Posts Tagged ‘Science Fantasy’

Another triple play starts the week (we seem to have had a lot of these this month).  So beginning last Saturday. . . .

1.  As we already know, eco-anthology MOTHER’S REVENGE was not to be out in time for Earth Day as originally planned (see April 11, et al.).  However I did receive payment Saturday, April 22, so things are in process —  and one might add it made for a pleasant Earth Day surprise;

2.  Also in process, CREEPY CAMPFIRE QUARTERLY plans to publish instead with DEADMAN’S TOME continue apace (cf. post just below), with a new revised contract received, signed, and returned today;

3.  And, as part of the daredevil life of the writer, much of last week for me was taken up with a second, meticulous (hopefully) proofreading of TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH (for information on which, plus pre-order, see its picture in the center column).  Bleary-eyed, I sent in the final corrections today, only three that I could find and all very minor, so a tip of the hat this afternoon to publisher Elder Signs Press for a job well done so far!  If all else goes well, the novel should be out in paperback form on June 1, with a Kindle edition to come sometime later.

Secrets, secrets.  What was my “first ever” book, and why?  (Hint, long out of print, you usually won’t see it in my current bio-notes.)  Do I claim a specific writing style?  Does my novel TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH have an ultimate message for readers (and what is the relation of TOMBS to what dramatists call “the five act structure”)?  In the process of coming up with a title, how did TOMBS differ from THE TEARS OF ISIS?  And now the answers, to questions I wouldn’t have dreamed up myself and many, many more have been revealed, courtesy of blogger extraordinaire Fiona Mcvie on AUTHORSINTERVIEWS.

And maybe a little more will be there on ISIS as well, or how Peter Lorre might have made a good “Ghoul-Poet.”  If curious, press here.  (And if interest is piqued by what you find, links are provided at the bottom for pre-ordering TOMBS as well as ordering THE TEARS OF ISIS — or if in a hurry, just click on their pictures on this page in the center column.)

Something new indeed!  So said the email from the Science Fiction and Fantasy Poetry Association (SFPA):  We would like to try something new this year to get our members excited about and more involved in the Rhysling Award:  to post about the poets behind the poetry on our blog “SpecPo”.  We would like to post a brief bio, a picture and links to your poems online.  If your poem(s) is/are only available in print, please consider posting them to your own blog or website or an author’s website to which we could link.  Otherwise, we have access to the information and there’s no need to send a picture, bio or the links.  The idea is that six poets per day will be showcased starting on April 1 (which one hopes will not be a foolish omen) and continuing every other day for about six weeks with, if I’ve read the schedule right, my fifteen minutes of fame, or fraction thereof, on April 19.  At that time — or now as well, I suppose — the SpecPo blog will be able to be reached by pressing here.

Who knows, then, what picture of me they’ll have to post!  What biographical secrets they’ll reveal!  (Of the latter, just in case they’re out of date, don’t forget [*ahem*] I have a novel, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, coming out in June.)  Or, more to the point, my poem in this pea patch, “Godzilla vs. King Kong,” was published in the print-only journal DREAMS AND NIGHTMARES so where will they find the link to publish?  And so, for that last, why not . . . here (and note a small correction to lines 10-11 should you have the D&N copy with you).

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GODZILLA VS. KING KONG

It came down to this, finally,
the fight of all fights,
Godzilla against the King,
armed with his radioactive bad breath
and his lizard cunning,
while what could a monkey do?
“Do what you do best,”
Kong’s trainer, Fay Wray, told him,
“climb if you can, or else throw feces at him.”
Well, climbing was pretty much out of the question
unless he climbed up Godzilla himself,
the skyscrapers of Tokyo already demolished,
but, vis-a-vis Kong, ‘Zilla wasn’t that tall
and the other plan didn’t seem sanitary.
So Kong made sure he’d had a good night’s sleep,
a hearty breakfast of bananas by the bunch,
then stood his ground in the city’s ruins
delighted when Godzilla, stomping nearer,
slipped suddenly on his breakfast’s discarded peels,
taking a dive, backward, into the harbor.
Godzilla could also breathe under water
so, soon enough, he was climbing back out
dripping mud and dead crabs,
except Kong, by then, had already accepted
the winner’s purse,
and was halfway back to his Skull Island home.

