Posts Tagged ‘Players Pub’

Last night brought 2017’s closing “Second Thursday Players Pub Spoken Word Series” (cf. October 13, et al.), co-sponsored by the Bloomington Writers Guild, and featuring three radio play presentations, Lucille Fletcher’s SORRY, WRONG NUMBER; Ray Bradbury’s IT BURNS ME UP!; and by William S. Burroiughs, THE JUNKY’S CHRISTMAS.  Added were musical performances by local group Urban Deer and an open mike session with six takers, in which I appeared fourth.  It was an interesting and exciting evening, a little bit out of the normal run, my part of which was a “First Sundays” reprise of my short short “The Worst Christmas Ever” (see December 4), this time to a largely different audience.  Also as an extra, cover charge proceeds were earmarked this time to the upcoming “Wounded Galaxies Festival 1968:  Paris, Prague, Chicago Festival and Symposium,” scheduled for February next year, more of which will most likely be covered here (and for which in the meantime, including schedules, one can press here).

Then speaking of Christmas, DEADMAN’S TOME CTHULHU CHRISTMAS SPECIAL (for which see December 12, et al.) has proposed a competition, or in Editor/Publisher Jesse Dedman’s words:  We’re approaching the end of 2017, and that means it’s time for a popularity contest.  Now, remember that this is all in good fun.  I personally will sit out on this vote as I enjoy every story in this collection, but please don’t follow my example.  Spread the link out to as many people as possible.  What does the winner get?  C’mon, shouldn’t the reception be the prize?  How about some beer money?  $20 bucks (PayPal) and a certificate.  The contest and voting is care of Patreon and can be reached here.

To remind, MY story (*ahem*) is third on the list, “A Christmas Carnage,” recently cited by “JME” in her review on Amazon (December 12).  And, technically, you don’t even have to have read the book to vote on the stories (though you really should — there’s a link on the voting page as well to where you can buy CTHULHU CHRISTMAS SPECIAL, in my opinion a great book for giving to one’s [twisted] friends too!).  So do consider, buy, and vote (again, that’s “A Christmas Carnage”), okay?

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On a pleasant near-summer’s night, the Bloomington Writers Guild co-sponsored “Second Thursday Players Pub Spoken Word Series” (cf. May 12, et al.) started off comparatively noisily with a trumpet performance by local musician Kyle Quass, followed by two poets and one fiction writer.  The fiction was by Tom Bitters with a quiet romantic tale of himself, his wife, and a local benefit performance by John Mellencamp; with Nashville Indiana full-time poet Andrew Hubbard next with four or five self-described “cross[es] between character studies and short-short stories”; and, after a musical interlude by Kyle Quass again, a group of more conventional poems by local writer Antonia Matthew.  These were followed by seven open mike readers of which I was fourth — square in the middle — with a fairy tale variant originally published in RAPUNZEL’S DAUGHTERS (Pink Narcissus Press, 2011) called “The Glass Shoe,” or, translated to modern political terms, alternative facts meet Cinderella.

On a lovely afternoon one day after April Fools, the Bloomington Writers Guild/Boxcar Books “First Sunday Prose Reading & Open Mic” (cf. March 5, et al.) featured a heady mix of dark fantasy, science fiction, and mystery.  The first by many-time participant Shayne Laughter brought the ending of “Incident at Grandmothers Cottage,” a police procedural set in a fairytale forest which she had read the first part of at the premiere of the Players Pub Spoken Word series (at which I had also presented my TOMBS-set “River Red,” cf. February 10), followed by Karen Wylie who we have also met before (see November 1 2015 and August 3 2014) with an excerpt from her “science fiction of one sort or another” novel DIVISION, and mystery author, poet, and local WHFB jazz DJ/talk show host Ray Zdonek with a portion of his novel THE LAST ROUNDUP, fourth in his northern Indiana-set Lee Kosak mystery series.  This was followed by five open mike readers of which I was fourth with a 700-word dark fantasy/murder mystery on the subject of pets cooking women (with a bit of back story, that being a “prompt” a few years back at my writers group) called “The Death of Mother Carvey.”

Then yesterday brought the opening entry of the Science Fiction and Fantasy Poetry Association’s Rhysling Showcase, each to include mini-bios of six of the poets in this years Rhysling competition (cf. March 29), for which press here.  These will continue with new posts every other day throughout the month — with (ahem) mine scheduled for April 19.




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