Posts Tagged ‘Victorian Funerals’

Today brings some of the ancillary aspects of writing, the major bit being to go over proof sheets from CEMETERY RIOTS for “The Re-Possessed” (cf. May 5, et al.), my tale of the business side of Victorian funerals.  First, to be sure, one must find an honest undertaker — but then the bereaved must be certain that he is Cemetery Riothonest himself as well.  If things stay on schedule the book is expected later this month, so corrections, if any, should go back tonight.

Then, unrelated, an acceptance and contract came today, the latter of which must be read over, signed, and popped into the mail tomorrow.  For what, one may ask?  But here’s the odd part.  That must be a secret, at least for a few days in deference to other writers who may still be awaiting word.  Which is fair enough.  So stay tuned and, in time, all will be revealed.

And then, speaking of timetables, I now have an expected release date for “Bubba Claus Conquers the Martians” and Upper Rubber Boots Books’s THE MUSEUM OF ALL THINGS AWESOME AND THAT GO BOOM (cf. March 17, et al.).  “Bubba Claus,” of course, is a Christmas story — in this case one that also has zombies — and so, for visions of sleighs and snow (or at least a space shuttle) in the height of summer, it’s slated for publication next month on July 26.

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Two short updates for “the writing life” — the little things that are done between selling the story and seeing it published.  Yesterday, with admirable speed, the contract and payment (on acceptance, also admirable!) arrived from T.C. Bennett of Awol From Elysium Press for CEMETERY RIOTS (c.f. August 27), the latter of which went to the bank today while the former, signed, went into the mail.  Then also today Stephanie Buosi of Erebus Press sent this concerning HOW TO TRICK THE DEVIL (see August 16, 8):  “In the next upcoming days I will be sending you back your edited short stories.  If you could take a look at them and get back to me with your approval as soon as you can, I would greatly appreciate it.  I will be sending them as a .docx file, please let me know if you would prefer to receive it as .doc instead.  Also, I am still waiting for author bios from a few of you.  If you have not already done so, please send me your brief bio, 200 word maximum, sometime by next week.”

The stories in question are “Lobster Boy and the Hand of Satan,” a contemporary tale of carnival grifters originally published in CYBER PULP’S HALLOWEEN ANTHOLOGY 2.0 (Cyber Pulp, 2003) for HOW TO TRICK THE DEVIL, and for CEMETERY RIOTS the heretofore unpublished Victorian-set story of “The Re-Possessed.”

The anthology’s name is CEMETERY RIOTS, though, ghostlike, it seemed to lurk in shadows.  There has been a note and cover picture on Editor Chris (“T.C.”) Bennett’s Facebook wall since about the second week of June and a web page probably in the near future.  Yet there was an air of mystery when I recei11401216_108575572813296_1964991277105814082_nved a “request to moderate” from WordPress concerning a comment on one of last week’s posts.  It turned out not to actually be a comment as such, but rather means of contacting me with an invitation to submit.

There was a note concerning the Facebook page and a tentative publication date for early to mid 2016, plus word count limitations and info on payment.  And there was an email for further contact.

So, intrigued, I checked out the picture and some other info, then emailed with some content-related questions.  The answer to that, in effect, was pretty general “as long as it’s horror,” as well as some details on formats and files. Also there might be more anthologies coming in the future.  So why not, thought I?  A few days later I emailed a tale called “The Re-Possessed” about, keeping the CEMETERY RIOTS title and cover in mind, an undertaker’s arrangements gone wrong in Victorian London.

Then this afternoon the answer came:  “I received your story.  Love it.  Sending out contract and payment.”  So the moral, I suppose, is it’s always a good idea to follow up on mysterious emails.




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