Posts Tagged ‘Science Fiction’

We have to stop meeting this way, or, for the past announcement of both items below, cf. June 11.  How’s that for coincidence?  The first is that Tammy Coxen, in Programming at NASFiC, sent me two schedule changes for my panels next month, July 6 – 9.  As of now, the new official schedule is:

Friday – 10 a.m. – San Geronimo – Genre Blending
Friday – 4 p.m. – San Geronimo – The Critical Eye (moderating)
Saturday – 11 a.m. – San Cristobal – Writing Diverse Characters of Impact
Saturday – 2:30 p.m. – Sol Boardroom – Reading from TOMBS
Saturday – 3 p.m. – San Cristobal – World Building as More than Background
Sunday – 10 a.m. – San Geronimo – Zombies Over Time and Space

Two items are changed, the first my reading, originally scheduled for Thursday at 7 p.m. in Bahia 1 (this one in particular is a relief for me, since it gives me extra time Thursday night if my plane should be late) and now on Saturday in the Sol Boardroom at 2:30, convenient for strolling into after a leisurely lunch, and the second “Zombies Over Time and Space” to be one hour earlier Sunday morning and nudged to the room next door, from 11 a.m in San Cristobal to 10:00 a.m. in San Geronimo.

Then the second announcement is from Cin Ferguson of Scary Dairy Press (for background on which see June 11 again, et al.), that their eco-horror anthology MOTHER’S REVENGE:  AN ANTHOLOGY OF GLOBAL PROPORTIONS is now available in Kindle as well as print form, with hopefully an audio edition to come out this fall.  To quote from their website, [f]rom living garbage to earth witches and cities that come to life to destroy mankind, there is something for everyone between the front and back cover.  One of the best outcomes from the sale of this anthology is our commitment to donate 10% of our earnings to earth-saving organizations such as Water is Live, Union of Concerned Scientists, the Sierra Club and the Clean Air Task Force.  We are so pleased to be a part of what can help make the earth a better place, and thrilled to bring you in as a participant in this goal when you make a purchase.

My story in this is called “Swarms,” or mutant insects gotta live too, originally published in CD ROM in Lone Wolf Publications’s 2001 anthology BLOODTYPE as well as in print in my DARKER LOVES collection (Dark Regions, 2007), and now can be perused in Kindle format via pressing here (though one will note the print version costs more, thus increasing the donation part of the good work too, for a link to which — is everyone still with me here? — see June 11).

Today brought an announcement from Weldon Burge of Smart Rhino Publications, that ZIPPERED FLESH 3: YET MORE TALES OF BODY ENHANCEMENT GONE BAD (cf. April 27, 19, et al.) is headed toward a, hopefully, pre-Halloween release.  Just in time for costume suggestions, eh?  In this one my story is in final place, the thought to take with one to possibly a ZIPPERED FLESH 4 — or possibly just to hold in one’s own head — and a probably rather benign one at that, called “Golden Age.”  And with the announcement, here is the finalized table of contents:

Horns, Teeth, and Knobs–Billie Sue Mosiman
Upgraded–Shaun Meeks
Worm–Jeff Menapace
Reduced to Tears–Adrian Ludens
Going Green–Christine Morgan
A New Man–William F. Nolan
Transposition–Jason V Brock
The Rose–Jack Ketchum
Consume–Daniel I Russell
All Will Turn to Gray–Jezzy Wolfe
Invisible–E.A. Elizabeth Black
And the Sky was Full of Angels–L.L. Soares
Shopping Spree–Meghan Arcuri-Moran
Closer–Charles Colyott
Dog Days–Graham Masterton
Switch–Jasper Bark
Hypochondria–Martin Marty Zeigler
Gehenna Division, Case #609–Sandra R. Campbell
Golden Age–James Dorr

And, speaking of body enhancements gone bad, let us also recall the “other” anthology, YEAR’S BEST BODY HORROR 2017 (cf. May 8), due out tentatively in late September from Gehenna & Hinnom.  My story in this is called, simply, “Flesh,” one a bit on the surrealistic side concerning a wealthy man who decides to become fat.  More on this, as on ZIPPERED FLESH 3, will be revealed here as it becomes known.

