Posts Tagged ‘Mosiac Novel’

Which is to say, despite yesterday’s “oopsie” at HWA Central, publicity continues on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH having made the preliminary Stoker(R) ballot.  For example, for publisher Elder Signs Press’s Facebook page press here (where, if you then scroll down and down, you’ll also find other posts about TOMBS, including one with a link to an interview by Heidi Angell).  For HWA Active and Lifetime members voting will start tomorrow, I think (with a hopefully corrected list of ballot candidates’ links/contact information), with an announcement of the final ballot early next month.  And for everyone, if you like TOMBS please consider giving it a review for Amazon, Goodreads, and other such fiction lovers’ gathering places.

Some days just aren’t one’s day.  Voting members of the Horror Writers Association will have just received, as of about the last hour, a “Special Internet Preliminary Ballot Mailer with Links” listing all books and authors in the various Stoker categories, with direct links or instructions for obtaining reading copies of the works.  As readers may know, one of these in the Fiction Collection category is my mosaic novel TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH (cf. January 18, below — why a Fiction Collection and not a novel?  That’s how the categories work).  But, oops, one little problem on the links part of this.  When I looked up TOMBS, the link under it is for a different book altogether, Michael Hanson’s poetry collection WHEN THE NIGHT OWL SCREAMS.

So it goes.  I’m assured, however, that an updated list, to be sent Tuesday night after the actual ballots have been sent out, will have the correct information — so any HWA members reading this blog need not despair yet.  Or, better, to run around the system, if you’re a HWA voting member and wish to obtain a PDF copy of TOMBS to read, drop me a note to that effect with an email address to send it to under “comments” here.

Today?  Yesterday?  The start of the month?  These types of changes sneak up on one, but this afternoon’s traipse of the internet has revealed that TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH can now be obtained in both Kindle and Nook for electronic readers.  The cost on Amazon is $8.99 as can be discovered (and should one wish, ordered) here while its Nook equivalent can be found for only $8.49 on B&N’s site here (though you then have to press the “See All Formats & Editions” button).  Of other statistics, TOMBS is listed by Amazon in both formats as having been published on June 1, though as we know that was actually the print version only.  Also, one may have noticed the new Nook version comes in at fifty cents less than Amazon’s Kindle, convenient for electronic bargain seekers, but while B&N charges the full list price of $14.95 for its print edition, Amazon cuts that by a whacking two cents to come to a mere $14.93.  (Needless to say, the days of pre-order and later-in-June deep discounts are past, but several reviewers on both the sites seem to indicate the book’s worth its full price.)

Hello Lovelies,
We have another awesome guest post from author James Dorr, as he shares with us the inspiration for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, which releases in May.  I have to be honest, it has been a true pleasure reading James’ insightful posts, and I am definitely excited to read TOMBS!  Without further ado, let’s turn the time over to James!

So begins today’s blog from Heidi Angell, with one small correction:  TOMBS is listed by Amazon for release on June 1, though that’s close to May (and if you would like to see for yourself, or perhaps pre-order, one can press here).  But given her next sentence, how can I resist quoting exactly the words she uses?  This, then, is the second guest essay on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH on Heidi’s blog, the first on “What Is a Novel-In-Stories?” posted on February 9 (for which, below, see February 13).  While the first told about the structure of the novel itself, this one, titled “It Began With a Map,” is more on the structure of the world depicted within the novel and how it was developed.  To quote myself:  The original planning for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH began with a map — different areas were defined in terms of the people who lived there.  More or less “normal” people lived in the New City and the Tombs; ghouls, the eaters of the dead, were in the Old City; boat gypsies lived on the river — they were mostly normal, but prone to disease from the river’s poisons, thus leading short but more intense lives; more or less normal people again lived in the Port City, far down the river, but had a higher proportion of mutants. . . .  And so I continued by wondering what various people did for their livings, social relations between males and females (some of which may seem a reflection on where we might be heading now), and end the post with a sort of portrait of a “typical” night in the Tombs itself, the necropolis just to west of New City across the great river.  Or, better, read it yourself by pressing here.

So, probably around the end of April/beginning of May I hope to have a third essay for Heidi, hopefully ramping up interest in the book itself when it’s out in June.  And I might mention also that this series really began with Heidi’s interviewing me at the start of the year (cf. January 10).  Those late to this blog can catch the interview by pressing here, or if interested in the novel’s structure, my first guest essay can be found here.

A mosaic novel is a novel in which individual chapters or short stories share a common setting or set of characters with the aim of telling a linear story from beginning to end, with the individual chapters, however, refracting a plurality of viewpoints and styles.  So says Wikipedia, adding, The Moonstone by Wilkie Collins is a very early example.  Or then there’s OXFORDREFERENCE.COM which simply says a book of short stories that share a common setting or characters and which taken together form a larger narrative.  This last of which taking in whcentral-station-sweepsat I might call a “novel in stories,” as with my own TOMBS, upcoming next year.

But it can get complex — I think myself Of John Dos Passos’ three-volume USA.  But still, back to the idea of “novel in stories,” I think as well of Ray Bradbury’s THE MARTIAN CHRONICLES and THE ILLUSTRATED MAN.  Then for more examples there’s today’s email and TOR.COM, bringing us Angela Slatter with “Five Mosiac Novels You Should Read,” who also explains:  A mosaic novel, you say?  What’s that when it’s at home?  How’s it differ from a common or garden novel?  Well, my favourite explanation is from the inimitable Jo Walton:  “A normal novel tells a story by going straightforwardly at it, maybe with different points of view, maybe braided, but clearly going down one road of story.  A mosaic novel builds up a picture of a world and a story obliquely, so that the whole is more than the sum of the parts.”  And for more of which, one is invited to press here.

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