Posts Tagged ‘Tombs: A Chronicle of Latter-Day Times of Earth’

Hark us back to a Thursday seven weeks ago, February 9, and recall that I had a guest blog published by Heidi Angell, “What Is a Novel-In-Stories?” (see February 13*), nakedly pimping — guess what? — my own mosiac novel, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH.  You thought it was over?  But now it comes out:  “What Is a Novel-In-Stories?” was only the first of a series of three essays planned for Ms. Angell’s blog, and word came today that the second of these, “It Began with a Map,” is scheduled for Thursday next week, March 30.  So what will the third be?  Well, most likely to come out in early to mid-May, anticipating the novel’s debut from Elder Signs Press on the first of June . . . well, I haven’t officially made up my mind yet, but we shall see then.  Perhaps you have some ideas?

Meanwhile, for Thursday, “It Began With a Map” will touch a bit on the geography and peoples of the world of the “Tombs,” hopefully whetting appetites further.  While I, having received an advance PDF just a few days ago, have begun the slog of proofreading the thing — another part of the thrill-a-minute life of the writer!

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*In fact, if you haven’t read “What Is a Novel-in-Stories,” why not do it now by pressing here?  Or better yet, if you would like to pre-order TOMBS, you can click on its picture or press here.

Here’s one I blundered on via Facebook’s ELDER SIGNS PRESS site, dated March 9 and touting a two-week only sale on Amazon.  Today being the 16th, I think that would mean there’s a week to go, ending March 23.  So for a happy Saint Patrick’s Day Eve, check out these deals for DARK HORIZONS (Amazon’s price is 12.95, but individual new copy offers start at $9.67 as of this writing) and STREET MAGICK (Amazon price $9.21) and, as a bonus, give the figure on STREET MAGICK’s cover a green suit and hat, and it could look a little bit like a leprechaun.

To check it all out, press here for the ELDER SIGNS PRESS Facebook site, then scroll down just a tad for the sale

“. . . give the figure a green suit and hat, and it could look a bit like a leprechaun.”

announcement with links to Amazon for both books — just under the listing for early orders for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, in fact, with its own link to Amazon should you wish to indulge while you’re at it!  My dogs in these donnybrooks are “Bottles” for STREET MAGICK, of vampiric doings in the late 1950s Boston area, complete with Cold War paranoia, and “Dark of the Moon” in DARK HORIZONS, of an international expedition to the Moon’s back side, combined with a dollop of H.P. Lovecraft and Russian myth to become dark indeed.  Also (ahem!) while the books haven’t gotten too many reviews on Amazon yet — and let this be a *hint* to readers, if you like a book you do your favorite authors a favor by sending reviews in — one review under each title (cf. “Mr. Vlesco” for the one for STREET MAGICK) singles my stories out for special mention.

This was to be the one on poetry, last month’s premiere “Second Thursday Players Pub Spoken Word Series,” co-sponsored by the Bloomington Writers Guild and local tavern and music venue Players Pub, being dominated by prose fiction — including, ahem, my opening reading of “River Red” from THE TEARS OF ISIS (cf. February 10).  And so it was, mostly, with even its musical component being poetry-based via Evansville Indiana group SHAKESPEARE’S MONKEY, a “poetry band” reminiscent of 1950s coffeehouse safe_image.phppoetry accompanied with jazz (albeit in this case, guitars and hand percussion), who we’ve met before at the Bloomington Arts Festival Spoken Word Stage (see September 4).  The featured readers this time out were Writers Guild Chair Tony Brewer whose poems included a Pushcart Prize nominee, local poet Eric Rensberger who began his reading with a guitar accompanied “Medicine Show” spiel introducing bartender “Dr. Joe” and the pub itself before continuing with the more “serious literary part,” and First Sundays Prose Series Chair Joan Hawkins breaking the pattern with two prose “creative memoirs.”  Then the open mike session added four readers of whom I was second, reading three pieces from VAMPS (A RETROSPECTIVE), “La Méduse,” “Émile’s Ghosts,” and “Night Child.”

Then for another quick note, I’ve added two pieces to “Poetry (Essays)” under PAGES in the far right column, my ILLUMEN feature “It Begins With the Sound” (see November 5, et al.) and “What Is a Novel in Stories” (see February 13), the latter admittedly really about my upcoming TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, but springing from Edgar Allan Poe’s essay “The Poetic Principle.”

