Posts Tagged ‘Elder Signs Press’
Here’s one I blundered on via Facebook’s ELDER SIGNS PRESS site, dated March 9 and touting a two-week only sale on Amazon. Today being the 16th, I think that would mean there’s a week to go, ending March 23. So for a happy Saint Patrick’s Day Eve, check out these deals for DARK HORIZONS (Amazon’s price is 12.95, but individual new copy offers start at $9.67 as of this writing) and STREET MAGICK (Amazon price $9.21) and, as a bonus, give the figure on STREET MAGICK’s cover a green suit and hat, and it could look a little bit like a leprechaun.
To check it all out, press here for the ELDER SIGNS PRESS Facebook site, then scroll down just a tad for the sale
announcement with links to Amazon for both books — just under the listing for early orders for TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH, in fact, with its own link to Amazon should you wish to indulge while you’re at it! My dogs in these donnybrooks are “Bottles” for STREET MAGICK, of vampiric doings in the late 1950s Boston area, complete with Cold War paranoia, and “Dark of the Moon” in DARK HORIZONS, of an international expedition to the Moon’s back side, combined with a dollop of H.P. Lovecraft and Russian myth to become dark indeed. Also (ahem!) while the books haven’t gotten too many reviews on Amazon yet — and let this be a *hint* to readers, if you like a book you do your favorite authors a favor by sending reviews in — one review under each title (cf. “Mr. Vlesco” for the one for STREET MAGICK) singles my stories out for special mention.
Aha! It has come to pass! Click on the center column’s picture of TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH (cf. December 1, et al.), scroll down to the author’s mini-biography and find these words: Indiana writer James Dorr‘s The Tears of Isis was a 2014 Bram Stoker Award® nominee for Superior Achievement in a Fiction Collection. Other books include Strange Mistresses: Tales of Wonder and Romance, Darker Loves: Tales of Mystery and Regret, and his all-poetry Vamps (A Restrospective). An Active Member of HWA and SFWA with nearly 400 individual appearances from Airships & Automatons and Alfred Hitchcock’s Mystery Magazine to Xenophilia and Yellow Bat Review, Dorr invites readers to visit his blog. Who’s he, you may wonder? “He,” here, is . . . me!
Yes, no more of the wilds of Pennsylvania, the arcane titles of works actually written by one James C. Simpson. Just weeping goddesses and wonder and mystery, but, hey, it’s all mine! And note while we’re there my sneaky product placement of AIRSHIPS & AUTOMATONS, also published (with TOMBS) by Elder Signs Press. (And, seriously, also my thanks to the publisher for getting the error corrected quickly.)
Then finally, remember that TOMBS is available for pre-order — just press its picture in the center column (or if you’d rather, click here) and take it from there. The official publication date, so says Amazon, will be June 1 2017, but why not slip in now ahead of the crowd, eh?
Two more tomes have been added to the computer cave bookshelf, found in the mailbox Saturday evening. The first of these is STREET MAGICK: TALES OF URBAN FANTASY (see September 28, January 2, et al.) with, I’m happy to say, James C. Simpson’s and my biographies in the “About the Authors” section properly placed with our respective names (cf. November 14). My story in this, number two in the lineup, is “Bottles,” a mystery/horror first published in CROSSINGS (Double Dragon 2004) and which also appears in THE TEARS OF ISIS, more on which can be found by clicking its picture in the center column, a tale of a Puerto Rican domestic caught in the midst of Cold War conniving and . . . vampires. Then the second, BLOODBOND from Alban Lake Publishing, has a new poem, “Her First Time,” concerning the thrill of a young vampiress just learning her trade. More on STREET MAGICK can be found by pressing here; BLOODBOND by pressing here.
Then, received today, EVERYWHERE STORIES, VOLUME II is being given away on Goodreads, or two copies anyway. From the horse’s mouth: Enter for a chance to win a copy of Everywhere Stories: Short Fiction from a Small Planet, Volume II. Twenty stories by twenty authors set in twenty countries. Discover why we say “It’s a Mysterious World!” My story in this one is “The Wellmaster’s Daughter” (cf. September 29, 18, et al.), originally published in ALFRED HITCHCOCK’S and having to do with Saharan desert life in Mali. The giveaway has started today and will last until Christmas Eve, December 24, for more on which one may press here.
