out here (or, again, the link is there as well for you).  But then comes the main event, for which I can just say “Wow!”, Heidi Angell’s review of TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, for which please press here.  There’s yet another item, though, in AN ANGELL’S LIFE, a reading of excerpts or stories from books to give would-be readers an even greater impression, under the aegis of STORY TIME.  An audio-visual lagniappe, if one will.  So Heidi and I selected one story that she might read from section III, “Intimations of Future Disaster,” a fairly short tale giving some of the TOMBS world’s background within the love story of Ipanema and Partimar, titled “Carnival of the Animals.”

“Carnival of the Animals” was first published as a stand-alone story in the literary ezine LENOX AVENUE for July-August 2005.  To quote its subtitle:  Two by two they passed through the New City, these the beasts of the Southern and Eastern wastes — and not just beasts only.  And as they went their way, there seemed so many that some questioned what was left.

For the story, press here.

Well, life in the far future as depicted in TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH is, to be sure, not exactly cheery.  And Amazon’s keywords do include the term “Dystopian,” as well as “Horror.”  But here’s a description from Erin Roberts’s “How to Tell If You’re Living in a Dystopia — And Why It Matters,” from TOR.COM:  Dystopian fiction, which comes from the Ancient Greek words “dys” (bad) and “topia” (place), lives up to its name by featuring worlds in which reality is cruel, suffering is extreme, and hope seems pointless.  But not every horrible place is a dystopia — the trope usually features a world in which society itself is the problem — and not every dystopia is horrible in the same way.  The social order is broken, but how?  The system has been corrupted, but by whom?  These futures may be bleak, but they are not interchangeable.  And so the question, are troubles in TOMBS primarily that of a social order (or orders) gone wrong, or is it more just a physically lousy place to live?  Or some kind of combination of both?

Ms. Roberts suggests four questions one could ask to determine whether one’s milieu is dystopic or not, mostly having to do with societal origins and hopes of relief, but as some of the comments after may suggest those might not be the only criteria.  But see for yourself by pressing here.  While as for TOMBS, for more information click on its picture in the center column, read the reviews, and perhaps buy a copy.

A time of revelry and reversal, Saturnalia represents the breakdown of what has been deemed the natural order.  HYPERION AND THEIA’s inaugural volume wants stories and poetry that runs the gamut of genres and turns expectations on their heads.  Submit a fantastical murder-mystery set in the biggest carnival in Atlantis.  Wow us with a sweeping romance in space where gods and goddesses serve their creations after a bloody war. . . .

Such had been the call some months ago and, last December, came the acceptance (cf. December 9 2016).  My “epic” poem DREAMING SATURN, originally published in the anthology DARK DESTINY (White Wolf, 1994) would not only be in the inaugural volume, but tentatively would be set as the opening item.  A contract would follow.

So you know how it is.  Life intrudes, delays happen.  But then, yesterday:  Sorry for the long wait!  I have attached the final contract for you to sign.  I will contact you again on the 27th of October with the cover and other promotional material.  Suffice to say, the signed 8451b32b-e3c4-41cb-8f3e-7c6834708f13contract went back in the email this afternoon.

In other news, a run through the e-bookstores this morning unearthed a 33-percent discount for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH on Barnes and Noble, at $9.99 — and that’s just the “official” price, with individual sellers’ new copies as inexpensive as $8.98.  There’s no indication how long these prices may last, so best take advantage soon!  Amazon, also, while listing the full price of $14.95 on its site, has several individual listings in the $10 to $11 range.  If interested, check out Barnes and Noble by pressing here; while Amazon can continue to be found, including several substantive reviews, by clicking TOMBS’ picture in the center column.

The crowd wasn’t the hugest, even including the homeless guy asleep in the back row, but was gratifyingly enthusiastic for this month’s “First Sunday Prose Reading and Open Mic”(cf. August 7, et al.), co-sponsored by the Bloomington Writers Guild and Boxcar Books, and anyway it had to compete with a lovely late-summerish afternoon outside.  And, yes, this was October.  Be that as it may, it was also our starting-the-buildup-to-Halloween special, with featured readings beginning with Frida Westford and two short shorts, “That Which Remains” about a displaced bog spirit paired with a fairy tale brought up to date in “The Eve of All Hallows,” and ending with Joan Hawkins and Tony Brewer performing brief excerpts from the screenplay for Ken Russell’s never-produced film version of DRACULA, with the title character an aesthete who specializes in biting artists about to die in order to give them eternal life to continue producing.

My reading came in between these two with a presentation from TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH somewhat paralleling that of the previous month at the Bloomington Arts Festival “Spoken Word Stage” (see September 3), this time with the book’s back-cover blurb plus the ghoul-poet’s tale from Section III to introduce the chapter-story “Carnival of the Animals,” and seemed to me to be well received (snoring homeless guy in the back notwithstanding).

Then after the break, with banana bread and ginger cookies, four readers, all of whom we’ve met before, offered open microphone presentations to cap the afternoon:  Tonia Matthews, Shayne Laughter, and (this time separately) Tony Brewer and MC Joan Hawkins.

Labor Day, the “official” ending of the summer season, no wearing of white till the next Memorial Day, the beginning of work through fall and winter, and . . . what’s that about a connection between Edgar Allan Poe and Winnie the Pooh?  For that last, welcome to the first interview for Fall 2018, courtesy of THE TATTOOED BOOK GEEK (cf. August 20), coming to us from across the Atlantic.  The answers to questions which sometimes boil down to “I don’t know either” — and some where I do!  The origins of ideas?  Writers of influence?  What can a reader do (other than buying his or her books, of course) to best help an author?

And what of connections not just between Poe and Pooh, but art and death?  Revealed perhaps in a peek at the Stoker(R)-nominated THE TEARS OF ISIS.  And “mosaic” novels?  The hint’s in a note and a blurb for my latest book, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH.  Again to find out, some things possibly already known, other things all new, one need but click on the books’ own pictures in the center column, and also for British blogger Drew Weldon’s THE TATTOOED BOOK GEEK interview, press here.




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