These things have a way of sneaking up on you!  The essay was actually published on Thursday, February 9, as advertised last week (cf. February 4), but in the circuitous way of the internet at times, word finally only caught up with me last night.  So it goes.

The essay, anyway, pertains to my upcoming novel, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, but is actually about novel structure.  That is, TOMBS isn’t structured like a majority of novels, as pretty much a continuous narrative, but rather is what is sometimes called a mosaic novel or a novel-in-stories.  Say what?   That is, like Amy Tan’s THE JOY LUCK CLUB or Ray Bradbury’s THE 8451b32b-e3c4-41cb-8f3e-7c6834708f13MARTIAN CHRONICLES.  Or what about Bradbury’s THE ILLUSTRATED MAN?  Or John Dos Passos’s U.S.A. trilogy.  Novels pieced together from parts, the parts sometimes short stories in their own right — but not necessarily always.  And anyhow why do it that way at all?

Well, now we have an answer, courtesy of blogger Heidi Angell who, as of Thursday, has published my “What Is a Novel in Stories” as a guest blog.  And did it really start with Edgar Allan Poe?

To find out, press here.

This was a first, the Players Pub Spoken Word Series (see January 29), premiered Thursday night from 6 to 9 by the Bloomington Writers Guild in conjunction with local bar and music venue Players Pub in off-downtown Bloomington.  This will continue on second Thursdays every month, combining musical interludes with readings of various sorts.  This time, for instance, the readings were prose, with the musical guests the group Urban Deer, while next month’s will most likely feature poetry and, from out of town, the group Shakespeare’s Monkey.  The name of the series is not necessarily fixed yet either, but a flavor is already being established, more freewheeling and possibly “adult” in nature than, say, the more formal First Sunday Prose and Last Sunday Poetry programs.

That said, the first reading ever for this was by . . . me.  The piece read was my story “River Red” from THE TEARS OF ISIS, but with a brief introduction from TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH (“River Red” being set in the “Tombs” universe, even if not in the latter book) to help set the mood.  And also . . . well, maybe . . . as a sort of commercial to push both titles.  This was followed by Shayne Laughter, who we’ve met on several occasions before, with a tale called “Incident at Grandmother’s Cottage,” a part of a fiction work in progress; Arbutus Cunningham (a.k.a. Hester), a Saturday morning radio star on local WFHB with four brief and mostly funny (the exception, the third called “After the War,” combining survival and sadness) semi-fictionalized, off-the-wall reflections; and triana3c2001playwright and comedy performance artist Stevie Jay with longer excerpts from a newer work, “Falling Through the Cracks:  a homeopathic remedy for the New Millennium in one dose.”  The audience totaled some 15 to 18 people (not counting bar personnel), most of whom seemed to stay for the whole nearly three-hour period, and once warmed up seemed quite enthusiastic.

Then another note on new goth kitten Triana, who has momentarily held still and in the light long enough for a new photo portrait, this amongst the jumble and clutter of the printer corner of the computer cave.  But the thing is, missing from all other pictures thus far, she has lovely golden-brownish eyes, now seen here for the first time!

Saturday brings us news that THE BOOK OF BLASPHEMOUS WORDS (cf. January 27, et. al) has been released on Kindle with, according to publisher A Murder of Storytellers, the paperback version hopefully to be available soon.  More here as it becomes known.  This is the one about people’s relationships with their gods, not always as lovely as one might hope, with my “burnt” offering about a lad who apparently couldn’t get to hell, with a cautionary note to preachers.  Titled “Tit for Tat,” it’s a poem in the class sometimes called “Little Willies,” humorous quasi-Victorian takes on boys who cause, or have caused to them dire things.

Then one more quick note:  Word came last night from Heidi Angell, who we may recall from her interview of me last month (see January 10), that she plans to use  an essay by me on her blog sometime next week.  Again, more here as it becomes known.  The essay is titled “What is a Novel-In-Stories?” and explains why that form may be superior to more straightforward narrative for some applications, with special reference to my own upcoming TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH (due in June from Elder Signs Press, for more information on which click its picture in the center column).