The Question is asked:  What makes a scary movie scary?

If you glanced at what’s come out in the past 20 years, you might think it’s the amount of diced body tissue flying around the screen.  Horror has always depended on shock value (see: FREAKS below), but what really unsettles us hasn’t changed much: an ominous sound from around the corner, an indecipherable figure in the distance, a sense of impending doom as somebody opens a door.  Gore has its place, but only when it’s attached to an idea.  HOSTEL is less a spine-tingling chiller than an endurance test for ick along the lines of E!’s BOTCHED.

And so it goes (to coin a phrase). Herewith a list everyone’s going to have some disagreements with, courtesy of ESQUIRE.COM (via THISISHORROR.CO.UK), but with the acknowledgement that these are just one horror fan’s opinions.  Mileage may vary (to coin another phrase), but, for me, the value in a project like this is to view it as a kind of checklist to see which pictures I may have missed out on.  So, yes, homage is given to many one would expect, but others less known may be there as well (e.g., to deal from the top, most should recognize Fritz Lang’s M [#47], but how many also know UNDER THE SKIN with Scarlett Johansson [#49]; or consider #21, CARNIVAL OF SOULS) — and how many have you seen?

Well, I’m not going to say (I have seen the three noted just above), but it’s fun to go through, so enjoy Paul Schrodt’s “The 50 Scariest Movies of All Time” by pressing here.  (But caution: for those afraid of spoilers, avoid reading “scariest moments”).

A warm June day and, for something completely different, how about a post that doesn’t have anything to do with TOMBS (which is still on discount on Amazon last time I looked, incidentally, just click on its picture in the center column)?  Or, serendipity strikes once again!  See, it seems I was just moseying like through the Internets and what should I teacup_chappen across but a still-live link to a humorous saga concerning the herding of cats (ah, now, Triana), originally published in NUKETOWN in March 2001, but here reproduced as an electronic reprint from SPACE WESTERNS (SPACEWESTERNS.COM, from which also the illustration to the left), May 2007.*  So now as a lagniappe, a little free thing you get once in awhile for no particular reason at all except that it’s there, a kind of a story I don’t write too often, a tall tale:  “Catskinner Sweet and the Twirling Teacups of Deadwood City.”

To read, press here.
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*As a curious footnote, this is also the only story I’ve had reprinted in the Netherlands, in the magazine WONDERWAAN for June 2011.  Translated in Dutch, for those who wish to know, the story appeared as “Kattendrijver Sweet en de Draaiende Theeschotels van Deadwood City.”

We may recall C.P. Dunphey’s interview of me, “Love and Death:  An Interview With TOMBS Author, James Dorr” (see May 26), as one homing in in detail on various aspects of TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH itself.  Inspiration, ghouls, the use of languages — and where does Vodoun come into the picture?  We’ve seen the preview, as it were, but what of the show?

Well, for the main event, really, one should buy the book.  A click on its picture in the center column brings more information, or press either of the Amazon or B&L links (both still offer discounts as of today) on May 30’s post, below.  But we’ve also seen one review already, by Christine Rains (cf. June 1) — are there not any others?

The answer (surprise!) is yes.  First came the interview, then — today — C.P. Dunphey’s review is now up on GEHENNA POST.  May I offer a quote?

TOMBS is an unexpected, enigmatic piece that author James Dorr spent years creating.  The world is visually stunning, the layers and depths of the universe never faltering in their ability to not only captivate the reader, but to also offer a lending hand in an escape to a world full of wonder and astonishment.  From the Old City to the Tombs, every setting is flawlessly illustrated with language poetic and frequently romantic.  Dorr crafts his universe with talent unrivaled and unparalleled.

