Posts Tagged ‘Science Fantasy’

Perpetual Motion Machine Publications has announced a Friday the Thirteenth sale, to be in effect the entire Friday the Thirteenth Holiday Weekend.  To quote their email:  We’re also celebrating this special day by marking all of our books in our webstore off by 13%.  Simply visit our webstore and enter code PMMP13 upon checkout.  We have . . . a lot of books available.  Please consider picking up one or two or twelve.  The discount code expires on Sunday.

That’s thirteen percent off today through Sunday by using the code PMMP13 when checking out, but more to the point one of the books you can get discounted is my Stoker Award(R) nominated collection THE TEARS OF ISIS.  To go to the PMMP site press here.  And, after you’ve added TEARS to your shopping “cart,” to order two or a dozen other titles click “SHOP” at the top which will bring you to a page for browsing through additional selections.

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A time of revelry and reversal, Saturnalia represents the breakdown of what has been deemed the natural order.  HYPERION AND THEIA’s inaugural volume wants stories and poetry that runs the gamut of genres and turns expectations on their heads.  Submit a fantastical murder-mystery set in the biggest carnival in Atlantis.  Wow us with a sweeping romance in space where gods and goddesses serve their creations after a bloody war. . . .

Such had been the call some months ago and, last December, came the acceptance (cf. December 9 2016).  My “epic” poem DREAMING SATURN, originally published in the anthology DARK DESTINY (White Wolf, 1994) would not only be in the inaugural volume, but tentatively would be set as the opening item.  A contract would follow.

So you know how it is.  Life intrudes, delays happen.  But then, yesterday:  Sorry for the long wait!  I have attached the final contract for you to sign.  I will contact you again on the 27th of October with the cover and other promotional material.  Suffice to say, the signed 8451b32b-e3c4-41cb-8f3e-7c6834708f13contract went back in the email this afternoon.

In other news, a run through the e-bookstores this morning unearthed a 33-percent discount for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH on Barnes and Noble, at $9.99 — and that’s just the “official” price, with individual sellers’ new copies as inexpensive as $8.98.  There’s no indication how long these prices may last, so best take advantage soon!  Amazon, also, while listing the full price of $14.95 on its site, has several individual listings in the $10 to $11 range.  If interested, check out Barnes and Noble by pressing here; while Amazon can continue to be found, including several substantive reviews, by clicking TOMBS’ picture in the center column.

The crowd wasn’t the hugest, even including the homeless guy asleep in the back row, but was gratifyingly enthusiastic for this month’s “First Sunday Prose Reading and Open Mic”(cf. August 7, et al.), co-sponsored by the Bloomington Writers Guild and Boxcar Books, and anyway it had to compete with a lovely late-summerish afternoon outside.  And, yes, this was October.  Be that as it may, it was also our starting-the-buildup-to-Halloween special, with featured readings beginning with Frida Westford and two short shorts, “That Which Remains” about a displaced bog spirit paired with a fairy tale brought up to date in “The Eve of All Hallows,” and ending with Joan Hawkins and Tony Brewer performing brief excerpts from the screenplay for Ken Russell’s never-produced film version of DRACULA, with the title character an aesthete who specializes in biting artists about to die in order to give them eternal life to continue producing.

My reading came in between these two with a presentation from TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH somewhat paralleling that of the previous month at the Bloomington Arts Festival “Spoken Word Stage” (see September 3), this time with the book’s back-cover blurb plus the ghoul-poet’s tale from Section III to introduce the chapter-story “Carnival of the Animals,” and seemed to me to be well received (snoring homeless guy in the back notwithstanding).

Then after the break, with banana bread and ginger cookies, four readers, all of whom we’ve met before, offered open microphone presentations to cap the afternoon:  Tonia Matthews, Shayne Laughter, and (this time separately) Tony Brewer and MC Joan Hawkins.

