Posts Tagged ‘Interviews’

February’s Bloomington Writers Guild “Last Sunday Poetry Reading and Open Mic” (cf. January 27, et al.), co-sponsored by the Monroe County Convention Center, saw a rather small turnout this time, perhaps in part due to a rare sunny, bright day, even if windy and still chilly.  The announced readers were Writers Guild newcomer Joe Betz with five poems from a working manuscript plus one just drafted, followed by Tony Brewer, past Guild chairman and “old hand,” with a selection of poems and an explanation of the title of his upcoming book HOMUNCULUS.  After the break I was second among four open mike readers with “The White Worm: On the Death of Virginia Poe, by Consumption,” the second of my two poems from the ONCE UPON A MIDNIGHT (Unnameable Press, 1995) Edgar Allan Poe based anthology, as a follow up to “The Resurrection Man” from last month.

Then another short note, the “other” Kickstarter we’ve been following for Gehenna and Hinnom Books (see February 16, 1) will be ending this Saturday, March 2.  Those interested in helping a good cause — as well, perhaps, in some tasty rewards — are invited to press here.

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Though dated Wednesday February 6, today, writer/blogger Carl Alves’s interview of me, “10 Questions With James Dorr” (see February 1), actually went live Tuesday evening on THIS IS CARL’S BRAIN (a.k.a. CARLALVES.COM), shortly followed by a link via Facebook on DIGITAL FICTION PUBLISHING LEAGUE.  What questions, one asks?  Well, ones concerning such matters as differences in writing poetry vs. writing prose, overall themes, the desire to write horror, and which is best:  short stories, novelettes, or novels?  Also, in lieu of my normal mug shot are portraits of Bram Stoker and Edgar Allan Poe.

And why those, you ask? — for answers press here.

For those who’ve enjoyed the four part series on Lovecraftian influence on Films and TV (see January 30, 29, 28, 24), I thought I might mention compiler/publisher C.P. Dunphey also has a Kickstarter started for his publishing company, Gehenna & Hinnom Books.  The goal, to keep up the good work (over and above supplying lists that I can reference on this blog) and, hopefully, begin to pay writers professional rates.  “Gehenna & Hinnom’s 2019 enterprise!  We aim to bring you the greatest releases in Weird Fiction and Cosmic Horror of the year,” or, of their staple publication HINNOM MAGAZINE, even considered “a possible successor to WEIRD TALES” according to THE MISKATONIC REVIEW.  And I am not entirely myself without a finger in this pie, my story “Flesh” having been published a while back in G & H’s YEAR’S BEST BODY HORROR 2017 ANTHOLOGY (cf. October 25, September 25 2017, et al.).

And one might add, for those who pledge nifty treats are offered, for which to see for yourself check here.

Then in other news, earlier this week I completed and sent in my answers, etc., for my part in a series of interviews that writer and blogger Carl Alves is running.  So word has come back, my first interview for 2019 is tentatively set for Tuesday next week, February 5, more on which will appear here as it becomes available.

Exciting times!  A story of mine is running neck and neck in Carrie Ann Golden’s latest A WRITER AND HER SENTIMENTAL MUSE competition, this one for a tale of 100 words or less as prompted by the picture just below.  And as of last notice there were two entries in the running, each with exactly fifty percent of the total vote.  Or most likely, each has just one vote.

Should you wish to tilt the odds, you can find stories “A” and “B” in their entireties, the picture again, and a link for voting in the poll here.  And as a bonus, scroll toward the bottom and there’s a link to an interview Carrie Ann did of me on her blog back in 2016.  See early comments on my as yet to be published novel-in-stories TOMBS, as well as some dish on THE TEARS OF ISIS and on New Orleans’s filles à les caissettes.  What better to read on a warm, sunny Wednesday?

And, as for which of the stories is mine, well, you know me.  It’s likely to be the more “horrible” of them.

Comes June and with it a bright sunny afternoon, breezy and in the lower 80s and, with that, the start of the Summer Reading Season.  What better way to celebrate, then, than with a new interview of . . . me, this one by UK author and blogger Jacky Dahlhaus, tentatively to go live Wednesday morning?  So three days from now be prepared for more dish on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, a mention or two (it mustn’t feel left out!) of THE TEARS OF ISIS, the importance of (*ahem*) reviews to all authors, plus details on the inspiration and influence of Poe and Bradbury (with mentions here of Ginsberg and Brecht), whether I start writing with a pen or on the computer . . . well, you may have seen interviews by me before, but maybe this one will have new stuff to say too.  You can’t really tell until you read it, coming up Wednesday.

