Posts Tagged ‘Tombs: A Chronicle of Latter-Day Times of Earth’

Labor Day, the “official” ending of the summer season, no wearing of white till the next Memorial Day, the beginning of work through fall and winter, and . . . what’s that about a connection between Edgar Allan Poe and Winnie the Pooh?  For that last, welcome to the first interview for Fall 2018, courtesy of THE TATTOOED BOOK GEEK (cf. August 20), coming to us from across the Atlantic.  The answers to questions which sometimes boil down to “I don’t know either” — and some where I do!  The origins of ideas?  Writers of influence?  What can a reader do (other than buying his or her books, of course) to best help an author?

And what of connections not just between Poe and Pooh, but art and death?  Revealed perhaps in a peek at the Stoker(R)-nominated THE TEARS OF ISIS.  And “mosaic” novels?  The hint’s in a note and a blurb for my latest book, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH.  Again to find out, some things possibly already known, other things all new, one need but click on the books’ own pictures in the center column, and also for British blogger Drew Weldon’s THE TATTOOED BOOK GEEK interview, press here.

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While Saturday started off a bit cool and clouded for my taste, the sun had established itself by a little past noon and Sunday followed sunny and warm too, a beautiful weekend for this year’s Bloomington 4th Street Festival of Arts & Crafts and, with it, the Bloomington Writers Guild’s Spoken Word Stage (cf. below, August 30).  Along with a number of poets both days, Saturday also brought Bloomington High School South’s Poetry Out Loud (getting the new generation on our side), children’s theater with the Merry Mac Players, FRANKENSTEIN as presented by the Fig Tree Fellowship Radio Players, and poetry “band” Shakespeare’s Monkey.  Then Sunday introduced more prose fiction readers, including Joan Hawkins and Shayne Laughter who we’ve met before (cf., e.g., various First Sundays Prose readings, for which in a way today’s Spoken Word session was a substitute), and . . . somewhat late in the day at 3:30 p.m., me.  In my case, I read three excerpts from TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, the back cover blurb and the introduction to Section II — by way of a sort of introduction — followed by the Section II story-chapter “The Last Dance.”  This was the same as the reading I presented last July at NASFiC in Puerto Rico (see July 13) and it seemed to go over well to an audience that started out on the small side, but grew as I continued, a good sign as these things go.  Next month, also, I’ll probably read the same first two parts but a slightly shorter story-chapter for October’s First Sunday.

Then speaking of TOMBS, Saturday’s email brought an “eligibility check” from the Horror Writers Association for works submitted to the Bram Stoker Award(R) Jury.  This consisted of questions concerning publication date, length and content, and prior publication (if any) of parts of the contents, all of which I was able to answer in the affirmative and send right back.  While this will be checked by the Jury people, with an official “acceptance” probably not for two weeks, one possibly ambiguous thing has been decided.  Although TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH is a novel-in-stories, akin to Ray Bradbury’s THE MARTIAN CHRONICLES or Amy Tan’s THE JOY LUCK CLUB, under the technicalities of the Stoker rules, it will be voted on in the Fiction Collection category.

So what that means in the here and now:  If you’re a HWA member and have read TOMBS, and have a hankering to recommend it for a Stoker, please do it for “Superior Achievement in a Fiction Collection.”  But even if you’re not a HWA member, while/if the spirit moves please also consider reviewing it for Amazon and Barnes & Noble (both of which are offering wildly discounted prices on TOMBS, by the way, while they last), as well as on Goodreads.

“Now in its 7th year, the Spoken Word Stage at the 4th Street Arts Festival is one of the largest literary performance events in the Midwest, featuring storytelling, poetry, fiction, non-fiction, live radio theatre, and other unique collaborations,” the announcement tells us (see also, below, August 9 and 7).  As in years past, I will have a slot too, billed as “horror fiction” from 3:30 to 4 p.m. Sunday afternoon, September 3rd.  The event itself, arts fair, music, local displays, and the Bloomington Writers Guild-sponsored “Poetry on Demand” booth and Spoken Word Stage, spans the Labor Day weekend, Saturday and Sunday September 2 and 3, arrayed along 4th Street in Bloomington, Indiana.  Or more to the point for the Spoken Word Stage, just off 4th on Dunn Street.

Here is the schedule, as of today, noting again that I’ll be on Sunday with excerpts from my novel-in-stories, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, from 3:30 to 4.  And if you like it, I’ll be up again with an excerpt from a different section the following month, in a featured spot at the Writers Guild’s First Sunday Prose Reading, on which more later.