Such is the spirit of serendipity, the things we discover.  As, last night, re-checking URLs for Saturday’s post, what should I find out but that Amazon is running a fairly hefty discount for pre-ordered copies of TOMBS.  I haven’t the foggiest idea of how long this is for — best to hurry, just in case! — but as of right now the pre-order price for the print edition of TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH is only $10.37, with publication planned for June 1.  I’m not going to do the arithmetic to find the percentage, but the full price is listed as $14.95, giving a savings of $4.58 a copy which seems like a pretty good deal to me.  So to check for yourself, just push on TOMBS’s picture on the center column or, if you prefer, press here.  And please tell your friends — not to mention, when it arrives in June and after you’ve read it, if you like it please consider giving Amazon back a review!

Hark us back to a Thursday seven weeks ago, February 9, and recall that I had a guest blog published by Heidi Angell, “What Is a Novel-In-Stories?” (see February 13*), nakedly pimping — guess what? — my own mosiac novel, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH.  You thought it was over?  But now it comes out:  “What Is a Novel-In-Stories?” was only the first of a series of three essays planned for Ms. Angell’s blog, and word came today that the second of these, “It Began with a Map,” is scheduled for Thursday next week, March 30.  So what will the third be?  Well, most likely to come out in early to mid-May, anticipating the novel’s debut from Elder Signs Press on the first of June . . . well, I haven’t officially made up my mind yet, but we shall see then.  Perhaps you have some ideas?

Meanwhile, for Thursday, “It Began With a Map” will touch a bit on the geography and peoples of the world of the “Tombs,” hopefully whetting appetites further.  While I, having received an advance PDF just a few days ago, have begun the slog of proofreading the thing — another part of the thrill-a-minute life of the writer!

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*In fact, if you haven’t read “What Is a Novel-in-Stories,” why not do it now by pressing here?  Or better yet, if you would like to pre-order TOMBS, you can click on its picture or press here.

This was a first, the Players Pub Spoken Word Series (see January 29), premiered Thursday night from 6 to 9 by the Bloomington Writers Guild in conjunction with local bar and music venue Players Pub in off-downtown Bloomington.  This will continue on second Thursdays every month, combining musical interludes with readings of various sorts.  This time, for instance, the readings were prose, with the musical guests the group Urban Deer, while next month’s will most likely feature poetry and, from out of town, the group Shakespeare’s Monkey.  The name of the series is not necessarily fixed yet either, but a flavor is already being established, more freewheeling and possibly “adult” in nature than, say, the more formal First Sunday Prose and Last Sunday Poetry programs.

That said, the first reading ever for this was by . . . me.  The piece read was my story “River Red” from THE TEARS OF ISIS, but with a brief introduction from TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH (“River Red” being set in the “Tombs” universe, even if not in the latter book) to help set the mood.  And also . . . well, maybe . . . as a sort of commercial to push both titles.  This was followed by Shayne Laughter, who we’ve met on several occasions before, with a tale called “Incident at Grandmother’s Cottage,” a part of a fiction work in progress; Arbutus Cunningham (a.k.a. Hester), a Saturday morning radio star on local WFHB with four brief and mostly funny (the exception, the third called “After the War,” combining survival and sadness) semi-fictionalized, off-the-wall reflections; and triana3c2001playwright and comedy performance artist Stevie Jay with longer excerpts from a newer work, “Falling Through the Cracks:  a homeopathic remedy for the New Millennium in one dose.”  The audience totaled some 15 to 18 people (not counting bar personnel), most of whom seemed to stay for the whole nearly three-hour period, and once warmed up seemed quite enthusiastic.

Then another note on new goth kitten Triana, who has momentarily held still and in the light long enough for a new photo portrait, this amongst the jumble and clutter of the printer corner of the computer cave.  But the thing is, missing from all other pictures thus far, she has lovely golden-brownish eyes, now seen here for the first time!

