Two quick items, the first serendipitously* discovered via Facebook, “New Film Extraordinary Tales Animates Edgar Poe Stories, with Narrations by Guillermo Del Toro, Christopher Lee & More,” by Josh Jones on OPENCULTURE.COM.  This discusses an animated version of several Poe tales, with several in some cases extra-tales-pk-1famous narrators, that came out last October, complete with trailer and a sample clip (from “The Facts in the Case of M. Valdemar”) and can be found by clicking here.  If impressed, more can be found as well on the film’s own Facebook page here.

Then word also came out on Facebook today that Upper Rubber Boot Books’s eclectic anthology THE MUSEUM OF ALL THINGS AWESOME AND THAT GO BOOM (see July 14, et al.) is now officially available in both print and electronic forms, including my tale of Christmas and Santa and . . . zombies, “Bubba Claus Conquers the Martians” (originally published in HOUSTON, WE’VE GOT BUBBAS by Yard Dog Press, 2007).  If interested, the Museum’s Gift Shop offers links for all editions and can be visited by pressing here.
.

*Well — full disclosure — with help from Dan Clore and THE WEIRDVERSE:  GOTHIC HORROR FANTASY & DECADENT POETS & POEMS

Sunday night saw an announcement from Clifford Garstang that EVERYWHERE STORIES, Volume 2 (see July 13, et al.) has gone to the printer for an expected September 26 publication date.  However it’s open for pre-order now, with a discount available for ordering Volume 1 as well.   Quoting publisher Press 53’s official release:  With a theme of “It’s a Mysterious World,” this exciting addition to the EVERYWHERE STORIES series, edited by award-winning author Clifford Garstang, takes readers on a journey around the globe:  to a wrestling match in TurkeyEverywhere_Stories_Vol_II, to a mysterious eye doctor in Guatelmala, to a homeless man wandering the streets of Chicago, to a religious school in Samoa, to a drowning in Mexico, to a fortune-telling monk in Korea, to a miraculous hotel in Egypt, and to more stories in countries on every continent.

Contributors include Mark Brazaitis (THE RIVER OF LOST VOICES:  STORIES FROM GUATEMALA, winner of the Iowa Short Fiction Award), Chris Cleary (THE RING OF MIDDLETOWN), James Dorr (THE TEARS OF ISIS, a 2014 Bram Stoker Award nominee), Christopher Woods (THE DREAM PATCH), William Kelley Woolfitt (CHARLES OF THE DESERT), plus Hira Cheema, Rijn Collins, Lucinda Nelson Dhavan, John Matthew Fox, Pamela Hartmann, Joel Hodson, Alison Grifa Ismaili, Robert Kostuck, Barbara Krasner, Gabriela Maya, Frances Park, Brandon Patterson, Brooks Rexroat, Candace M. Robertson, and Frank Scozzari.

My story in this is “The Wellmaster’s Daughter,” originally published in ALFRED HITCHCOCK’S MYSTERY MAGAZINE, November 1991 (also reprinted in STRANGE MISTRESSES:  TALES OF WONDER AND ROMANCE, for information on which one may click on its picture in the center column), which takes place in the Sahara Desert in Mali.  Here, however, it appears with four other stories set in Africa and fifteen more elsewhere in the world, each story in a different nation.  For more information or for pre-ordering one may press here.

Also for movie buffs, yesterday’s browsing brought, via Facebook, a piece by Rebekah McKendry on BLUMHOUSE.COM, “Can Viewing this Film Really Make You Go Insane?”  It seems there’s a lost film, allegedly made in 1897 — the year, incidentally, Bram Stoker’s DRACULA was published in England, possibly made by Georges Méliès or, some say, a disciple named Victor Sicarius who (it is also alleged) 4625428080-1050x423was involved in matters of the occult.  But the thing is, according to McKendry, [this] film is a legend because it is rumored to actually cause audiences to go insane, FURY OF THE DEMON from the late 1800s.  At the Fantasia Film Festival in Montreal, I just screened a fantastic documentary called LA RAGE DU DÉMON (a.k.a. FURY OF THE DEMON) about the original film, the legend, the possible filmmaker, and the alleged resurfacing of the cursed movie.  And:  Fast forward to 1939. Tod Browning (the guy who made FREAKS and DRACULA), released a feature called MIRACLES FOR SALE.  When the film screened in New York City, FURY OF DEMON played before hand.  Supposedly, the screening of the short caused the audience to erupt in mass-hysteria.  People ripped their hair out and fought fellow audience members.  It was a bloody, vicious scene.  Eventually, a fire broke out, and six people died in the inflamed theater.  The documentary even interviews some of the audience members from the 1939 screening who recall the madness firsthand.