The gravitational assist trajectories at Jupiter were successfully carried out by both Voyagers, and the two spacecraft went on to visit Saturn and its system of moons and rings.  Voyager 1 encountered Saturn in November 1980, with the closest approach on November 12, 1980, when the space probe came within 124,000 kilometers (77,000 mi) of Saturn’s cloud-tops.  The space probe’s cameras detected complex structures in the rings of Saturn, and its remote sensing instruments studied the atmospheres of Saturn and its giant moon Titan.  (Wikipedia, “Voyager 1”)

Two items occurred to me to close out the weekend, the first that there were space probes prior to Cassini (cf. September 17, 11, 7), including Voyagers 1 and 2 which also paid a visit to Saturn.  Launched 16 days apart in 1972, Voyager 1 was actually the second, but was on a trajectory that had it reaching Saturn first, performing flybys of not just Saturn and Titan, but also the moons Tethys, Mimas, Enceladus, Rhea, and Hyperion.  And while Voyager 2 also went on to Uranus and Neptune, on August 12 2012 Voyager 1 became the first human-made object to enter interstellar space.  Also, unlike Cassini, both Voyagers continue to journey outward.

So, why my interest?  Thirteen years after Voyager 1 and Saturn, a story of mine, one marking a breakthrough in my writing in my opinion, appeared in the July 1993 edition of Algys Budrys’s short-lived magazine TOMORROW.  Titled “Moons of Saturn,” it told of a couple watching a detailed series of news items on TV of the Voyager mission as it might have been, bringing in also the mythical origins of the moons’ names.  Added to this are fancied adventures on, e.g., the “jewel mines of Rhea,” these conducted through dreams or, possibly, astral projection, all through which the woman, Phoebe, 518B8qShonL._SX331_BO1,204,203,200_named for one of the moons herself, grows progressively weaker as the man (“Enceladus,” as named by Phoebe) attempts to find a cure.  This latter possibly with tones of vampirism. . . .

And the thing is (or, here comes the plug!), while TOMORROW and its electronic successor TOMORROW SF are now long gone, “Moons of Saturn” has been reprinted in my collection THE TEARS OF ISIS.  For more information, or possible purchase, just press its picture in the center column.

Then one more item in the life of the writer:  Gehenna and Hinnom Editor/Publisher C.P. Dunphey emailed that the payment for my story in THE YEAR’S BEST BODY HORROR 2017 ANTHOLOGY (see September 13, August 10, May 8) has been sent to Paypal — a thing good to know since Paypal seems no longer to bother to tell people themselves when they’ve received money.  The story in question here is called “Flesh” — and like “Moons of Saturn” may be a little on the surreal side although with a more domestic setting — and also a reprint originally published in Spring 1999 in MAELSTROM SPECULATIVE FICTION.  THE YEAR’S BEST BODY HORROR can be pre-ordered now, by pressing here, in anticipation of a September 30 publication date.

 

Labor Day, the “official” ending of the summer season, no wearing of white till the next Memorial Day, the beginning of work through fall and winter, and . . . what’s that about a connection between Edgar Allan Poe and Winnie the Pooh?  For that last, welcome to the first interview for Fall 2018, courtesy of THE TATTOOED BOOK GEEK (cf. August 20), coming to us from across the Atlantic.  The answers to questions which sometimes boil down to “I don’t know either” — and some where I do!  The origins of ideas?  Writers of influence?  What can a reader do (other than buying his or her books, of course) to best help an author?

And what of connections not just between Poe and Pooh, but art and death?  Revealed perhaps in a peek at the Stoker(R)-nominated THE TEARS OF ISIS.  And “mosaic” novels?  The hint’s in a note and a blurb for my latest book, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH.  Again to find out, some things possibly already known, other things all new, one need but click on the books’ own pictures in the center column, and also for British blogger Drew Weldon’s THE TATTOOED BOOK GEEK interview, press here.

While Saturday started off a bit cool and clouded for my taste, the sun had established itself by a little past noon and Sunday followed sunny and warm too, a beautiful weekend for this year’s Bloomington 4th Street Festival of Arts & Crafts and, with it, the Bloomington Writers Guild’s Spoken Word Stage (cf. below, August 30).  Along with a number of poets both days, Saturday also brought Bloomington High School South’s Poetry Out Loud (getting the new generation on our side), children’s theater with the Merry Mac Players, FRANKENSTEIN as presented by the Fig Tree Fellowship Radio Players, and poetry “band” Shakespeare’s Monkey.  Then Sunday introduced more prose fiction readers, including Joan Hawkins and Shayne Laughter who we’ve met before (cf., e.g., various First Sundays Prose readings, for which in a way today’s Spoken Word session was a substitute), and . . . somewhat late in the day at 3:30 p.m., me.  In my case, I read three excerpts from TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, the back cover blurb and the introduction to Section II — by way of a sort of introduction — followed by the Section II story-chapter “The Last Dance.”  This was the same as the reading I presented last July at NASFiC in Puerto Rico (see July 13) and it seemed to go over well to an audience that started out on the small side, but grew as I continued, a good sign as these things go.  Next month, also, I’ll probably read the same first two parts but a slightly shorter story-chapter for October’s First Sunday.

