Posts Tagged ‘Science Fiction’
Strange are the ways of the poetry biz. Or, April the twentieth warps to the nineteenth. Or . . . anyhow just now the email came from Vince Gotera, coordinator of the SFPA Rhysling showcase blog feature (and also, one might add, recently appointed new editor of the SFPA journal STAR*LINE, though that’s a topic for a different venue). Apparently the re-scheduled tomorrow posting of the capsule bios including mine was just re-re-scheduled, due to a timely sending of new information by . . . moi, to be back to today (cf. post just below). Or, to quote in full:
James, got it. Just in time. The date of 4/19 on your blog is correct. Yours was the last schtuff I was waiting for. The showcase just went live.
Your blog post and my showcase are a feedback loop! Whee!
Confused yet? I know I am. But anyway here it is!
This first via Facebook from Smart Rhino Publications, an official announcement of the contents page for their upcoming ZIPPERED FLESH 3: YET MORE TALES OF BODY ENHANCEMENTS GONE BAD (cf. February 21, 3, January 18, et al.). Or, well, almost . . . or to put it in their words: “We have a few other stories under consideration, and the submission period is now over. But, as you can see, the line up is already impressive.” And as it happens it is impressive, so here it is as a sort of preview:
Billie Sue Mosiman – Horns, Teeth, and Knobs
Shaun Meeks – Upgraded
Jeff Menapace – Worm
Adrian Ludens – Reduced to Tears
Christine Morgan – Going Green
William F. Nolan – A New Man
Jason V. Brock – Transposition
Jack Ketchum – The Rose
Daniel I. Russell – Consume
Jezzy Wolfe – All Will Turn to Gray
E. A. Black – Invisible
L.l. Soares – And the Sky Was Full of Angels
Meghan Arcuri-Moran – Shopping Spree
Charles Colyott – Closer
Graham Masterton – Dog Days
Jasper Bark – Switch
Martin Zeigler – Hypochondria
Sandra R. Campbell – Gehenna Division–Case #609
James Dorr – Golden Age
Then in other news, readers may recall that the Science Fiction and Fantasy Poetry Association (SFPA) has been posting capsule features on Rhysling-nominated poets this month, six at a time, on their blog and that my turn was to be up today (cf. March 29). Well . . . also, almost. A bit of rescheduling has been going on (among other things, originally scheduled for a new “spotlight” every other day starting April first, some have been coming out on even-numbered days too) and, as it happens, mine will actually be out tomorrow. But this gave some time for a bit of more up-to-date information than SFPA apparently had in its files, so it’s all for the best.
My poem, incidentally, nominated in the short poem division, is “Godzilla vs. King Kong,” a rare sports poem involving prize fighting originally published in DREAMS AND NIGHTMARES. A sneak peek of it can also be found in my slightly obsolete “Spotlight” announcement on March 29.
Another month, another interview, so it may seem. See, e.g., April 7, March 13, January 10 . . . and that’s just this year! But come June 1, TOMBS: A CHRONICLE OF LATTER DAY TIMES OF EARTH is expected to be published and it’s all a part of getting the word out. Besides, interviews can be interesting both to reader and interviewee if one puts one’s mind to it. And even fun.
So word came today from blogger Gwendolyn Kiste who interviews quite a number of writers, samples of which can be found by pressing here. Thank you so much for your responses! At this point, it appears that the interview should go live on my website in mid-May. I will definitely send you an email when I post it.
And there we have it. More secrets bared: My writing habits (some of them quite bad). The influence of music. Contributions by the goth cat Triana. And with this the latest on THE TEARS OF ISIS and, lest we forget, TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH. One of the fun things, in fact, is that each interviewer is different as well, not just in their questions (some of these, of course, may be common to more than one interview) but also in their approaches to questioning. Matter of fact? Interested in detail? Fun-loving? Quirky?
Search on “Interview” in the “search here” box at the upper right for a tour of the dates I’ve listed above — a possible project for an otherwise dull rainy day? And check here in May for a link to the newest by Gwendolyn Kiste as soon as I have it!