Back for 2017, this afternoon saw the new year’s first “Last Sunday Poetry Reading & Open Mic” (see November 28, et al.), co-sponsored by the Bloomington Writers Guild and the Monroe County Convention Center.  Featured poets this time were Lisa Low, in her final year in the MFA program at Indiana University, whose reading covered such subjects as grocery stores, ghosts, and gold, ending with a group of poems from a work in progress about a girl named Ruby; and Stephen Hopkins, “born in Texas but raised in the Midwest, bloomingtonwritersguild[and] moved all over Ohio, often,” an IU PhD candidate who read works from his recent chapbook HYMNS OF PERPETUAL MOTION.  This was followed by snacks and an open mike session in which I was last of six participants, with five short, relatively light poems about vampires, “The Vampire’s Reflection,” “An Unsuitable Kiss for the New Year,” “Something New,” “Nothing Better,” and “The Vampiress’s Embarrassment.”

Also announced was a new Writers Guild “Second Thursdays” evening series to be held each month at Bloomington’s Players Pub, beginning February 9.  While programs will vary, the premiere offering will highlight prose readings,  including a short tale by me from THE TEARS OF ISIS, “River Red,” set in the same universe as my upcoming TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH.

So the first answer starts with a citation to “Allan Poe.”  That’s Edgar Allan Poe, of course, but what’s in a word — I still stand by the answer.  And thus the promised interview by Weldon Burge for Smart Rhino Publications (cf. January 11, 8), in conjunction with a Kickstarter campaign for their upcoming ZIPPERED FLESH 3 anthology, is now live.  A mention is made at the very beginning about my Smart Rhino story appearances, “The Wellmaster’s Daughter” in UNCOMMON ASSASSINS, “Labyrinth” in INSIDIOUS ASSASSINS, and “Golden Age” in the upcomi8451b32b-e3c4-41cb-8f3e-7c6834708f13ng ZIPPERED FLESH volume, but that’s not what the interview is about.  Rather, with reference to Poe as well as my Stoker(R) nominated collection THE TEARS OF ISIS, we talk about short story writing in general and why, as a writer, I find short forms more interesting than novels.  But then novels come up too with reference to TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH (expected in June this year, not really “spring,” but that’s because of a change in schedule after my original biographical notes were in) and what is, exactly, a novel-in-stories, also known as a “mosaic novel”?  And, more importantly, why TOMBS is put together in that style.

The Poe citation, incidentally, is to his essay “The Poetic Principle,” which I believe he meant to apply to prose fiction as well.  But to read the whole interview, including some things on the challenges and joys of writing, and what to expect once one has written, why not press here?

Just a quick note, that Weldon Burge has announced a Kickstarter campaign for for the upcoming Smart Rhino Publications anthology ZIPPERED FLESH 3:  YET MORE TALES OF BODY ENHANCEMENTS GONE BAD, scheduled for launch next Tuesday, January 17.  In conjunction with this will be his interview with me (cf. January 8, below) with remarks on short stories, novels-in-stories, structure of novels, and TOMBS:  A CHRONICLE OF LATTER-DAY TIM298555_180672618685797_840344211_nES OF EARTH:  “I’ll be sending out the e-letter once the campaign has started, so you should see your interview posted next week as well!”  Also mentioned in the interview are THE TEARS OF ISIS and “The Poetic Principle” by Edgar Allan Poe.

As for ZIPPERED FLESH 3, my part in this is a strangely muted (given the promise of some of its stories) science fiction tale called “Golden Age,” reflecting a future history of worn out, or otherwise damaged body replacements (see September 9), a reprint originally published in MINDSPARKS in Spring 1994.

No, this is a different one, not the Smart Rhino interview-to-come noted just below, but one completed in a flurry of activities the week before Christmas with Heidi Angell.  This one includes such questions as what director I’d choose were TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH optioned for a movie (my answer suggests three, the third of whom may come as a surprise but whose work has been reviewed on this blog) and what is one great lesson I may have learned through being an author?  I might mention, too, that I may have some other posts on Ms. Angell’s blog in the months to come in anticipation of TOMBS’s planned June release, as well as possibly some reviews of books of mine by her.  And then later this month as well, perhaps we will see the “other,” Smart Rhino Publications’s interview of me by Weldon Burge.

For this one, however, on Heidi Angell’s late Monday MEET THE AUTHOR feature, please to press here.




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