Then speaking of TOMBS, Saturday’s email brought an “eligibility check” from the Horror Writers Association for works submitted to the Bram Stoker Award(R) Jury.  This consisted of questions concerning publication date, length and content, and prior publication (if any) of parts of the contents, all of which I was able to answer in the affirmative and send right back.  While this will be checked by the Jury people, with an official “acceptance” probably not for two weeks, one possibly ambiguous thing has been decided.  Although TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH is a novel-in-stories, akin to Ray Bradbury’s THE MARTIAN CHRONICLES or Amy Tan’s THE JOY LUCK CLUB, under the technicalities of the Stoker rules, it will be voted on in the Fiction Collection category.

So what that means in the here and now:  If you’re a HWA member and have read TOMBS, and have a hankering to recommend it for a Stoker, please do it for “Superior Achievement in a Fiction Collection.”  But even if you’re not a HWA member, while/if the spirit moves please also consider reviewing it for Amazon and Barnes & Noble (both of which are offering wildly discounted prices on TOMBS, by the way, while they last), as well as on Goodreads.

“Now in its 7th year, the Spoken Word Stage at the 4th Street Arts Festival is one of the largest literary performance events in the Midwest, featuring storytelling, poetry, fiction, non-fiction, live radio theatre, and other unique collaborations,” the announcement tells us (see also, below, August 9 and 7).  As in years past, I will have a slot too, billed as “horror fiction” from 3:30 to 4 p.m. Sunday afternoon, September 3rd.  The event itself, arts fair, music, local displays, and the Bloomington Writers Guild-sponsored “Poetry on Demand” booth and Spoken Word Stage, spans the Labor Day weekend, Saturday and Sunday September 2 and 3, arrayed along 4th Street in Bloomington, Indiana.  Or more to the point for the Spoken Word Stage, just off 4th on Dunn Street.

Here is the schedule, as of today, noting again that I’ll be on Sunday with excerpts from my novel-in-stories, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, from 3:30 to 4.  And if you like it, I’ll be up again with an excerpt from a different section the following month, in a featured spot at the Writers Guild’s First Sunday Prose Reading, on which more later.

SATURDAY Sep 2
10:30 Shana Ritter (poetry)
11:00 5 Women Poets (poetry)
11:30 Merry MAC Players (theatre)
12:00 Merry MAC cont’d
12:30 Butch D’Ambrisio (sonnets)
1:00 Alex Hollett (poetry)
1:30 Abegunde (poetry)
2:00 Matt Hart (poetry)
2:30 Wil Gibson
3:00 PrideSlam Showcase (poetry)
3:30 Bloomington High School South Poetry Out Loud (poetry)
4:00 Fig Tree Fellowship Radio Players (audio theatre)
4:30 Fig Tree cont’d
5:00 Steve Henn (poetry)
5:30 Shakespeare’s Monkey (poetry band)

SUNDAY Sep 3
10:00 Tony Brewer (poetry)
10:30 Eric Rensberger (poetry)
11:00 Joan Hawkins (fiction)
11:30 New Leaf New Life volunteers (poetry and fiction)
12:00 Adam Henze (poetry)
12:30 Shayne Laughter (fiction)
1:00 Jack Ramey (poetry)
1:30 Jasper Wirtshafter (poetry)
2:00 Wil Gibson
2:30 Arbutus Cunningham (storytelling)
3:00 Cricket’s Bone Caravan (audio theatre)
3:30 James Dorr (horror fiction)
4:00 Lisa Kwong (poetry/personal essay)
4:30 Bloomington Storytellers Guild (storytelling)

In other news, today brought proof sheets for “Flightless Rats” from FANTASIA DIVINITY (cf. July 7, et al.) which, with one correction noted, went back this afternoon.  To be published in the September issue, “Flightless Rats” is the tale of New Orleanian “Casket Girl” Aimée a-prowl for a new husband, but how some prospects may not make the grade.  It is a reprint, originally published in T. GENE DAVIS’S SPECULATIVE BLOG, January 12 2015, and has also appeared in the flash fiction anthology MOCHA’S DARK BREW: 10 TALES OF HORROR (Mocha Memoirs Press, 2016).

