Posts Tagged ‘Tombs: A Chronicle of Latter-Day Times of Earth’

Another triple play starts the week (we seem to have had a lot of these this month).  So beginning last Saturday. . . .

1.  As we already know, eco-anthology MOTHER’S REVENGE was not to be out in time for Earth Day as originally planned (see April 11, et al.).  However I did receive payment Saturday, April 22, so things are in process —  and one might add it made for a pleasant Earth Day surprise;

2.  Also in process, CREEPY CAMPFIRE QUARTERLY plans to publish instead with DEADMAN’S TOME continue apace (cf. post just below), with a new revised contract received, signed, and returned today;

3.  And, as part of the daredevil life of the writer, much of last week for me was taken up with a second, meticulous (hopefully) proofreading of TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH (for information on which, plus pre-order, see its picture in the center column).  Bleary-eyed, I sent in the final corrections today, only three that I could find and all very minor, so a tip of the hat this afternoon to publisher Elder Signs Press for a job well done so far!  If all else goes well, the novel should be out in paperback form on June 1, with a Kindle edition to come sometime later.

Another month, another interview, so it may seem.  See, e.g., April 7, March 13, January 10 . . . and that’s just this year!   But come June 1, TOMBS:  A CHRONICLE OF LATTER DAY TIMES OF EARTH is expected to be published and it’s all a part of getting the word out.  Besides, interviews can be interesting both to reader and interviewee if one puts one’s mind to it.  And even fun.

So word came today from blogger Gwendolyn Kiste who interviews quite a number of writers, samples of which can be found by pressing hereThank you so much for your responses!  At this point, it appears that the interview should go live on my website in mid-May.  I will definitely send you an email when I post it.  

And there we have it.  More secrets bared:  My writing habits (some of them quite bad).  The influence of music.  Contributions by the goth cat Triana.  And with this the latest on THE TEARS OF ISIS and, lest we forget, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH.  One of the fun things, in fact, is that each interviewer is different as well, not just in their questions (some of these, of course, may be common to more than one interview) but also in their approaches to questioning.  Matter of fact?  Interested in detail?  Fun-loving?  Quirky?

Search on “Interview” in the “search here” box at the upper right for a tour of the dates I’ve listed above — a possible project for an otherwise dull rainy day?  And check here in May for a link to the newest by Gwendolyn Kiste as soon as I have it!

Secrets, secrets.  What was my “first ever” book, and why?  (Hint, long out of print, you usually won’t see it in my current bio-notes.)  Do I claim a specific writing style?  Does my novel TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH have an ultimate message for readers (and what is the relation of TOMBS to what dramatists call “the five act structure”)?  In the process of coming up with a title, how did TOMBS differ from THE TEARS OF ISIS?  And now the answers, to questions I wouldn’t have dreamed up myself and many, many more have been revealed, courtesy of blogger extraordinaire Fiona Mcvie on AUTHORSINTERVIEWS.

And maybe a little more will be there on ISIS as well, or how Peter Lorre might have made a good “Ghoul-Poet.”  If curious, press here.  (And if interest is piqued by what you find, links are provided at the bottom for pre-ordering TOMBS as well as ordering THE TEARS OF ISIS — or if in a hurry, just click on their pictures on this page in the center column.)

Hello Lovelies,
 
We have another awesome guest post from author James Dorr, as he shares with us the inspiration for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, which releases in May.  I have to be honest, it has been a true pleasure reading James’ insightful posts, and I am definitely excited to read TOMBS!  Without further ado, let’s turn the time over to James!

So begins today’s blog from Heidi Angell, with one small correction:  TOMBS is listed by Amazon for release on June 1, though that’s close to May (and if you would like to see for yourself, or perhaps pre-order, one can press here).  But given her next sentence, how can I resist quoting exactly the words she uses?  This, then, is the second guest essay on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH on Heidi’s blog, the first on “What Is a Novel-In-Stories?” posted on February 9 (for which, below, see February 13).  While the first told about the structure of the novel itself, this one, titled “It Began With a Map,” is more on the structure of the world depicted within the novel and how it was developed.  To quote myself:  The original planning for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH began with a map — different areas were defined in terms of the people who lived there.  More or less “normal” people lived in the New City and the Tombs; ghouls, the eaters of the dead, were in the Old City; boat gypsies lived on the river — they were mostly normal, but prone to disease from the river’s poisons, thus leading short but more intense lives; more or less normal people again lived in the Port City, far down the river, but had a higher proportion of mutants. . . .  And so I continued by wondering what various people did for their livings, social relations between males and females (some of which may seem a reflection on where we might be heading now), and end the post with a sort of portrait of a “typical” night in the Tombs itself, the necropolis just to west of New City across the great river.  Or, better, read it yourself by pressing here.

