Posts Tagged ‘White Cat Publishing’

A week and a half short of one year ago, on April 10 2014, my New Orleans-based vampire tale “Casket Girls” went out to subscribers of DAILY SCIENCE FICTION.  One week later on the 17th it went into the archives where it can be seen by subscribers and non-subscribers alike.   Then today I received via SFSIGNAL.COM a preview copy of April’s DAILY SF story roster (probably available on DSF’s own Facebook page by tomorrow morlogo-e-mailning since then of course it’ll be April, but for the scoop, for what it’s worth) announcing that in just about three weeks, April 21, a year and eleven days after Aimeé the vampiress made her debut, my next story “Dead Lines” (see January 1; December 23 2014) is set to appear.

“Dead Lines” is a Poesque mystery of sorts, of the disappearance of one Mr. Valdemar and the gracious New Orleanian grande dame “Lo” who may know more about it, as well as the original casket girls, than she lets on.  It will be my fifth story for DAILY SF.

Then a second quick note, while it’s unofficial I understand that following some last minute edits the paperback version of White Cat’s AIRSHIPS & AUTOMATONS (see March 19, et al.) has gone to the printer, to become available hopefully in two weeks or less.


Just hours ago the word came from Editor Chuck Zaglanis, the long awaited AIRSHIPS & AUTOMATONS (see February 5, et al.) is out on Kindle.  Hopefully the print edition will be quick to follow.  Published by White Cat, the book is blurbed as “Tales from a world that should have been. . .  Fifteen stories spanning the ages from ancient Greece to a far-flung dying future,” and now can be obtained in the here and present by pressing here.

For a broader description from the original guidelines, “[w]e seek steampunk stories featuring strong characters, exciting plotlines, and automatons and/or airships.  We don’t want the latter to be mentioned in passing; they should be central to the plot.  We aren’t shooting for any particular mood with this book.  Dystopian, humorous, pulp, Lovecraftian, upbeat or dark — all have a place here.”

My own piece in this is of the airship persuasion and, set in my far-future dying-Earth universe of the “Tombs” (more than a dozen tales of which have been published in various magazines and books including my current collection, THE TEARS OF ISIS), marks the “far-flung future” that ends the anthology.  Titled “Raising the Dead,” along with airships (and tombs) it touches on souls and love, mourning and ghouls, corpse-gas and ballonnets, and Necromancers.

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