And a quick second note, Ms. Dahlhaus is looking for a few more interviewees for the summer, if any other writers out there might be interested in some free publicity.  But there are a few qualifications in terms of work already published, more on which can be found at her website by pressing here.

“Writers & The Animals They Love” is the overarching theme of Heather Baker Weidner’s a bit off the beaten track PENS, PAWS, AND CLAWS blog, on which books take a back seat to the Goth Cat Triana.  Well, not entirely, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH and THE TEARS OF ISIS do still get considerable mention, but their pictures are displayed well below that of you know who.  And subjects covered include not just such standards as the difference between horror and dark fantasy, but also the use of pets in stories and favorite movies/books with animals in them.  Angela Carter’s “The Company of Wolves” would be an example of the latter, while, in general, for a slightly different take on the usual “author interview” of yours truly, be welcome to press here.

Ms. Weidner also mentions that her readers like to leave comments, so feel free to join them with your own.  I’ll make an effort to stop by to answer them two or three times later today, before getting ready to leave for StokerCon Thursday morning.

No need for a picture here on the posting, plenty are waiting for those who click the link.  And so for Saturday, three-days to go before Halloween, we have “Inside Germany’s Creepy American-Inspired Halloween Parks” by Nick Kirkpartick with photographs by Tomasz Lazar, on WASHINGTONPOST.COM.  And if that weren’t enough, watch for the links within to other Halloween-themed features.  For more, for the brave, your journey starts here.

Then also a quick reminder:  For those who receive THE HORROR TREE’s “Weekly Posts From the Horror Tree” roundup, be sure to scroll down to the bottom of today’s edition where their interviewee this time is . . . me.  Or scroll down here to October 22 where you’ll find the link when it first came out.

Yes, I am of course one of them, but one must scroll down and down past the other five, to just before the ending blurb for the ZIPPERED FLESH series plus PLAGUE OF SHADOWS.  Not surprisingly, the books featured for all six of us writers include ones by Smart Rhino Publications, including the upcoming ZIPPERED FLESH 3 (cf. June 19, et al.), in my case also covering the two “assassins” anthologies, UNCOMMON ASSASSINS and INSIDIOUS ASSASSINS.  But there are others too.  Also for all six of us there are interviews featured on Editor/Publisher Weldon Burge’s blog, BULLETS AND BUTTERFLIES (see, for me, also January 18).

All told, these are storytellers worth looking into, I think, with information on all of them — including . . . moiavailable here.

Yes, we said “Friday night” (see post just below), but the Gehenna & Hinnom Books interview of me on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH is live now!  Kudos go to Editor/Interviewer C.P. Dunphey for excellent quickness, as well as great questions on origins, ghouls, use of languages, social cultures, and more.  Discover the parts played by whimsy — and guilty pleasures, the influence of Voodoo, and Charlie Chaplin’s “The Little Tramp.”  Pre-TOMBS “history.”  The long, long path to publication by Elder Signs Press and the inspiration of other authors and books going back to 1485 (and worldviews going back far, far, farther than that).  Of keeping one’s place and fun with details. . . .

And so, like a good zombie that just can’t be kept down — not to mention the biggest picture of the book’s cover I’ve seen thus far! — for the “dirt” on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH be invited to press here.

Secrets, secrets.  What was my “first ever” book, and why?  (Hint, long out of print, you usually won’t see it in my current bio-notes.)  Do I claim a specific writing style?  Does my novel TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH have an ultimate message for readers (and what is the relation of TOMBS to what dramatists call “the five act structure”)?  In the process of coming up with a title, how did TOMBS differ from THE TEARS OF ISIS?  And now the answers, to questions I wouldn’t have dreamed up myself and many, many more have been revealed, courtesy of blogger extraordinaire Fiona Mcvie on AUTHORSINTERVIEWS.

And maybe a little more will be there on ISIS as well, or how Peter Lorre might have made a good “Ghoul-Poet.”  If curious, press here.  (And if interest is piqued by what you find, links are provided at the bottom for pre-ordering TOMBS as well as ordering THE TEARS OF ISIS — or if in a hurry, just click on their pictures on this page in the center column.)




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