SATURDAY Sep 2
10:30 Shana Ritter (poetry)
11:00 5 Women Poets (poetry)
11:30 Merry MAC Players (theatre)
12:00 Merry MAC cont’d
12:30 Butch D’Ambrisio (sonnets)
1:00 Alex Hollett (poetry)
1:30 Abegunde (poetry)
2:00 Matt Hart (poetry)
2:30 Wil Gibson
3:00 PrideSlam Showcase (poetry)
3:30 Bloomington High School South Poetry Out Loud (poetry)
4:00 Fig Tree Fellowship Radio Players (audio theatre)
4:30 Fig Tree cont’d
5:00 Steve Henn (poetry)
5:30 Shakespeare’s Monkey (poetry band)

SUNDAY Sep 3
10:00 Tony Brewer (poetry)
10:30 Eric Rensberger (poetry)
11:00 Joan Hawkins (fiction)
11:30 New Leaf New Life volunteers (poetry and fiction)
12:00 Adam Henze (poetry)
12:30 Shayne Laughter (fiction)
1:00 Jack Ramey (poetry)
1:30 Jasper Wirtshafter (poetry)
2:00 Wil Gibson
2:30 Arbutus Cunningham (storytelling)
3:00 Cricket’s Bone Caravan (audio theatre)
3:30 James Dorr (horror fiction)
4:00 Lisa Kwong (poetry/personal essay)
4:30 Bloomington Storytellers Guild (storytelling)

In other news, today brought proof sheets for “Flightless Rats” from FANTASIA DIVINITY (cf. July 7, et al.) which, with one correction noted, went back this afternoon.  To be published in the September issue, “Flightless Rats” is the tale of New Orleanian “Casket Girl” Aimée a-prowl for a new husband, but how some prospects may not make the grade.  It is a reprint, originally published in T. GENE DAVIS’S SPECULATIVE BLOG, January 12 2015, and has also appeared in the flash fiction anthology MOCHA’S DARK BREW: 10 TALES OF HORROR (Mocha Memoirs Press, 2016).

Exciting times!  Exactly a month ago, July 20, I submitted a reprint, “The Borrowed Man,” originally published in THE GIRL AT THE END OF THE WORLD, BOOK 1 (Fox Spirit Books, 2014 — cf. August 8 2014, et al.), to Digital Fiction Publishing for its upcoming DIGITAL HORROR FICTION anthology.  And so the reply received today from Editor/Publisher Michael Wills:  Thank you for sending us “The Borrowed Man”.  We think it is a great fit and would like to publish it.  We will be in touch shortly with a formal contract and details for your review.  And then also today, there came not just one, but two contracts to sign, the second for DIGITAL SCIENCE FICTION to republish “The Needle-Heat Gun,” originally in NIGHT LIGHTS (Geminid Press, 2016 — see July 29 this year, et al.), both of which went back this afternoon.  “The Borrowed Man,” I might also add, is set in the far-future universe which includes TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH, although the story is not in the book itself.  But should you read it and like it, and have a yen to explore its world further, you can find more by clicking TOMBS’s picture at the top of the center column.

Then for yet more about TOMBS, THE TEARS OF ISIS, and writing in general, word came today that a new interview of me has been scheduled for Monday, September 4, by British blogger/reviewer Drew Weldon for his THE TATTOOED BOOK GEEK.  That’s the Labor Day holiday here in the States — plenty of time to read and enjoy it.  More on which when the time comes will be here.

So I’d been invited to be in this reading group discussion that brought up the possible influence of “classical” vampire movies on what a character would know about vampires, given the time the book takes place.  This brought up (on my part) some details about the Universal Pictures sequels to the Bela Lugosi version of DRACULA and how, wandering a bit off topic, I had been introduced to these myself via Saturday night horror movie shows on TV.  But checking some details brought me farther off topic to the shows themselves and their often iconic-in-their-own-right hosts.  Me, I liked “Zacherley” (a.k.a. John Zacherle) after he’d moved from Philadelphia to New York.  And from there I was brought, via LISTVERSE.COM, to “Top 10 TV Horror Hosts” by Dan Lepore, for which press here (and note as well, most come with with clips from the shows themselves, for which be especially sure to scroll down to number 4 to witness Maila Nurmi’s 1954 opening of THE VAMPIRA SHOW).  And not only that, but here’s an extra (more serendipity), Zacherleys 1958 performance of  the song “Dinner With Drac,” for which press here!