What drew me to writing? What (if any) are recurring themes in my work? How do I get in my characters’ minds? All good questions — and, of course, a chance to say something about my new book, TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH. These are a part of my latest interview, by Carrie Ann Golden, which is now live on her A WRITER & HER ADOLESCENT MUSE blog (cf. November 10). What was the inspiration behind TOMBS?
To find out all, one need but press here.
Thus the holiday weekend has ended, and a mystery has been solved as well. One may recall November 4, in a post about Elder Signs Press’s just published anthology DARK HORIZONS, the mystery about the not-about-me biography under my name in the “About the Authors” section at the end of the book. Sunday the secret was exposed, the man behind the biography is actually James C. Simpson (thus one “James” stands in for another, get it?) who has a story, “Branded for Hell,” in Elder Signs’s other anthology scheduled for this month, STREET MAGICK (September 18, January 22, et al.). “Branded in Hell” appears in the contents, in fact, just after my own story, “Bottles,” to be in there too. So the question now is if our bios will be reversed, or remain where they should be, or if a third or a fourth James will be found to substitute for one or the other.
The January 22 post also gives the full contents for STREET MAGICK for those who wish an early sneak peek, while those who check out my November 4 post can scroll down to “Comments” to see James Simpson’s mystery solution just as he sent it.
Stranded on an off-world base, a tech specialist seeks to outwit a confused AI before it kills him. In the depths of space, a mining ship finds a vein of ore that will make everyone aboard rich — if they figure out what happened to the crew of the ship that was here before them. Waiting for the unwary reader of this book are stories of madmen playing with science beyond their control, and alien creatures with malign intent. Welcome to Dark Horizons, where the future is lost. Featuring fiction by Jay Caselberg, Eric Del Carlo, Aaron J. French, and Christopher Fulbright. And also me, which the Amazon text doesn’t state specifically, but you can’t fit everyone in a blurb. And somewhat hilariously when you check out the”About the Authors” section in the book itself, is that the one that’s under my name (“. . . a mysterious recluse from the wild mountains of Pennsylvania . . .”) is not about me! If anyone knows who it is about, I would be curious too.
But that’s not important. What is are the stories, of which mine is the first in the book, “Dark of the Moon” (cf. September 18, 15, January 22, et al.), one of three that are reprints, originally published in CHILDREN OF CTHULHU (Del Rey, 2002) and later reprinted in FUTURE LOVECRAFT (Innsmouth Free Press, 2011; Prime Books, 2012). “Dark of the Moon” is a tale of a lunar landing gone bad (they all go bad in a book like this, don’t they?), this one the first on the moon’s back side, the side we never see that always faces away from the Earth. In addition are eighteen other stories, all of which look like potential winners.
So yesterday DARK HORIZONS arrived with “Dark of the Moon” in the computer cave mailbox, sent in the dark, end days of October (the 29th by postmark to be exact, and never mind Amazon’s November 15 publication listing). For more, press here.
We have a quick a double header to announce for today, that not just one but two Elder Signs Press anthologies are now available for pre-order from Amazon: DARK HORIZONS: AN ANTHOLOGY OF DARK SCIENCE FICTION (see just below) and STREET MAGICK: TALES OF URBAN FANTASY (with DARK HORIZONS, see also January 22, et al.). Needless to say I have stories in both, the near-future set “Dark of the Moon” in the former and a late 1950s tale of vampires and Cold War paranoia in Cambridge Massachusetts, “Bottles,” in the latter. Both have histories, “Bottles” also appearing in my own collection, THE TEARS OF ISIS, and now both will be available for new readers as well.
More on both these anthologies can be found on Amazon, DARK HORIZONS by pressing here and STREET MAGIC here, while for THE TEARS OF ISIS one can click on its picture in the center column, or check it out on Amazon here.
Also, yesterday’s street mail brought my copy of EVERYWHERE TALES, VOLUME 2 (cf. July 25, et al.), from Press 53, with my “The Wellmaster’s Daughter,” originally published in ALFRED HITCHCOCK’S MYSTERY MAGAZINE, an adventure of deserts and double crossings for more on which one can press here.