So the first answer starts with a citation to “Allan Poe.”  That’s Edgar Allan Poe, of course, but what’s in a word — I still stand by the answer.  And thus the promised interview by Weldon Burge for Smart Rhino Publications (cf. January 11, 8), in conjunction with a Kickstarter campaign for their upcoming ZIPPERED FLESH 3 anthology, is now live.  A mention is made at the very beginning about my Smart Rhino story appearances, “The Wellmaster’s Daughter” in UNCOMMON ASSASSINS, “Labyrinth” in INSIDIOUS ASSASSINS, and “Golden Age” in the upcomi8451b32b-e3c4-41cb-8f3e-7c6834708f13ng ZIPPERED FLESH volume, but that’s not what the interview is about.  Rather, with reference to Poe as well as my Stoker(R) nominated collection THE TEARS OF ISIS, we talk about short story writing in general and why, as a writer, I find short forms more interesting than novels.  But then novels come up too with reference to TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH (expected in June this year, not really “spring,” but that’s because of a change in schedule after my original biographical notes were in) and what is, exactly, a novel-in-stories, also known as a “mosaic novel”?  And, more importantly, why TOMBS is put together in that style.

The Poe citation, incidentally, is to his essay “The Poetic Principle,” which I believe he meant to apply to prose fiction as well.  But to read the whole interview, including some things on the challenges and joys of writing, and what to expect once one has written, why not press here?

Just a quick note, that Weldon Burge has announced a Kickstarter campaign for for the upcoming Smart Rhino Publications anthology ZIPPERED FLESH 3:  YET MORE TALES OF BODY ENHANCEMENTS GONE BAD, scheduled for launch next Tuesday, January 17.  In conjunction with this will be his interview with me (cf. January 8, below) with remarks on short stories, novels-in-stories, structure of novels, and TOMBS:  A CHRONICLE OF LATTER-DAY TIM298555_180672618685797_840344211_nES OF EARTH:  “I’ll be sending out the e-letter once the campaign has started, so you should see your interview posted next week as well!”  Also mentioned in the interview are THE TEARS OF ISIS and “The Poetic Principle” by Edgar Allan Poe.

As for ZIPPERED FLESH 3, my part in this is a strangely muted (given the promise of some of its stories) science fiction tale called “Golden Age,” reflecting a future history of worn out, or otherwise damaged body replacements (see September 9), a reprint originally published in MINDSPARKS in Spring 1994.

No, this is a different one, not the Smart Rhino interview-to-come noted just below, but one completed in a flurry of activities the week before Christmas with Heidi Angell.  This one includes such questions as what director I’d choose were TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH optioned for a movie (my answer suggests three, the third of whom may come as a surprise but whose work has been reviewed on this blog) and what is one great lesson I may have learned through being an author?  I might mention, too, that I may have some other posts on Ms. Angell’s blog in the months to come in anticipation of TOMBS’s planned June release, as well as possibly some reviews of books of mine by her.  And then later this month as well, perhaps we will see the “other,” Smart Rhino Publications’s interview of me by Weldon Burge.

For this one, however, on Heidi Angell’s late Monday MEET THE AUTHOR feature, please to press here.

Another interview lurks in our future.  Completed just now, this one was rather a quickie as well, the contact coming from Smart Rhino Publications Editor Weldon Burge just last week:  James, would you be open to a short interview for the January Smart Rhino newsletter?  It would only be three or four questions, short and sweet.  But I’d need a pretty fast turnaround, if possible.  Please let me know.  Thanks!  My connection here is having stories in two Smart 463_zippered_cvr_3Rhino anthologies thus far, UNCOMMON ASSASSINS and INSIDIOUS ASSASSINS, and in a third to be coming out soon, ZIPPERED FLESH 3 (cf. September 9, et al.).  So, “sure,” I sent back, and we set things up to be done this weekend.

More, such as a tentative date, will be noted here when it is known, but I will say now that, while short, it’s one of the heavier ones I’ve done in terms of writing and writing theory, even including a quote from Poe from his essay “The Poetic Principle.”  Why that essay?  Because I think Poe intended it to apply to fiction in prose as well, perhaps then explaining his own predilection for the short story form, and hence, by extension, mine.  This is for a question having to do with my own short story collection, THE TEARS OF ISIS.  But then, from there, a question on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH brings up a discussion of form, in addition to content, and novels-in-stories or “mosiac” novels (see also, October 20), and why that form might be chosen over traditional narrative for telling certain kinds of stories.  And also, why the mosiac form might answer Poe’s dictum that effective “poetic” writing be kept short.




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