Then one more note, having recently pointed out discounts on B & N and Amazon for TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH, for UK readers in particular (albeit I’m giving US prices here) it’s being offered at 29 percent off its $14.95 list price, at $10.52, on the Book Depository, for which press here.  At least for the time being.

One quick note and one just for fun.  The quickie, as of Sunday a new review is up on Amazon for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, by Andrew Suhrer, a fellow author.  And it’s for five stars too!  In fact, all reviews both here and on B&N (three reviews there) are 5-star reviews, if I may so brag.  (Though to keep myself honest, there are two on Goodreads that aren’t quite as glowing.)  Nevertheless, for the ones on Amazon one may press here.

And then the fun part, fellow poet and Science Fiction and Fantasy Poetry Association member (and one-time editor of the SFPA journal STAR*LINE) Marge Simon posted a challenge a little while back, to compose a poem of twenty lines or less using the words “Vermin,” “Theremin,” “Decision,” and “Vitamin,” for e-publication in SFPA’s newsletter.  The best, also, would get an ice cream prize.  A half dozen or so of us responded and while, no, the prize-winner wasn’t mine, it was one of two that got honorable mentions.

Alas, I don’t think there’s a link to see all the poems if you’re not a member, but for more on the SFPA (see also, March 29, 22, et al.) one may press here.  And to read at least my poem, it’s right below:

MUSICAL SUMMER

Vermin infested the theremin,
roaches by the look of them,
probably the same that invaded the drugstore’ s
vitamin counter
two weeks before.
So now these super bugs
bursting with good health and bad decisions,
operating the instrument from inside,
wailed their hatred of all that was human
out beyond the stars.

 

Enjoy, enjoy!

It’s either going to be a big, big book or a lot of the stories will be rather short, but Gehenna & Hinnom’s upcoming YEAR’S BEST BODY HORROR (cf. May 8) looks like it’s going to be exciting reading.  Set for a publication date of September 30, here is the table of contents along with the cover, as released Wednesday evening by Editor C.P. Dunphey.

Table of Contents:

(Note:  We have decided to go by alphabetical order by author for the stories, since there are just so many high quality pieces.)

Foreword by C.P. Dunphey
Introduction by ?????

STORIES:
“SLOBBER” by Shaun Avery
“ERUPTION” by Charlotte Baker
“DEVIL’S TEARS” by Shadrick Beechem
“AN ANGEL AMONG US” by David Beers
“HUMAN-KINGS” by Austin Biela
“WRIGGLERS” by Chantal Boudreau*
“LITTLE MONSTERS” by Ed Burkley
“TOM’S THUMB” by K.M. Campbell
“FAMILY DINNER” by A. Collingwood
“THE ITCH” by Stuart Conover
“THE BLIND ASSASSIN” by Damien Donnelly
“FLESH” by James Dorr*
“A NORMAL SON” by Spinster Eskie
“GAS MASK BABY” by Santiago Eximeno
“HUMAN BODY” by Balázs Farkas*
“FRESH FACE” by Tarquin Ford
“MEET THE WIFE” by Kenneth C. Goldman*
“MADMAN ACROSS THE WATER” by James Harper
“MANTIS” by Kourtnea Hogan
“CICADA” by Carl R. Jennings
“TETANUS” by Christopher Vander Kaay
“GRUB” by Alexander Lloyd King
“MY LOVE BURNS WITH A GREEN FLAME” by Thomas C. Mavroudis
“THE FACE IN THE MIRROR” by Sean McCoy
“PORPHYRIA” by John S. McFarland
“THINGS” by Rick McQuiston
“THE FLESH GARDENER” by Jeremy Megargee
“EAR WAX” by G.A. Miller
“THE FACE” by Kurt Newton*
“BATTLEGROUND” by Drew Nicks
“WHIZZ-BANG ATTACK” by Sergio Palumbo
“THE ALWAYS WATCHING EYE” by Gary Power
“HOT FLASHES” by Jenya Joy Preece
“THE IMPLOSION OF A GASTROCRAT” by Frank Roger*
“NO STRINGS” by Josh Shiben*
“BABEL” by Ian Steadman
“A POUND OF FLESH” by Edmund Stone
“CONDITIONED APOCALYPSE” by Aric Sundquist
“LENGTH” by David Turton
“NATURAL GROWTH” by Mijat Vujačić*
“UTTER NO EVIL” by Joseph Watson
“DOWN WHERE HER NIGHTMARES DWELL” by Sheldon Woodbury

* means reprint

And in an ongoing news note, both Amazon and Barnes & Noble are back to offering pretty deep print copy discounts for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, with the B&N price at $11.28 (compared to a full price of $14.95) and Amazon at $10.65, 25 and 29 percent off, respectively.  (For electronic prices, B&N’s Nook is at $8.49, Amazon’s Kindle $8.99.)  I don’t know if this is an August thing, or if it will even last through the month — or extend beyond.  However, if interested, Barnes & Noble can be checked out here and Amazon here.