So, probably around the end of April/beginning of May I hope to have a third essay for Heidi, hopefully ramping up interest in the book itself when it’s out in June.  And I might mention also that this series really began with Heidi’s interviewing me at the start of the year (cf. January 10).  Those late to this blog can catch the interview by pressing here, or if interested in the novel’s structure, my first guest essay can be found here.

Something new indeed!  So said the email from the Science Fiction and Fantasy Poetry Association (SFPA):  We would like to try something new this year to get our members excited about and more involved in the Rhysling Award:  to post about the poets behind the poetry on our blog “SpecPo”.  We would like to post a brief bio, a picture and links to your poems online.  If your poem(s) is/are only available in print, please consider posting them to your own blog or website or an author’s website to which we could link.  Otherwise, we have access to the information and there’s no need to send a picture, bio or the links.  The idea is that six poets per day will be showcased starting on April 1 (which one hopes will not be a foolish omen) and continuing every other day for about six weeks with, if I’ve read the schedule right, my fifteen minutes of fame, or fraction thereof, on April 19.  At that time — or now as well, I suppose — the SpecPo blog will be able to be reached by pressing here.

Who knows, then, what picture of me they’ll have to post!  What biographical secrets they’ll reveal!  (Of the latter, just in case they’re out of date, don’t forget [*ahem*] I have a novel, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, coming out in June.)  Or, more to the point, my poem in this pea patch, “Godzilla vs. King Kong,” was published in the print-only journal DREAMS AND NIGHTMARES so where will they find the link to publish?  And so, for that last, why not . . . here (and note a small correction to lines 10-11 should you have the D&N copy with you).

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GODZILLA VS. KING KONG

It came down to this, finally,
the fight of all fights,
Godzilla against the King,
armed with his radioactive bad breath
and his lizard cunning,
while what could a monkey do?
“Do what you do best,”
Kong’s trainer, Fay Wray, told him,
“climb if you can, or else throw feces at him.”
Well, climbing was pretty much out of the question
unless he climbed up Godzilla himself,
the skyscrapers of Tokyo already demolished,
but, vis-a-vis Kong, ‘Zilla wasn’t that tall
and the other plan didn’t seem sanitary.
So Kong made sure he’d had a good night’s sleep,
a hearty breakfast of bananas by the bunch,
then stood his ground in the city’s ruins
delighted when Godzilla, stomping nearer,
slipped suddenly on his breakfast’s discarded peels,
taking a dive, backward, into the harbor.
Godzilla could also breathe under water
so, soon enough, he was climbing back out
dripping mud and dead crabs,
except Kong, by then, had already accepted
the winner’s purse,
and was halfway back to his Skull Island home.

Such is the spirit of serendipity, the things we discover.  As, last night, re-checking URLs for Saturday’s post, what should I find out but that Amazon is running a fairly hefty discount for pre-ordered copies of TOMBS.  I haven’t the foggiest idea of how long this is for — best to hurry, just in case! — but as of right now the pre-order price for the print edition of TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH is only $10.37, with publication planned for June 1.  I’m not going to do the arithmetic to find the percentage, but the full price is listed as $14.95, giving a savings of $4.58 a copy which seems like a pretty good deal to me.  So to check for yourself, just push on TOMBS’s picture on the center column or, if you prefer, press here.  And please tell your friends — not to mention, when it arrives in June and after you’ve read it, if you like it please consider giving Amazon back a review!

Hark us back to a Thursday seven weeks ago, February 9, and recall that I had a guest blog published by Heidi Angell, “What Is a Novel-In-Stories?” (see February 13*), nakedly pimping — guess what? — my own mosiac novel, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH.  You thought it was over?  But now it comes out:  “What Is a Novel-In-Stories?” was only the first of a series of three essays planned for Ms. Angell’s blog, and word came today that the second of these, “It Began with a Map,” is scheduled for Thursday next week, March 30.  So what will the third be?  Well, most likely to come out in early to mid-May, anticipating the novel’s debut from Elder Signs Press on the first of June . . . well, I haven’t officially made up my mind yet, but we shall see then.  Perhaps you have some ideas?

Meanwhile, for Thursday, “It Began With a Map” will touch a bit on the geography and peoples of the world of the “Tombs,” hopefully whetting appetites further.  While I, having received an advance PDF just a few days ago, have begun the slog of proofreading the thing — another part of the thrill-a-minute life of the writer!

