Posts Tagged ‘Juliana Rew’

Quoting the blurb:  Third Flatiron’s new speculative fiction anthology, MONSTROSITIES, contains 20 short stories about things that are disturbingly large or outrageous.  A flash humor section, “Grins and Gurgles,” is also featured.

An international group of new and established contributors to “Monstrosites” makes this an original and varied collection that is sure to please fans of science fiction/fantasy, humor, and horror.  Writers include Keyan Bowes, Larry Hodges, Carl R. Jennings, Mark Pantoja, Ray Daley, Brian Trent, James Dorr, Liam Hogan, Salinda Tyson, Jennifer R. Povey, Ville Merilainen, Sita C. Romero, Martin M. Clark, Sharon Diane King, Julia August, Robert Bagnall, Barry Charman, Russell Hemmell, and Joseph Sidari.  With a special reprint from Edward Bryant.  Edited by Juliana Rew.

Yes, MONSTROSITIES is out on schedule including my story, “Got Them Wash Day Blues” (cf. February 24; December 28 2017), in Kindle format.  A print edition should follow as well in about a week, but for now for stories of things more enormous than they ought to be — including my own of laundry gone wild — one may check what Amazon has to offer by pressing here.

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For Kindle, that is, with a publication date listed as March 10 and, hopefully, a print edition to come later.  The book is MONSTROSITIES, Third Flatiron Publishing’s Spring anthology, on [t]hings that are just too big or that don’t scale.  Whether it’s the new shopping mall down the street, kaiju attacking Tokyo, flawed utopian ideas, the supposed ultimate weapon, or somebody who’s way too big for his britches. . . .  Well, you get the idea.  And my part in this one is a short story, “Got Them Washday Blues,” about a bad night at a local laundrette.  (And what’s a laundrette?  Well, read it to find out.)

So you probably know what a laundrette (also, “launderette”) is anyhow, or can figure it out, though the word’s more English English than American.  While as for MONSTROSITIES, more information can be found here.

So still not huge, but enough to purchase a modest dinner with maybe a glass of sweet tea on the side.  Thus, this the announcement from Editor “Mr. Deadman”:  It’s pay day. The royalties for CAMPFIRE TALES BOOK ONE comes to $96.00.  Split between the authors would mean $11.  CAMPFIRE TALES BOOK ONE gets hits every so often, and I’m actively promoting it via social network and writing groups.  . . .  Thank you all for considering Deadman’s Tome for CAMPFIRE TALES.  It was a different sort of animal, and the way CAMPFIRE TALES came to be was unusual.  I wish to work with you all in the future.

My story in this is “In The Octopus’s Garden” (see July 15, et al.), originally published in 69 FLAVORS OF PARANOIA, March-April 1999, and later lead story in my collection TEARS OF ISIS (for more on which, press its picture in the center column).  Also, for more on CAMPFIRE TALES BOOK ONE (yes, there’s a second book too, but that’s not the one that has my story), press here.

Then in other news, I’ve received the contract for “Got The Wash Day Blues” (see December 28), the tale of a laundry cop and a giant pile of animate dirty clothes, which has been signed and sent back late Thursday afternoon to Third Flatiron Publishing.  It will appear in their Spring anthology MONSTROSITIES to be published in March, more on which as it becomes available.

Hark us back a moment to December 26, below, and the revelation that SOCIETY FOR MISFIT STORIES PRESENTS. . . , VOLUME 1, starring my story “By Force and Against the King’s Peace,” was a nominee for best anthology in the Preditors and Editors 2017 Readers Poll.  Well, yesterday afternoon the news came that those wily pollsters are at it again, with another nominee being the Third Flatiron Publishing anthology CAT’S BREAKFAST:  KURT VONNEGUT TRIBUTE, also with a story by — you guessed it! — moi, “Dead Girls, Dying Girls,” a tale of school science fairs, dancing, and . . . bears (see July 11, et al.).*  Music and education together.  Either nominee may be voted on by pressing here, but I don’t know whether one can vote for both (not that I might not have tried it myself, not that I would suggest. . . .).  But either way, Third Flatiron Editor Juliana Rew points out that votes are due before January 14 and, as she adds, [f]eel free to enter other work if you wish, too.  It offers good exposure to us in the small press field.
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*Should the Third Flatiron name seem familiar, by the way, they are also publishers of the upcoming MONSTROSITIES, among others, which has just accepted my story “Got Them Wash Day Blues” (cf. December 28).

“Panic and a head full of snot are not a match made in heaven.”  That was the first line; that was the challenge.  Years ago, to write a story using that first line, which was just wacky enough that I did write that story, the tale of a laundry policeman with allergies vs. a giant soiled clothes monster titled “Got Them Wash Day Blues.”  Not surprisingly, it was taking some time to find a market.