Interest piqued?  For more, press here.  (And if that’s not enough, a second look at the documentary via IMDb can be found here!)

A sultry, sunny weekend of lounging and iced coffee, being lazy and feeling excused for it.  But with a couple of happenings as well, the first with an announcement from Elder Signs Press on their Facebook page of the cover for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, plus a reprinting of an announcement (including a picture of me for any who care) from the Bloomington Writers Guild that I had received and signed the Tombs Final copycontract for TOMBS.  Also an announcement with a link from this blog (see January 22) giving the contents for two ESP anthologies scheduled for this fall, DARK HORIZONS (with my story “Dark of the Moon”) and CITY MAGICK (with “Bottles,” also reprinted in THE TEARS OF ISIS).  To see for oneself, one need but press here.

But for things in the air still, TOMBS is now being announced for “Spring/Summer 2017,” which could make it too late for a World Horror Convention and/or StokerCon premiere next year.  This might not be too terrible a thing though, as I probably wouldn’t be able to make both conventions myself and, hey, better to come out a few weeks late and do things right then to be on time but with errors, perhaps, that might have been avoided.  Also the cover, as depicted, has the short title “TOMBS” in nicely dramatic lettering, but omits the subtitle, although it might be on the spine and elsewhere — or possibly even back on the cover (though most likely still in much smaller letters) as things progress.

Then today brought the Bloomington Writers Guild’s annual summer picnic and open reading.  Lots of chicken and potato salad (plus ham rolls, melon, other salads, bread, cookies. . . .).  I brought lemonade and diet root beer, then when the time for readings came, two poems from a mini-poem cycle of six, originally published in GOTHIC.NET on successive weeks from August 2 through September 6 2002, and which also appear in the poetry section of DARKER LOVES:  TALES OF MYSTERY AND REGRET (for info on which one can press its picture in the center column).  Touted as being on the subjects of picnics and fellowship, respectively, the first was “Bon Appétit,” on things crows eat in the rather dark city the cycle as a whole depicts — and which itself is based on my early chapbook TOWERS OF DARKNESS, and the second, “Dig We Must,” on camaraderie among the inmates of a cemetery and how, through judicious tunneling beneath mourners above, one may add new friends.

So, yes, I was looking to see if I still had a VHS of MEET THE FEEBLES (on a different shelf, though, from FORBIDDEN ZONE), but while I have the original LITTLE SHOP OF HORRORS, I may not have the one with the music.  But then I do have REPO:  THE GENETIC OPERA on DVD, underappreciated in my opinion despite the singing of Sarah Brightman in the rolep9673_p_v8_ai of “Blind Mag” (and also starring Paris Hilton as “Amber Sweet”), and a few others noted as well.  So, what’s this about?  An article by Reneysh Vittal on TOR.COM that’s in today’s email, “Where Are the New Cult Musicals?”

Some good, some bad, the piece laments the tameness, of late, of movie musicals, recalling some of the edgier, wackier ones from the past.  There may be reasons, or maybe things just work in cycles where films are concerned — or, as one in the comments section suggested, maybe the problem is we, the audience, have become too jaded.  And perhaps a whisper of hope is expressed at the end, with a list of a few upcoming musical films that may have it in them to become the cult hits of tomorrow.

Or maybe not.  But to judge for yourself, press here.