To see all press here.

Yes, we said “Friday night” (see post just below), but the Gehenna & Hinnom Books interview of me on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH is live now!  Kudos go to Editor/Interviewer C.P. Dunphey for excellent quickness, as well as great questions on origins, ghouls, use of languages, social cultures, and more.  Discover the parts played by whimsy — and guilty pleasures, the influence of Voodoo, and Charlie Chaplin’s “The Little Tramp.”  Pre-TOMBS “history.”  The long, long path to publication by Elder Signs Press and the inspiration of other authors and books going back to 1485 (and worldviews going back far, far, farther than that).  Of keeping one’s place and fun with details. . . .

And so, like a good zombie that just can’t be kept down — not to mention the biggest picture of the book’s cover I’ve seen thus far! — for the “dirt” on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH be invited to press here.

SF film fans delight, courtesy of INDIEWIRE.COM let us wallow together in “The 25 Best Sci-Fi Movies of the 21st Century, From ‘Children of Men’ to ‘Her’,” by Chris O’Falt, Graham Winfrey, Kate Erbland, and Zack Sharf, and brought to us via TOR.COM and Stubby the Rocket.  With themes that range from love to fear to humanity itself, the best sci-fi movies of the 21st century all share distinctly original visions. . . , begins the rundown, the rest of which can be seen by pressing here.  And the neat thing is, in scrolling down through it, I’ve probably seen at least half myself already (who knew I had such good taste?), and even own films numbers 1 through 4!

Then in other quick news, last night I turned in an interview to C.P. Dunphey of Gehenna & Hinnom Books, with questions designed almost exclusively with TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH in mind.  Yes, launch time for the novel is drawing nigh — but there’s still time to get a one-third off pre-publication discount by pressing here (or, for B&N fans, better yet here).*  But back to the chase, to quote Mr. Dunphey:  These answers are amazing!  For audiences, they will be superb, and for me as a8451b32b-e3c4-41cb-8f3e-7c6834708f13 reader myself, it answered a lot of questions I had as well.  I will post the interview tomorrow night and will send you the link before I post it to any social media.  Very excited for this to be published.  And yes, I know, would that others would be so enthusiastic!

So look Friday night or, one needing one’s sleep, possibly Saturday morning for a fairly long interview mostly confined to TOMBS.  And after June 1st, when the book is out, I understand there may be a review of it too.
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*I understand there should also be an electronic edition of TOMBS, but not quite yet.

Now, about that interview (see May 18 two posts below, April 18) . . . it’s here!  Conducted by blogger Gwendolyn Kiste, this is a fairly straightforward one with mentions both of TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH and my previous book THE TEARS OF ISIS.  And possibly one or two surprises too, like the place football takes in my writing routine.  Or music and differing narrative styles.  Other highlights:  My first ever official fiction sale, and how much did I get?  What are “honorary weekends”?  And, speaking of my writers group (cf. post just below), what of the time the Goth cat Triana added a comment of her own to a member’s story?*

See all this and more by pressing here.
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* And remember, Triana has not been here that long (cf. February 2).

And here it is, the third of my TOMBS-related essays in Heidi Angell’s AN ANGELL’S LIFE OF BOOKISH GOODNESS.  This one is titled “The Ghoul-Poet” and has to do in part with the division of TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH into sections based on what’s sometimes called “Five-Act Dramatic Structure,” the structure of classical plays like those of Shakespeare.  Well, that sounds pretty fancy, but then what’s a ghoul doing being a poet?  “The Ghoul-Poet” joins my previous guest posts “It Began With a Map” on March 30 and “What’s a Novel-In-Stories?” on February 9, concerning, respectively, building the world of the “Tombs” and the reasons for choosing a mosaic, or novel-in-stories format for its presentation.