But then came the call, from Juliana Rew of Third Flatiron Publishing, buyers not that long ago of my “Dead Girls, Dying Girls” for their Kurt Vonnegut CAT’S BREAKFAST tribute anthology (cf. newland-godzilla-bambiJuly 11, June 15, et al.) among others and known sometimes for an eccentric sense of humor, a new anthology set for spring to be called MONSTROSITIES.  Things that are just too big or that don’t scale.  Whether it’s the new shopping mall down the street, kaiju attacking Tokyo, flawed utopian ideas, the supposed ultimate weapon, or somebody who’s way too big for his britches, we all have had to deal with humongous blunders.  Get it off your chest–share with us your favorite monstrosities.  Hmmmm. . . .

And so yesterday afternoon came the email.  We definitely want “Got Them Washday Blues.”  Let us know if still available and we’ll get back with a contract in January.

More to be revealed here as it becomes known.

No, the Goth cat Triana’s kibble was on time and eaten; rather the headline refers to Third Flatiron Publishing’s Kurt Vonnegut tribute anthology CAT’S BREAKFAST (see May 17, April 27), also served up on Kindle this morning. That’s Kindle, not kibble, for which via Amazon one may press here, with a paperback edition expected from Createspace in the near future.  To quote from the blurb:  While satire and humor have long been standard tools of the trade for fiction writers, the authors have channeled the uniquely Vonnegutian attitude into all-original stories that probe and instruct us on themes such as free will, mental illness, social cruelty, loneliness, and family.  The book [also] contains a flash humor section.  (This from the publisher’s own site, with this next from Amazon)  The new “Cat’s Breakfast” anthology from Third Flatiron pays tribute to the imagination and inspiration of the late author Kurt Vonnegut. Emulating Vonnegut’s famous “gallows humor” and skeptical view, these all-original satirical stories are a delightful antidote for the malaise and division plaguing contemporary society.

What more can one ask for?  My puss in the purée is “Dead Girls, Dying Girls,” originally published in SO IT GOES, Perpetual Motion Machine Publishing’s 2013 tribute anthology (cf. April 24 2013, et al.), a modern morality tale of sorts of a thoroughly up-to-date young lady, a science fair, and . . . bears.

Then in other news, a third review of TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH is now up on the Amazon site.  This is the one from THE GEHENNA POST (cf. June 3), an extremely good description in my opinion, and can be seen in situ by pressing here (where one may note also that Amazon is still offering a substantial discount, but not quite as big as it had once been, so perhaps one might buy now lest the price go up further 😉 ).

So came the announcement from Editor/Publisher Juliana Rew:  It’s hard to believe that summer’s almost here. And so is the new anthology, CAT’S BREAKFAST:  TRIBUTE TO KURT VONNEGUT.  A double issue, it contains 30  all-original  science fiction and fantasy short stories inspired by the wit and wisdom of  the late Mr. Vonnegut, releasing on June 15.

An international group of new and established contributors to “Cat’s Breakfast” makes this a remarkable and varied collection that is sure to please fans of science fiction/fantasy, humor, and horror.  The ebook’s available for pre-order on Amazon, and print books will follow shortly.

And so here it is, the lineup including my “Dead Girls, Dying Girls” (see April 27), a tale of a modern young lady . . . and bears . . .  originally published in Perpetual Motion Machine Publishing’s own tribute anthology, SO IT GOES, in 2013.  While as for that ebook pre-order and other info, one need but press here.

Contents

Spooky Action by David A. Kilman
They Grow Up So Fast by Konstantine Paradias
The Jim-Aaargh School of Philosophy by Rati Mehrotra
Command Decision by James Beamon
Hear by Tim Jeffreys
Honour Killing by Iain Hamilton McKinven
Talk to the Animals by Jill Hand
The Pigeon Drop by Gregg Chamberlain
Formica Joe by Anne E. Johnson
One Is One by Vaughan Stanger
Emerging Grammars by Christopher Mark Rose
Picnic, with Xels by Keyan Bowes
Scenes from a Post-Scarcity, Post-Death Society by Peter Hagelslag
The Static Fall to a Standing Walk by Jason Lairamore
Beyond the Borders of Boredom by Ville Nummenpää
Snakes and Ladders by Rekha Valliappan
Drop Dead Date by August Marion
Monkeyline by Jonathan Shipley
Quality Testing by S. E. Foley
Dead Girls, Dying Girls by James Dorr
The Bringers by John J. Kennedy
The Confrontation Station by Ryan Dull
The Edge of Toska by Veronica Moyer
Violadors on the Run by Corrie Parrish
37 by Dan Koboldt
The Losers’ Crusade by Neil James Hudson

Grins and Gurgles (Flash Humor):

Cyborg Shark Battle (Season 4, O’ahu Frenzy) by Benjamin C. Kinney
Strange Stars by Laurence Raphael Brothers
iPhone 17,000 by E. E. King
The Service Call by Edward Ahern

Then in other info, it’s one of those signs of spring becoming summer, and one of those little things sometimes buried under other activity, but the 2017 RHYSLING ANTHOLOGY(cf. April 19, 2, March 29, et al.) made a safe landing here in last Saturday’s mail.  This is the collection of award nominees in the Science Fiction and Poetry Association’s annual Rhysling Competition, in which my prize fight poem “Godzilla vs. King Kong” appears in the Short Poem division (cf. March 29, February 22).