So yesterday I attended a session of prompts and readings, the object being to inspire imagination.  But many are the roads to creativityAbierce with, semi-serendipitously discovered today, an essay by Ted Gioia, “Were Ambrose Bierce’s Ghost Stories Inspired by Undiagnosed Agoraphobia?” offering one alternative method:  the mining of one’s own fears.  Bierce, one may recall, was author of THE DEVIL’S DICTIONARY as well as such short stories as “An Occurrence at Owl Creek Bridge” and (for science fiction horror fans) “The Damned Thing.”  For more one may find the essay itself on CONCEPTUAL FICTION.COM, brought to us courtesy of Robert Dunbar via Facebook’s LITERARY DARKNESS, by pressing here.

“Join us for this generative writing workshop.  You will be provided with prompts and have the opportunity to share your work.”  This was a members only activity of the Bloomington Writers Guild, despite some other offerings on hiatus for the summer (but First Sunday Prose will resurface on August 7!), held at the Monroe County Library, so on a warm sunny afternoon I and seven others had a go at it.  MCs were Joan Hawkins and Lisa Kwong and, WritersGuild1following introductions plus six-word “memoirs” composed on the spot (hey, I’ll tell you mine as a mini-lagniappe:  “feet smell/ nose runs/ built backwards”), we wrote what came to us in ten-minute time slots for three successive prompts.  Thus for the first, on “Where I’m From,” I offered an unrepeatably bad poem glossing the four geographical areas I cite sometimes in biographical notes.  So it takes me a little time to warm up.  Then, second, we had to write an apology but avoiding apologetic words, in which I in effect demanded to know what’s wrong with writing horror.  And then third, on “Nature” (with the idea of speaking for something that can’t speak for itself), I wrote a mini horror story in which a disgruntled forest finds a way of getting its message through.

The bottom line:  (1) the story, I think, will be worth rewriting as a sort of moody flash piece.  And (2) it all was fun.

Also to round out the weekend, Editor Clifford Garstang’s EVERYWHERE STORIES Facebook page (see July 13) has a new item on it, a link to Sonnet O’Dell’s last-August interview on moi (see July 5, et al.), in which I describe my then-latest book THE TEARS OF ISIS.  As I pointed out in offering the URL, Sonnet’s the one who asks purposely goofy questions among the more serious ones, that add a sense of surprise and fun — which one can find by clicking here.  Also, as noted below, there will be a new interview October 24 which will take up my upcoming novel-in-stories due out next spring, TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH.

And now revealed, with discussions over the past ten days, the cover painting has been completed:  

TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH

art final

Still on track for a Spring 2017 release from Elder Signs Press.

Two items to post for Bastille Day, the first that Alessandro Manzetti’s THE BEAUTY OF DEATH anthology (cf.  June 25, et al.) has now been officially published.  My story in this, we may remember, is “Gold,” a tale of greed, adventure, and . . . well, gold.  Learn of its mining, its smelting, its spending, a Greedy-Gus guy you’ll love to hate, available only in Kindle, however.  For more, press here.

Then added to that, and also in Kindle, Editor/Publisher Joanne Merriam has announced that Upper Rubber Boot Books’s THE MUSEUM OF ALL THINGS AWESOME AND THAT GO BOOM (see March 17, et al.), “. . . an 13522019_1212828662069675_1084416840149191457_nanthology of science fiction featuring blunt force trauma, explosions, adventure, derring-do, tigers, Martians, zombies, fanged monsters, dinosaurs (alien and domestic), ray guns, rocket ships, and anthropomorphized marshmallows” according to the blurb, is now available for pre-order.  Official publication date will be July 26, in just shy of two weeks.  My tale in this is “Bubba Claus Conquers the Martians,” a jolly Christmas accounting of down home values, interplanetary space adventure, and . . . zombies!  To latch onto this one, press here.  Or as an extra, and a fun one at that, to learn more about it from its Facebook page, one can also press here.

Editor Cliff Garstang announced today that EVERYWHERE STORIES:  SHORT FICTION FROM A SMALL PLANET, VOL. II (see June 19, May 10, February 29, et al.) has had its official publication date moved up to September 26, scarcely more than two months from now.  Also announced, the book now has its own Facebook page, including interviews with two of its authors (thus far) and a table 13557669_1757143324503838_5186470872707740661_nof contents.  The latter (for which, see also just below), reflecting the book’s international theme, is divided into five major sections spanning five continents (or maybe just over four, depending on how you count “Oceania”) in which my story of family values gone awry, “The Wellmaster’s Daughter,” appears in the first, “Africa,” representing the country of Mali.

