Posts Tagged ‘Music’

And talking about a good start to the month, another acceptance came in today, also for a reprint originally published in the Spring 2006 DARK WISDOM.   Thank you for sending “The Wind” to the FORBIDDEN anthology.  As usual, you submitted a well written and captivating story.  I really enjoyed this supernatural take on the theme, and I have kept it under consideration for a long time.  Now, after such waiting, I am pleased to accept it to the collection.  I have attached the publishing agreement which you can send back when you have the chance.

FORBIDDEN, to cite the guidelines, is to be an anthology of repression, restriction, and rebellion.  Quoting Editor Martin T. Ingham, [t]hroughout recorded history, there have been rules and regulations, customs and traditions.  Some have been libertine while others oppressive; the morally strict and the sinfully decadent.  There have always been those who impose the law, and those who reject it.  Wherever there is civilization, there are things that are Forbidden!  In the case of “The Wind,” a once religious man has lost his daughter in a freak accident and, instead of accepting it as he should, he questions not law or society about it, but God.

Long-time readers may note this is not the first mention here of Martinus Publishing/Martinus Press, publishers also of the zombie anthology LIFE OF THE DEAD (with my “Girls Gone Dead”) and ALTERED AMERICA (“Avoid Seeing a Mouse”), and while paying in royalties has — especially with ALTERED AMERICA — done so fairly handsomely (cf. July 31 2016, January 20 2015, et al.).  Publication for FORBIDDEN is tentatively set for spring, most likely in May.

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A very pleasant early May outing began with the month’s Bloomington Writers Guild “First Sunday Prose Reading” (see April 6, February 1, et al.), co-sponsored by Boxcar Books.  Featured readers were Alyce Miller, award-winning author and Indiana University Graduate MFA program teacher and Director of Admissions, reading humorous essays on death in California and, having moved from there to here, the difficulties of becoming a “Hoosier”; poet, essayist, and MFA graduate Doug Paul Case with a series of “little prose poem micro-essay things,” humorous and ironic; and incoming THE INDIANA REVIEW Editor-in-Chief Peter Kispert with a first person story-essay on failed aspiring actors and reconstructed Netflix FATAL ATTRACTIONS episodes “where exotic animal owners are victimized by their pets.”  Although running late, the audience stayed for five open mike presentations that followed, of which mine, third in the lineup, was a recent as yet unsold story, “Medusa Steps Out,” about . . . well . . . an exotic animal owner of sorts who is also victimized by her pets (although, unlike the onlookers in this case, survives).

This was also the last “First Sunday” reading of the 2014-2015 season, the series now going on summer hiatus until August 2.  Other presentations will also be winding down as the month continues, but even now plans are also developing for 20111holst6, including a possible multi-disciplinary joining with the Bloomington Symphony Orchestra for a concert next February.  Along these lines, Writers Guild members had also been offered comp tickets for a production this evening of Gustav Holst’s THE PLANETS, Op. 32, by the Symphony Orchestra (joined at the haunting end of the final movement, “Neptune, the Mystic,” by the Bloomington Chamber Singers Women’s Chorus).  This, too, was a mixed media performance, accompanied by a slide show of the planets with NASA and ESA images put together and introduced by Indiana University Astronomy Professors Gabriel Lubell and Richard Durisen, thus perhaps to help us, the writers, stretch out imaginative wings.

In any event, it was a great show.




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