More information on the Rhysling Awards and the SFPA may be found here.

A quick follow up to April 27th’s post just below (paragraph two).  Later that p.m. what should e-appear in ye olde electronic mailbox but the promised contract from Third Flatiron Publishing for “Dead Girls, Dying Girls” to appear in CAT’S BREAKFAST, this being the title for their Kurt Vonnegut inspired summer anthology.  As opposed, that is, to the Goth cat Triana’s morning kibble.  So this afternoon I emailed back my agreement plus some extra requested information on form of payment, current address, etc.  And again, more to be told here as it becomes known.

(Meanwhile as I write this the Goth cat Triana, who is experiencing the first spring ever in her young life, has captured either a small spider or a member of the cricket colony that inhabits my basement briefly in fall and spring, on an all too tragic visit upstairs.  After some play, she has apparently eaten it, so I can’t say for sure which it is [I suspect the spider].  She does appear to have enjoyed it, though.)

The writing life, the writing life.  Last night the proof copy came for “Golden Age,” the closing story for Smart Rhino’s upcoming anthology ZIPPERED FLESH 3:  YET MORE TALES OF BODY ENHANCEMENTS GONE BAD (see April 19, et al.).  The changes suggested were unobtrusive, so back it has been sent today with my okay, plus one small correction.  “Golden Age” itself is a reprint, originally appearing in the science fiction magazine MINDSPARKS for  Spring 1994, and probably will be a bit more “gentle” than much of the content of the finished anthology.  Maybe a lot more gentle, in fact, but also in Editor Weldon Burge’s opinion with a sense of finality that may make it perfect to be the closer.

In other news, we may remember Third Flatiron Publishing which we last met in conjunction with my short short “Chocolat” in their IT HAS COME TO OUR ATTENTION anthology (cf. March 23, February 21).  They do these themed anthologies quarterly and, concerning their latest, the word came earlier this week from Editor/Publisher Juliana Rew:  We’d be pleased to accept the story, “Dead Girls, Dying Girls,” for inclusion in Third Flatiron Publishing’s Summer 2017 anthology, with the theme, “Cat’s Breakfast.”  This is to be a Kurt Vonnegut inspired collection, inspired itself somewhat by Perpetual Motion Machine Publishing’s 2013 SO IT GOES:  A TRIBUTE TO KURT VONNEGUT.  And so a couple of us writers who both had stories in that one (aha!  so see January 3 2013, below) and have been at least occasionally part of Third Flatiron’s stable were invited to send our work in for possible reprint consideration.  The email added that it would receive a reprint rate, which had been understood, and that a contract should be along soon.  Thus “Dead Girls, Dying Girls,” the tale of an up-and-coming modern American young lady — and dancing bears — has earned a new home, more of which to be revealed here as it becomes known.

So it goes.

We would like to announce our third annual VESTAL REVIEW Award (The VERA).

Please feel free to nominate one story under 500 words published by your magazine in print or online in 2016.  The winning selection receives a prize of $100 and a publication in VESTAL REVIEW, and the runner-up entry gets publication in VESTAL REVIEW at our usual terms.  There is no nomination fee.  Only a magazine editor is eligible to submit a nomination.  One story per magazine, please.

Thus the VERA award, from VESTAL REVIEW, “the oldest magazine dedicated exclusively to flash fiction” as their subtitle has it, and yesterday came the news:  Third Flatiron Anthologies editor Juliana Rew wanted to check if it was okay by me for a story, “Chocolat” (yes, that’s how it’s spelled), that appeared in their spring 2016 IT’S COME TO OUR ATTENTION (cf. February 21 2016, et al., including for special story background December 11 2015) to be nominated.  “Chocolat” is the tale of a beleaguered Frenchman protesting a recent (really, though by now a few years past) European Union Financial Council change in the legal definition of chocolate — which is to say, chocolat in French — and what became of him.

When the winners will be announced is not known by me (I think stories can be nominated through September 30, which would mean not soon) and the chances, of course, of actually winning are probably not great, but Third Flatiron puts out a pretty good series of quarterly themed anthologies (for more information on which one may click here), including offering professional rates.  Or in other words, just being singled out by them is itself an honor, and so I’ve said “oui!”




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