So that’s sort of nice, putting me third in the book as a whole, even if it’s all a matter of alphabetical order within geographical/political hierarchies.  Or something like that.  But more to the point, the Facebook page may be browsed at leisure by pressing here.

In other announcements (and in this case simply random, no magic in today’s date either, it just popped up as a “see also” on Facebook) GOTHIC.LIFE brings us “19 Facts About Bram Stoker You Didn’t Know.”  Actually I did know some, and some are a little repetitious, one for instance telling us he married Florence Balcombe and hobnobbed with several literary lights of the day including Oscar Wilde, another that he and Wilde were also rival suitors for Florence’s hand (both in the column of those I already knew, but I didn’t know that Flo Stoker brought out the short story collection, DRACULA’S GUEST AND OTHER WEIRD STORIES in 1922 — though it is consistent with things I do know).  Also I keep forgetting the name of Henry Irving (Who he?  Well, to find out you’ll have to see for yourself by pressing here).

And then, back again to EVERYWHERE STORIES, here’s the lineup of authors and titles:

Africa
Egypt: The Hôtel Paradis – Pamela Hartmann
Kenya: Too Old for War – Frank Scozzari
Mali: The Wellmaster’s Daughter – James Dorr
Morocco: The Stop—Alison Grifa Ismaili
Sierra Leone: Jonkshon—Brandon Patterson
The Americas
Brazil: Let us go forth into the wide world – Gabriela Maya
Guatemala: The Eye Man – Mark Brazaitis
Mexico: Today, Quite Early – Christopher Woods
Panama: Mí encanta Panamá – Robert Kostuck
United States: Epistolize the Abandoned – Candace Robertson
Asia
India: Almost Enlightened – Lucinda Nelson Dhavan
Lebanon: Jackal Weather – William Kelley Woolfitt
Pakistan: No Covenant – Hira Cheema
South Korea: The Monk in the Window – Frances Park
Turkey: Memiş the Conqueror – Joel Hodson
Europe
Belgium: Street of the Candlesticks—Rijn Collins
Ireland: All that Water – Brooks Rexroat
Norway: An Idea of the Journey – Chris Cleary
Poland: The Guardian – Barbara Krasner
Oceania
Samoa: Fatu Ma Futi – John Matthew Fox

“The Wellmaster’s Daughter,” incidentally, was originally published in ALFRED HITCHCOCK’S MYSTERY MAGAZINE, November 1991.

Today brings us an email by Flame Tree Publishing’s Gillian Whitaker to the effect that their two upcoming mystery anthologies (cf. June 20) have now gone to print.  Moreover, “we have now announced the list of authors — new and classic — included in each anthology, so you can finally see who you will be appearing alongside.  The stories appear alphabetically by author in the books, regardless of whether they were classic stories or new submissions, as we have found this keeps the pacing and tone varied throughout.”  For a little background, or to practically quote myself from last month, two titles had been announced, CRIME AND MYSTERY (to “feature whodunits, detective stories and mysteries bordering on the supernatural.  Probably the more gentle of the two volumes so think Sherlock Holmes, Father Brown and Poirot”) and MURDER MAYHEM (“more hard boiled and hard gore.  If your 13626995_919973128130969_4821930082339875374_nstory features real monsters, human, serial killer or otherwise, this is the home for them, especially if the story’s POV is the killer’s”).  My offerings in these are “Paperboxing Art,” originally published in NEW MYSTERY in Summer 1997 and a 1998 Anthony Award nominee for best short story, and “Mr. Happy Head” from WICKED MYSTIC, Spring 1996, the magazine that once had the distinction of being turned back from a prisoner-subscriber by the Texas prison system as being unsuitable for an inmate on death row (true story).

So now we know where the “new” stories stand, or two of them anyway, but what we don’t know still are the titles of the classics they’ll live amongst.  Be that as it may though, below are listed the roster(s) of “newbies” by name and title, plus listings of names alone of the old masters.