Along with yesterday morning’s marathon interview, Friday also brought these more low-profile items:
1. A contract by email “signed” and sent back to TALES TO TERRIFY for permission to podcast “In the Octopus’s Garden” (cf. April 1), originally published in 69 FLAVORS OF PARANOIA for March-April 1999 and also the lead prose tale in THE TEARS OF ISIS;
2. Receipt by street mail of my copy of the corrected contract, countersigned by publisher Scary Dairy Press (cf. March 8, et al.) and with payment included, for “Swarms” as a reprint in MOTHER’S REVENGE, planned to be out for Earth Day, April 22;
3. Also by street mail, two copies of a contract received from Smart Rhino Publications for my science fiction story “Golden Age” to be reprinted in ZIPPERED FLESH 3 (see March 13, February 21, et al.), one countersigned by me this morning and left out for return mail pickup.
All in all, not a bad way to wind down the week.
On a lovely afternoon one day after April Fools, the Bloomington Writers Guild/Boxcar Books “First Sunday Prose Reading & Open Mic” (cf. March 5, et al.) featured a heady mix of dark fantasy, science fiction, and mystery. The first by many-time participant Shayne Laughter brought the ending of “Incident at Grandmothers Cottage,” a police procedural set in a fairytale forest which she had read the first part of at the premiere of the Players Pub Spoken Word series (at which I had also presented my TOMBS-set “River Red,” cf. February 10), followed by Karen Wylie who we have also met before (see November 1 2015 and August 3 2014) with an excerpt from her “science fiction of one sort or another” novel DIVISION, and mystery author, poet, and local WHFB jazz DJ/talk show host Ray Zdonek with a portion of his novel THE LAST ROUNDUP, fourth in his northern Indiana-set Lee Kosak mystery series. This was followed by five open mike readers of which I was fourth with a 700-word dark fantasy/murder mystery on the subject of pets cooking women (with a bit of back story, that being a “prompt” a few years back at my writers group) called “The Death of Mother Carvey.”
Then yesterday brought the opening entry of the Science Fiction and Fantasy Poetry Association’s Rhysling Showcase, each to include mini-bios of six of the poets in this years Rhysling competition (cf. March 29), for which press here. These will continue with new posts every other day throughout the month — with (ahem) mine scheduled for April 19.
It happens sometimes. It’s usually not reported here, but sometimes a magazine or book that’s accepted a story fails to be published. But life must go on, yes? Such has been the fate of “In The Octopus’s Garden,” originally published in 69 FLAVORS OF PARANOIA, March-April 1999, which we might recall had been accepted as a reprint for CREEPY CAMPFIRE QUARTERLY for publication later this year (see June 5 2016). But then in November . . . well, these things happen.
Fast forward to this month, lots going on, but for thirty solid days in March no new acceptances, story or poetry, to be reported until Friday afternoon, March 31, and an email time-stamped 2:45 p.m.: Thank you for submitting “In the Octopus’s Garden” to TALES TO TERRIFY. We loved this story and would like to accept it for publication. So you lose one, you win it back. TALES TO TERRIFY is a podcast with “In the Octopus’s Garden” tentatively set to air “somewhere around July-December 2017.” But for those who can’t wait or would like to read it in print as well, it’s also lead story in THE TEARS OF ISIS which can be ordered by clicking its picture in the center column or pressing here.
No, it isn’t an early April Fool’s trick and it is a new name (slightly), but the name was especially voted on to keep the initials the same. And so, as announced today, by fairly hefty vote margins the Science Fiction Poetry Association (SFPA) has become the Science Fiction and Fantasy Poetry Association (SFPA, though there was a minority vote to add an extra F for SFFPA). The change is simply a long-time-coming recognition that a lot of SFPA members actually write fantasy poetry, if one wants to be picky, and the name change parallels a similar change made some years ago by the SFWA (which is to say, the Science Fiction and Fantasy Writers of America, once the Science Fiction Writers of America, which for a brief time then initialed itself the SFFWA with occasional members pronouncing the name as if they stuttered). So what’s in a name? For nostalgia hounds, here presented is the old logo, which may take a little time to update and, new name or old name, the group still can be found by pressing here. (And between you and me, I write horror poetry, and I’m still a member.)