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*In fact, if you haven’t read “What Is a Novel-in-Stories,” why not do it now by pressing here?  Or better yet, if you would like to pre-order TOMBS, you can click on its picture or press here.

Here’s one I blundered on via Facebook’s ELDER SIGNS PRESS site, dated March 9 and touting a two-week only sale on Amazon.  Today being the 16th, I think that would mean there’s a week to go, ending March 23.  So for a happy Saint Patrick’s Day Eve, check out these deals for DARK HORIZONS (Amazon’s price is 12.95, but individual new copy offers start at $9.67 as of this writing) and STREET MAGICK (Amazon price $9.21) and, as a bonus, give the figure on STREET MAGICK’s cover a green suit and hat, and it could look a little bit like a leprechaun.

To check it all out, press here for the ELDER SIGNS PRESS Facebook site, then scroll down just a tad for the sale

“. . . give the figure a green suit and hat, and it could look a bit like a leprechaun.”

announcement with links to Amazon for both books — just under the listing for early orders for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, in fact, with its own link to Amazon should you wish to indulge while you’re at it!  My dogs in these donnybrooks are “Bottles” for STREET MAGICK, of vampiric doings in the late 1950s Boston area, complete with Cold War paranoia, and “Dark of the Moon” in DARK HORIZONS, of an international expedition to the Moon’s back side, combined with a dollop of H.P. Lovecraft and Russian myth to become dark indeed.  Also (ahem!) while the books haven’t gotten too many reviews on Amazon yet — and let this be a *hint* to readers, if you like a book you do your favorite authors a favor by sending reviews in — one review under each title (cf. “Mr. Vlesco” for the one for STREET MAGICK) singles my stories out for special mention.

This was to be the one on poetry, last month’s premiere “Second Thursday Players Pub Spoken Word Series,” co-sponsored by the Bloomington Writers Guild and local tavern and music venue Players Pub, being dominated by prose fiction — including, ahem, my opening reading of “River Red” from THE TEARS OF ISIS (cf. February 10).  And so it was, mostly, with even its musical component being poetry-based via Evansville Indiana group SHAKESPEARE’S MONKEY, a “poetry band” reminiscent of 1950s coffeehouse safe_image.phppoetry accompanied with jazz (albeit in this case, guitars and hand percussion), who we’ve met before at the Bloomington Arts Festival Spoken Word Stage (see September 4).  The featured readers this time out were Writers Guild Chair Tony Brewer whose poems included a Pushcart Prize nominee, local poet Eric Rensberger who began his reading with a guitar accompanied “Medicine Show” spiel introducing bartender “Dr. Joe” and the pub itself before continuing with the more “serious literary part,” and First Sundays Prose Series Chair Joan Hawkins breaking the pattern with two prose “creative memoirs.”  Then the open mike session added four readers of whom I was second, reading three pieces from VAMPS (A RETROSPECTIVE), “La Méduse,” “Émile’s Ghosts,” and “Night Child.”

Then for another quick note, I’ve added two pieces to “Poetry (Essays)” under PAGES in the far right column, my ILLUMEN feature “It Begins With the Sound” (see November 5, et al.) and “What Is a Novel in Stories” (see February 13), the latter admittedly really about my upcoming TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, but springing from Edgar Allan Poe’s essay “The Poetic Principle.”

These things have a way of sneaking up on you!  The essay was actually published on Thursday, February 9, as advertised last week (cf. February 4), but in the circuitous way of the internet at times, word finally only caught up with me last night.  So it goes.

The essay, anyway, pertains to my upcoming novel, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, but is actually about novel structure.  That is, TOMBS isn’t structured like a majority of novels, as pretty much a continuous narrative, but rather is what is sometimes called a mosaic novel or a novel-in-stories.  Say what?   That is, like Amy Tan’s THE JOY LUCK CLUB or Ray Bradbury’s THE 8451b32b-e3c4-41cb-8f3e-7c6834708f13MARTIAN CHRONICLES.  Or what about Bradbury’s THE ILLUSTRATED MAN?  Or John Dos Passos’s U.S.A. trilogy.  Novels pieced together from parts, the parts sometimes short stories in their own right — but not necessarily always.  And anyhow why do it that way at all?

Well, now we have an answer, courtesy of blogger Heidi Angell who, as of Thursday, has published my “What Is a Novel in Stories” as a guest blog.  And did it really start with Edgar Allan Poe?

To find out, press here.




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