On both sites there may be individual sellers as well with copies at even lower prices.  But if you find the bargain you want, and like the book too, please consider posting a review of TOMBS at both locations.

As posted just below there will not be a September “First Sunday Prose Readings” scheduled because the Bloomington Arts Fair, and with it the Writers Guild’s “Spoken Word Stage,” will be on that weekend.  And now a preliminary schedule has been released, with me slotted for a half hour of “horror fiction” at 3:30 Sunday, September 3.  The reading most likely will be from TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, probably the same program I offered at NASFiC last month (cf. July 13).  Then, as we already know from the post below, I will also be a featured reader when First Sunday Prose resumes on October 1, most likely again with a story-chapter from TOMBS, but a different one this time.

In other news, PayPal has apparently adopted a policy this year of refusing to tell people when they’ve received payments, one would like to presume for good purpose.  Keeping us on our toes, for instance, or maybe trying to discourage small businesses from reporting earnings to the IRS.  I’ve asked (well . . . complained to) PayPal about this for which they’ve responded thus far by not bothering to get back to me on it.  Be that as it may, today I’ve discovered — only four days late! — that another mammoth royalty payment has been received by me, of nearly a whopping three times as much as the amount the PayPal folk skimmed off for themselves (to cover, presumably, the cost of providing such services as not emailing me that I’d received it).

For how much?  From whom?  For what story and where?  Well, as is my custom, let’s let that be secret to prevent embarrassment on all sides, but this is for an anthology that’s been in print for a few years now, and for which the initial payment had been refreshingly substantial (well, for an individual story, shall we say in a highish two figures?).

In Saturday’s mail, but no, it wasn’t concerned with TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH which, after all, was only published at the beginning of last month.  No, this was a 6-month-plus check for stories in two Elder Signs anthologies, DARK HORIZONS and STREET MAGICK (see March 16; November 27, 4 2016, et al.), that came out in October and November last year, respectively.  The stories in these were both reprints, “Dark of the Moon” in DARK HORIZONS, of lunar exploration and . . . monsters originally published in THE CHILDREN OF CTHULHU (Del Rey, 2002), and STREET MAGICK’s “Bottles,” from CROSSINGS (Double Dragon, 2004)*, of Cold War paranoia and vampires.  And best of all, even though anthologies rarely bring in BIG bucks (the royalty having to be divided among, say, twenty or so different authors, plus editors, et al.), the check for these books is for a respectable two-figure sum.

So no need in this case to keep things anonymous — both books, in fact, were on the shelves briefly in Barnes & Noble’s brick and mortar stores (though not, alas, TOMBS, though I understand it was considered) — as has been the case for most royalties periodically received, in order to avoid embarrassment all around.  Indeed the amount here, put into edible terms, would easily have been enough for a decent dinner for two back in the days when I was courting the woman who was to become my ex-wife.  (Though perhaps it wouldn’t go quite that far now.)  That is, to cover both nourishment and love, which is not a bad deal at all.

 

*And also reprinted in THE TEARS OF ISIS.

Today?  Yesterday?  The start of the month?  These types of changes sneak up on one, but this afternoon’s traipse of the internet has revealed that TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH can now be obtained in both Kindle and Nook for electronic readers.  The cost on Amazon is $8.99 as can be discovered (and should one wish, ordered) here while its Nook equivalent can be found for only $8.49 on B&N’s site here (though you then have to press the “See All Formats & Editions” button).  Of other statistics, TOMBS is listed by Amazon in both formats as having been published on June 1, though as we know that was actually the print version only.  Also, one may have noticed the new Nook version comes in at fifty cents less than Amazon’s Kindle, convenient for electronic bargain seekers, but while B&N charges the full list price of $14.95 for its print edition, Amazon cuts that by a whacking two cents to come to a mere $14.93.  (Needless to say, the days of pre-order and later-in-June deep discounts are past, but several reviewers on both the sites seem to indicate the book’s worth its full price.)




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