This comes to us today via Nathan Rowark on Facebook, a sale through June 30 from Horrified Press to include all e-titles. Other than that I know no details, nor does the publisher’s Facebook page provide any more, except that all anthology titles are thus priced at $3.00 or less. And, as it happens, I have several stories published by them although one, “Lobster Boy and the Hand of Satan” in HOW TO TRICK THE DEVIL (cf. October 14 2015, et al.) appears to be available in print only, at least on Amazon, and hence doesn’t count. Two others, though, do: “Tunnels,” concerning familial love in an underground post-apocalyptic world, in UNTIL THE END (see June 15 2014, et al.) on sale for $2.99; and “Flesh,” of a man who strives to get fat (but, when all is said and done, perhaps not enough), in NIGHTMARE STALKERS & DREAM WALKERS (see October 14 2015, December 21 2014, et al.) for an even $3.00. For more, for UNTIL THE END press here; and for NIGHTMARE STALKERS here.
Here’s one I blundered on via Facebook’s ELDER SIGNS PRESS site, dated March 9 and touting a two-week only sale on Amazon. Today being the 16th, I think that would mean there’s a week to go, ending March 23. So for a happy Saint Patrick’s Day Eve, check out these deals for DARK HORIZONS (Amazon’s price is 12.95, but individual new copy offers start at $9.67 as of this writing) and STREET MAGICK (Amazon price $9.21) and, as a bonus, give the figure on STREET MAGICK’s cover a green suit and hat, and it could look a little bit like a leprechaun.
To check it all out, press here for the ELDER SIGNS PRESS Facebook site, then scroll down just a tad for the sale
announcement with links to Amazon for both books — just under the listing for early orders for TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH, in fact, with its own link to Amazon should you wish to indulge while you’re at it! My dogs in these donnybrooks are “Bottles” for STREET MAGICK, of vampiric doings in the late 1950s Boston area, complete with Cold War paranoia, and “Dark of the Moon” in DARK HORIZONS, of an international expedition to the Moon’s back side, combined with a dollop of H.P. Lovecraft and Russian myth to become dark indeed. Also (ahem!) while the books haven’t gotten too many reviews on Amazon yet — and let this be a *hint* to readers, if you like a book you do your favorite authors a favor by sending reviews in — one review under each title (cf. “Mr. Vlesco” for the one for STREET MAGICK) singles my stories out for special mention.
If you’re familiar with Smart Rhino’s anthologies (and we certainly hope you are!), you may remember his stories “The Wellmaster’s Daughter” in UNCOMMON ASSASSINS, and “Labyrinth” in INSIDIOUS ASSASSINS. His story “Golden Age” will be published in ZIPPERED FLESH 3, now in production. So marks the start of Monday’s outing of Smart Rhino Press Editor/Publisher Weldon Burge’s blog, BULLETS AND BUTTERFLIES. Here you will find things concerning my collection THE TEARS OF ISIS and the lure of short stories, as well as my upcoming novel TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH, though of the latter the publication date is now set for June (i.e. rather than “spring,” which only means things sometimes get out of date; also the poet Allan Poe may be better known as Edgar Allan, but typos can happen too). Also the blog itself may seem familiar, having also been published in Smart Rhino Publications’s own January NEWSLETTER (see January 18). But as Weldon himself says on his Facebook page: Just posted my interview with Bram Stoker nominee (and frequent writer for Smart Rhino Publications) James Dorr. His story “Golden Age,” will appear in the upcoming ZIPPERED FLESH 3. He has some great advice for writers from his own experience. So maybe it will be worth reading anew.
Or in any event for those new to this blog it can be found here.