So, okay, then what is a ghoul doing being a poet?  To find out, press here.  Also there are links in the essay to my first guest post, on mosaic novels, and a month before that, on January 9, Heidi’s original interview of me, as well as to Amazon’s page on TOMBS where, at least as of this writing, a bargain $9.95 pre-order price is still being offered*.  (For the second essay, however, you’ll have to scroll down to March 30 and use the link there.)

Then a quick, somewhat related note:  TEARS, TOMBS, and contributions by the Goth cat Triana?  And what about the influence of music?  Yes, an all new interview of me is in the offing, this one conducted by Gwendolyn Kiste (cf. April 18), and has now been officially scheduled for this coming Monday, May 22.  This will be part of a series of interviews I’ve given this year (cf. April 7, March 13, January 10) leading up to next month and the June 1  release date for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH.  So, sure, the purpose is commercial too, but there still should lurk a few fun facts (or so one might hope) about me.

See you all Monday?

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*Or one can always just press TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH’s picture in the center column.

So came the announcement from Editor/Publisher Juliana Rew:  It’s hard to believe that summer’s almost here. And so is the new anthology, CAT’S BREAKFAST:  TRIBUTE TO KURT VONNEGUT.  A double issue, it contains 30  all-original  science fiction and fantasy short stories inspired by the wit and wisdom of  the late Mr. Vonnegut, releasing on June 15.

An international group of new and established contributors to “Cat’s Breakfast” makes this a remarkable and varied collection that is sure to please fans of science fiction/fantasy, humor, and horror.  The ebook’s available for pre-order on Amazon, and print books will follow shortly.

And so here it is, the lineup including my “Dead Girls, Dying Girls” (see April 27), a tale of a modern young lady . . . and bears . . .  originally published in Perpetual Motion Machine Publishing’s own tribute anthology, SO IT GOES, in 2013.  While as for that ebook pre-order and other info, one need but press here.

Contents

Spooky Action by David A. Kilman
They Grow Up So Fast by Konstantine Paradias
The Jim-Aaargh School of Philosophy by Rati Mehrotra
Command Decision by James Beamon
Hear by Tim Jeffreys
Honour Killing by Iain Hamilton McKinven
Talk to the Animals by Jill Hand
The Pigeon Drop by Gregg Chamberlain
Formica Joe by Anne E. Johnson
One Is One by Vaughan Stanger
Emerging Grammars by Christopher Mark Rose
Picnic, with Xels by Keyan Bowes
Scenes from a Post-Scarcity, Post-Death Society by Peter Hagelslag
The Static Fall to a Standing Walk by Jason Lairamore
Beyond the Borders of Boredom by Ville Nummenpää
Snakes and Ladders by Rekha Valliappan
Drop Dead Date by August Marion
Monkeyline by Jonathan Shipley
Quality Testing by S. E. Foley
Dead Girls, Dying Girls by James Dorr
The Bringers by John J. Kennedy
The Confrontation Station by Ryan Dull
The Edge of Toska by Veronica Moyer
Violadors on the Run by Corrie Parrish
37 by Dan Koboldt
The Losers’ Crusade by Neil James Hudson

Grins and Gurgles (Flash Humor):

Cyborg Shark Battle (Season 4, O’ahu Frenzy) by Benjamin C. Kinney
Strange Stars by Laurence Raphael Brothers
iPhone 17,000 by E. E. King
The Service Call by Edward Ahern

Then in other info, it’s one of those signs of spring becoming summer, and one of those little things sometimes buried under other activity, but the 2017 RHYSLING ANTHOLOGY(cf. April 19, 2, March 29, et al.) made a safe landing here in last Saturday’s mail.  This is the collection of award nominees in the Science Fiction and Poetry Association’s annual Rhysling Competition, in which my prize fight poem “Godzilla vs. King Kong” appears in the Short Poem division (cf. March 29, February 22).

More information on the Rhysling Awards and the SFPA may be found here.




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