This is encouraging news! Charles P. Zaglanis of Elder Signs Press announced today via Facebook: “Barnes & Noble wants multiple copies of DARK HORIZONS in all its stores chain-wide.” Elder Signs Press, we may remember, will also be publishing my upcoming novel-in-stories, TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH, in spring-summer next year (cf. July 24, 15, et al.), though of course that doesn’t guarantee that B&N will want it as well. But it does give the feeling the door could be open. And it happens the lead story in DARK HORIZONS is also one by me (cf. January 22, et al.).
Technology gone wrong. Madmen playing with science beyond their control. Alien creatures with malign intent. . . . Thus saith DARK HORIZONS’ official blurb. And as noted above, the fun begins with a tale by me, “Dark of the Moon,” of an international space expedition gone very, very wrong. Originally published in THE CHILDREN OF CTHULHU (Del Rey, 2002), the story concerns the first manned exploration of the moon’s dark side — the side perpetually hidden from Earth — and what’s there to be found. And perhaps more pointedly, how it was it got there in the first place.
DARK HORIZONS is scheduled for release this fall, with more to appear here as it becomes known.
So it’s a guilty pleasure too (Aimée, e.g., of the “casket girls” is herself bi), but for those interested, this weekend’s DIRGEMAG.COM offers “Red Lips, Black Heart: The Allure of the Predatory Lesbian Vampire in Film,” by Annie Rose. While not exhaustive, it provides a fair, more or less chronological view of the hungry for you-know-what vampiress in European and Hollywood movies, some a bit on the subtle side to get past the censors, of course. And with pictures too (but these, as well, tasteful). How many have you seen? For DIRGEMAG’s scorecard, one may press here.
Then in more local news, Sunday brings the schedule for this year’s Labor Day weekend Fourth Street Art Festival’s Spoken Word Stage. This is a series of half-hour readings of poetry and prose, with a little drama perhaps here and there as well, sponsored by the Writers Guild at Bloomington with partial support from the Bloomington (Indiana) Arts Commission. And in which, Sunday, September 4 at 3:30 p.m., is featured “horror fiction” by me. My most likely reading for this will be “Raising the Dead,” originally published in White Cat Publications’s AIRSHIPS AND AUTOMATIONS (see May 27 2015, et al.), which will also be part of my novel-in-stories due out in the first half of next year from Elder Signs Press, TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH (cf. July 24, 15 et al.).
A sultry, sunny weekend of lounging and iced coffee, being lazy and feeling excused for it. But with a couple of happenings as well, the first with an announcement from Elder Signs Press on their Facebook page of the cover for TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH, plus a reprinting of an announcement (including a picture of me for any who care) from the Bloomington Writers Guild that I had received and signed the contract for TOMBS. Also an announcement with a link from this blog (see January 22) giving the contents for two ESP anthologies scheduled for this fall, DARK HORIZONS (with my story “Dark of the Moon”) and CITY MAGICK (with “Bottles,” also reprinted in THE TEARS OF ISIS). To see for oneself, one need but press here.
But for things in the air still, TOMBS is now being announced for “Spring/Summer 2017,” which could make it too late for a World Horror Convention and/or StokerCon premiere next year. This might not be too terrible a thing though, as I probably wouldn’t be able to make both conventions myself and, hey, better to come out a few weeks late and do things right then to be on time but with errors, perhaps, that might have been avoided. Also the cover, as depicted, has the short title “TOMBS” in nicely dramatic lettering, but omits the subtitle, although it might be on the spine and elsewhere — or possibly even back on the cover (though most likely still in much smaller letters) as things progress.
Then today brought the Bloomington Writers Guild’s annual summer picnic and open reading. Lots of chicken and potato salad (plus ham rolls, melon, other salads, bread, cookies. . . .). I brought lemonade and diet root beer, then when the time for readings came, two poems from a mini-poem cycle of six, originally published in GOTHIC.NET on successive weeks from August 2 through September 6 2002, and which also appear in the poetry section of DARKER LOVES: TALES OF MYSTERY AND REGRET (for info on which one can press its picture in the center column). Touted as being on the subjects of picnics and fellowship, respectively, the first was “Bon Appétit,” on things crows eat in the rather dark city the cycle as a whole depicts — and which itself is based on my early chapbook TOWERS OF DARKNESS, and the second, “Dig We Must,” on camaraderie among the inmates of a cemetery and how, through judicious tunneling beneath mourners above, one may add new friends.