Exciting times!  Exactly a month ago, July 20, I submitted a reprint, “The Borrowed Man,” originally published in THE GIRL AT THE END OF THE WORLD, BOOK 1 (Fox Spirit Books, 2014 — cf. August 8 2014, et al.), to Digital Fiction Publishing for its upcoming DIGITAL HORROR FICTION anthology.  And so the reply received today from Editor/Publisher Michael Wills:  Thank you for sending us “The Borrowed Man”.  We think it is a great fit and would like to publish it.  We will be in touch shortly with a formal contract and details for your review.  And then also today, there came not just one, but two contracts to sign, the second for DIGITAL SCIENCE FICTION to republish “The Needle-Heat Gun,” originally in NIGHT LIGHTS (Geminid Press, 2016 — see July 29 this year, et al.), both of which went back this afternoon.  “The Borrowed Man,” I might also add, is set in the far-future universe which includes TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH, although the story is not in the book itself.  But should you read it and like it, and have a yen to explore its world further, you can find more by clicking TOMBS’s picture at the top of the center column.

Then for yet more about TOMBS, THE TEARS OF ISIS, and writing in general, word came today that a new interview of me has been scheduled for Monday, September 4, by British blogger/reviewer Drew Weldon for his THE TATTOOED BOOK GEEK.  That’s the Labor Day holiday here in the States — plenty of time to read and enjoy it.  More on which when the time comes will be here.

So I’d been invited to be in this reading group discussion that brought up the possible influence of “classical” vampire movies on what a character would know about vampires, given the time the book takes place.  This brought up (on my part) some details about the Universal Pictures sequels to the Bela Lugosi version of DRACULA and how, wandering a bit off topic, I had been introduced to these myself via Saturday night horror movie shows on TV.  But checking some details brought me farther off topic to the shows themselves and their often iconic-in-their-own-right hosts.  Me, I liked “Zacherley” (a.k.a. John Zacherle) after he’d moved from Philadelphia to New York.  And from there I was brought, via LISTVERSE.COM, to “Top 10 TV Horror Hosts” by Dan Lepore, for which press here (and note as well, most come with with clips from the shows themselves, for which be especially sure to scroll down to number 4 to witness Maila Nurmi’s 1954 opening of THE VAMPIRA SHOW).  And not only that, but here’s an extra (more serendipity), Zacherleys 1958 performance of  the song “Dinner With Drac,” for which press here!

Then one more note, having recently pointed out discounts on B & N and Amazon for TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH, for UK readers in particular (albeit I’m giving US prices here) it’s being offered at 29 percent off its $14.95 list price, at $10.52, on the Book Depository, for which press here.  At least for the time being.

One quick note and one just for fun.  The quickie, as of Sunday a new review is up on Amazon for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, by Andrew Suhrer, a fellow author.  And it’s for five stars too!  In fact, all reviews both here and on B&N (three reviews there) are 5-star reviews, if I may so brag.  (Though to keep myself honest, there are two on Goodreads that aren’t quite as glowing.)  Nevertheless, for the ones on Amazon one may press here.

And then the fun part, fellow poet and Science Fiction and Fantasy Poetry Association member (and one-time editor of the SFPA journal STAR*LINE) Marge Simon posted a challenge a little while back, to compose a poem of twenty lines or less using the words “Vermin,” “Theremin,” “Decision,” and “Vitamin,” for e-publication in SFPA’s newsletter.  The best, also, would get an ice cream prize.  A half dozen or so of us responded and while, no, the prize-winner wasn’t mine, it was one of two that got honorable mentions.

Alas, I don’t think there’s a link to see all the poems if you’re not a member, but for more on the SFPA (see also, March 29, 22, et al.) one may press here.  And to read at least my poem, it’s right below:

MUSICAL SUMMER

Vermin infested the theremin,
roaches by the look of them,
probably the same that invaded the drugstore’ s
vitamin counter
two weeks before.
So now these super bugs
bursting with good health and bad decisions,
operating the instrument from inside,
wailed their hatred of all that was human
out beyond the stars.

 

Enjoy, enjoy!




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