Gotta retain some surprises, eh?

But to the chase, or, to quote the publishers once again:  Building on the success of last year’s Gothic Fantasy anthologies, deluxe hardcover editions on Horror, Ghosts and Science Fiction, we’re thrilled to be adding two new titles to the collection: Crime & Mystery, and Murder Mayhem.  Once again offering up the potent mix of classic tales and new fiction, we take a fascinating look back to the origins of the genre from golden age detective whodunnits to chilling horror-based tales of murder.  We’re including such auspicious names as Arthur Conan Doyle, Edgar Allan Poe, G.K. Chesterton and William Hope Hodgson, who masterfully crafted stories that are still worth reading today, and that continue to inspire the modern authors we are excited to be able to publish alongside them.  Our call for submissions was met with a fantastic response, and though the final selection was tough, we thoroughly enjoyed reading so many new tales of mayhem and intrigue.

We’re delighted to announce the full list of successful submissions for the first two of our 2016 Gothic Fantasy deluxe anthologies.

Crime & Mystery

The Cost of Security by Tara Campbell
Skitter and Click by Jennifer Dornan-Fish
Paperboxing Art by James Dorr
Home Run by Marcelle Dubé
Suggestive Thoughts by H.L. Fullerton
I Am Nightmare by Jennifer Gifford
Three Words by Nathan Hystad
The Marionettist by John A. Karr
Mechanical Love by Kin S. Law
iMurder by Josh Pachter
Creature of the Thaumatrope by Tony Pi
The Whipping Boy by Conor Powers-Smith
The Man Wore Motley by Stephen D. Rogers
The House by Steve Shrott
Catzized by Annette Siketa
Ghosts, Bigfoot and Free Lunches by Dan Stout
Blood and Silver Beneath the Many Moons by Brian Trent
Murder on the Cogsworthy Express by Cameron Trost
Chains of Command by Sylvia Spruck Wrigley and Ruth Nestvold

These new authors will appear with the following classic and essential writers: Ernest Bramah, G.K. Chesterton, Wilkie Collins, Richard Harding Davis, Charles Dickens, Arthur Conan Doyle, R. Austin Freeman, Jacques Futrelle, Anna Katharine Green, Arthur Griffiths, E.W. Hornung, Maurice Leblanc, Jack London, Arthur Morrison, Edgar Allan Poe, Arthur B. Reeve, Mark Twain, Edgar Wallace, Victor L. Whitechurch, Israel Zangwill.

Murder Mayhem

The Wendigo Goes Home by Sara Dobie Bauer
Funeral by Michael Cebula
Into the Blue by Carolyn Charron
Mr. Happy Head by James Dorr
Nineteen Sixty-Five Ford Falcon by Tim Foley
Mama Said by Steven Thor Gunnin
Six Aspects of Cath Baduma by Kate Heartfield
Freedom is not Free by David M. Hoenig
How to Build a Mass Murderer by Liam Hogan
The Two-Out-of-Three Rule by Patrick J. Hurley
Getting Shot in the Face Still Stings by Michelle Ann King
Less than Katherine by Claude Lalumière
Shared Losses by Gerri Leen
Drive Safe by K.A. Mielke
Redux by Alexandra Camille Renwick
The First Seven Deaths of Mildred Orly by Fred Senese
Mister Ted by Donald Jacob Uitvlugt
Corpses Removed, No Questions Asked by Dean H. Wild
Fragments of Me by Nemma Wollenfang

These new authors will appear with the following classic and essential writers:  Ambrose Bierce, Steen Steensen Blicher, G.K. Chesterton, Wilkie Collins, Charles Dickens, Dick Donovan, Arthur Conan Doyle, William Hope Hodgson, E.T.A. Hoffman, Robert E. Howard, W.W. Jacobs, Franz Kafka, Rudyard Kipling, H.P. Lovecraft, Edith Nesbit, Edgar Allan Poe, Arthur B. Reeve, Robert Louis Stevenson, Bram Stoker, Ethel Lina White, Oscar Wilde.

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