Posts Tagged ‘Poetry Readings’

“…and to this hour the image of Carmilla returns to memory with ambiguous alternations — sometimes the playful, languid, beautiful girl; sometimes the writhing fiend I saw in the ruined church; and often from a reverie I have started, fancying I heard the light step of Carmilla at the drawing room door.”
– From J. Sheridan Le Fanu’s Carmilla

So this, the final reading on THE POETS WEAVE, on radio station WFIU, was actually broadcast Sunday, October 28.  But that was simply because that’s the Sunday closest to Halloween, while here we can greet today officially with its recording.  Two previous segments were aired on October 14 and October 21 respectively (see October 17, 21), on the “Who” and the “Where” of vampirism.  And now, to end it, are four poems on the “Attraction of Vampirism,” as produced by LuAnn Johnson and introduced by Romayne Rubinas Dorsey:  “Moonlight Swimming,” “The Aeronaut,” “When She Won the One Million Credit Galactic Lottery,” and “The Esthete.”  All poems are still from my collection VAMPS (A RETROSPECTIVE) and may be heard by pressing here.

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“Listen to them—the children of the night. / What music they make!”
– From Bram Stoker’s Dracula

So begins the second of three readings, by me (cf. October 17), on the topic “Let Us Explore Where Vampires May Be Found,” on the Indiana University Public Broadcasting Station WTIU.  The program:  THE POETS WEAVE, produced by LuAnn Johnson and announced by Romayne Rubinas Dorsey, and which may be heard by pressing here.  Thus, to repeat the introduction:  Today, [James Dorr] will read on the subject of vampires and things vampiric from his all-poetry collection Vamps (A Retrospective), which is available from White Cat Publications or Alban Lake Publishing.  More information can also be found on James’ blog.

James reads “Why She Started Writing Poetry,” “California Vamp,” and “Chagrin du Vampire.” 

Listen Now:  Let Us Meet Some Of The Vampires

The word does not necessarily travel fast, but it comes.  Let us recall posts for August 17 and 8 (and also related, September 30, August 26) in which I spoke of recording poems for the WFIU radio feature THE POETS WEAVE.  Today, from producer LuAnn Johnson:  I’m not sure if I ever got back to you about air dates for your episodes.  . . .  The first aired this last Sunday.  The second is scheduled to air this Sunday, Oct 21 — but we’re in our fund drive week so there is a chance they will need to cut it for pitch time.  If so, I’ll reschedule for the following Sunday, and then the third will air the Sunday after that.

Thus the first of three sessions for which one may press here,* as announced by MC Romayne Rubinas Dorsey:  James Dorr writes short fiction and poetry leaning toward dark fantasy and horror, with his latest book a novel-in-stories, Tombs: A Chronicle of Latter-Day Times of Earth.

Today, he will read on the subject of vampires and things vampiric from his all-poetry collection Vamps (A Retrospective), which is available from White Cat Publications or Alban Lake Publishing).  More information can also be found on James’ blog.

James reads “Le Meduse,” “Vampire Thoughts,” “Daylight Savings,” and “Night Child.”
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*(Or for gluttons for punishment and/or lovers of King Kong, for WTIU’s TV counterpart one may also check here, cf. September 25, 18.)

One gets used to visual media, reading on book pages, movies, even public readings as a sort of live play (see just below, August 5, et al.).  But what about only the words themselves, through the medium of sound?  And hence, in a sort of message tag known only to Facebook, a few weeks ago I received an invitation from LuAnn Johnson of WFIU, the Indiana University Public Broadcasting Station, dating back to about early spring.  Ms. Johnson runs a program called THE POETS WEAVE in which local poets read short groupings of their work on the air. Or more specifically:  Prepare to read one or more groups of POEMS.  Each group should be approximately 4 minutes in length.  Selections should be acceptable for broadcast, (i.e., non-sexually explicit, non-scatological, and expletive free), per FCC restrictions.  It’s best to time yourself reading aloud, and please bring a couple of shorter poems in case we have to exchange a longer one for time.

I’m not entirely new to this, actually, having done a few similar types of readings some years in the past, though the programs here are perhaps a little more complex, involving not only a host-read introduction of the poet, etc., but also from the poet one or more BRIEF QUOTES — anything relating to the poetry you’ll be reading (or poetry in general), or writing, reading, and life.  It can be your own words or from another writer/poet you admire.  You’ll read one quote for each show set, so do bring a copy of the quotes with you; the host will read your bio when she introduces the show.  And also there is that idea of more than just one performance, but perhaps several groups on successive programs.

Anyhow while it took some time (as well as some emails back and forth) to consider quotes, select and time groups of poems, and figure a structure for multiple readings, this afternoon I sent back a proposal for three groupings of poems on the overall topic of Vampires and Things Vampiric, divided loosely into “the Who” (to meet some vampires), “the Where” (on where they might hang out), and “the Attraction,” all from my collection VAMPS (A RETROSPECTIVE).  And graced with suitable quotations from Rudyard Kipling, Bram Stoker, and Sheridan Le Fanu respectively.

More as it develops.

Well it is nearly December, the spirits having been let loose on Halloween, and now spiraling down to the longest night of the year.  So I mentioned in introducing three short poems during the open mike section.  But we had already had featured poet Michelle Gottschlich read, among others, a poem involving a date at local Rose Hill Cemetery (not to mention, from first open mike reader Joan Hawkins, a translation of a “found” invoice concerning shipping a corpse from Tahiti to the US).  The latter also was somewhat in answer to second Featured Poet Eric Rensberger who offered a reading of found and partially “stolen” poems.

The occasion was November’s Last Sunday Poetry Reading, sponsored by the Bloomington Writers Guild and the Monroe County Convention Bureau (cf. October 26, et al.), on an afternoon that, yes, was gloomy and gray, but did have the virtue that it wasn’t raining.  And the poetry wasn’t all necessarily gloomy, though when my turn came I had pre-selected three older poems that played well off the aforementioned  topics, including the introductory remarks I glossed at the top.  Thus I presented “A Little Night Music,” a two-line verse pointing out that love and death happen in daytime too; “Dust to Dust” about a fire in a cemetery, which also had once been part of an arts display project on Bloomington Transit city buses in 2001 (I noted that I didn’t know which the exact bus was, but had hoped it had been the one going past Rose Hill, as well as the fact the experiment was not repeated); and a “Little Willie” (a what?  See February 16; also February 6 2012) which I noted had the distinction of being published not in a genre magazine but a “more respectable” mainstream journal, “Fire in the Hole,” about a naughty boy who dynamites a grave.




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