Posts Tagged ‘Interview’

Now, about that interview (see May 18 two posts below, April 18) . . . it’s here!  Conducted by blogger Gwendolyn Kiste, this is a fairly straightforward one with mentions both of TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH and my previous book THE TEARS OF ISIS.  And possibly one or two surprises too, like the place football takes in my writing routine.  Or music and differing narrative styles.  Other highlights:  My first ever official fiction sale, and how much did I get?  What are “honorary weekends”?  And, speaking of my writers group (cf. post just below), what of the time the Goth cat Triana added a comment of her own to a member’s story?*

See all this and more by pressing here.
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* And remember, Triana has not been here that long (cf. February 2).

And here it is, the third of my TOMBS-related essays in Heidi Angell’s AN ANGELL’S LIFE OF BOOKISH GOODNESS.  This one is titled “The Ghoul-Poet” and has to do in part with the division of TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH into sections based on what’s sometimes called “Five-Act Dramatic Structure,” the structure of classical plays like those of Shakespeare.  Well, that sounds pretty fancy, but then what’s a ghoul doing being a poet?  “The Ghoul-Poet” joins my previous guest posts “It Began With a Map” on March 30 and “What’s a Novel-In-Stories?” on February 9, concerning, respectively, building the world of the “Tombs” and the reasons for choosing a mosaic, or novel-in-stories format for its presentation.

So, okay, then what is a ghoul doing being a poet?  To find out, press here.  Also there are links in the essay to my first guest post, on mosaic novels, and a month before that, on January 9, Heidi’s original interview of me, as well as to Amazon’s page on TOMBS where, at least as of this writing, a bargain $9.95 pre-order price is still being offered*.  (For the second essay, however, you’ll have to scroll down to March 30 and use the link there.)

Then a quick, somewhat related note:  TEARS, TOMBS, and contributions by the Goth cat Triana?  And what about the influence of music?  Yes, an all new interview of me is in the offing, this one conducted by Gwendolyn Kiste (cf. April 18), and has now been officially scheduled for this coming Monday, May 22.  This will be part of a series of interviews I’ve given this year (cf. April 7, March 13, January 10) leading up to next month and the June 1  release date for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH.  So, sure, the purpose is commercial too, but there still should lurk a few fun facts (or so one might hope) about me.

See you all Monday?

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*Or one can always just press TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH’s picture in the center column.

Another month, another interview, so it may seem.  See, e.g., April 7, March 13, January 10 . . . and that’s just this year!   But come June 1, TOMBS:  A CHRONICLE OF LATTER DAY TIMES OF EARTH is expected to be published and it’s all a part of getting the word out.  Besides, interviews can be interesting both to reader and interviewee if one puts one’s mind to it.  And even fun.

So word came today from blogger Gwendolyn Kiste who interviews quite a number of writers, samples of which can be found by pressing hereThank you so much for your responses!  At this point, it appears that the interview should go live on my website in mid-May.  I will definitely send you an email when I post it.  

And there we have it.  More secrets bared:  My writing habits (some of them quite bad).  The influence of music.  Contributions by the goth cat Triana.  And with this the latest on THE TEARS OF ISIS and, lest we forget, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH.  One of the fun things, in fact, is that each interviewer is different as well, not just in their questions (some of these, of course, may be common to more than one interview) but also in their approaches to questioning.  Matter of fact?  Interested in detail?  Fun-loving?  Quirky?

Search on “Interview” in the “search here” box at the upper right for a tour of the dates I’ve listed above — a possible project for an otherwise dull rainy day?  And check here in May for a link to the newest by Gwendolyn Kiste as soon as I have it!

If you’re familiar with Smart Rhino’s anthologies (and we certainly hope you are!), you may remember his stories “The Wellmaster’s Daughter” in UNCOMMON ASSASSINS, and “Labyrinth” in INSIDIOUS ASSASSINS.  His story “Golden Age” will be published in ZIPPERED FLESH 3, now in production.  So marks the start of Monday’s outing of Smart Rhino Press Editor/Publisher Weldon Burge’s blog, BULLETS AND BUTTERFLIES.  Here you will find things concerning my collection THE TEARS OF ISIS and the lure of short stories, as well as my upcoming novel TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, though of the latter the publication date is now set for June (i.e. rather than “spring,” which only means things sometimes get out of date; also the poet Allan Poe may be better known as Edgar Allan, but typos can happen too).  Also the blog itself  may seem familiar, having also been published in Smart Rhino Publications’s own January NEWSLETTER (see January 18).  But as Weldon himself says on his Facebook page:  Just posted my interview with Bram Stoker nominee (and frequent writer for Smart Rhino Publications) James Dorr.  His story “Golden Age,” will appear in the upcoming ZIPPERED FLESH 3.  He has some great advice for writers from his own experience.  So maybe it will be worth reading anew.

Or in any event for those new to this blog it can be found here.

Saturday brings us news that THE BOOK OF BLASPHEMOUS WORDS (cf. January 27, et. al) has been released on Kindle with, according to publisher A Murder of Storytellers, the paperback version hopefully to be available soon.  More here as it becomes known.  This is the one about people’s relationships with their gods, not always as lovely as one might hope, with my “burnt” offering about a lad who apparently couldn’t get to hell, with a cautionary note to preachers.  Titled “Tit for Tat,” it’s a poem in the class sometimes called “Little Willies,” humorous quasi-Victorian takes on boys who cause, or have caused to them dire things.

Then one more quick note:  Word came last night from Heidi Angell, who we may recall from her interview of me last month (see January 10), that she plans to use  an essay by me on her blog sometime next week.  Again, more here as it becomes known.  The essay is titled “What is a Novel-In-Stories?” and explains why that form may be superior to more straightforward narrative for some applications, with special reference to my own upcoming TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH (due in June from Elder Signs Press, for more information on which click its picture in the center column).

So the first answer starts with a citation to “Allan Poe.”  That’s Edgar Allan Poe, of course, but what’s in a word — I still stand by the answer.  And thus the promised interview by Weldon Burge for Smart Rhino Publications (cf. January 11, 8), in conjunction with a Kickstarter campaign for their upcoming ZIPPERED FLESH 3 anthology, is now live.  A mention is made at the very beginning about my Smart Rhino story appearances, “The Wellmaster’s Daughter” in UNCOMMON ASSASSINS, “Labyrinth” in INSIDIOUS ASSASSINS, and “Golden Age” in the upcomi8451b32b-e3c4-41cb-8f3e-7c6834708f13ng ZIPPERED FLESH volume, but that’s not what the interview is about.  Rather, with reference to Poe as well as my Stoker(R) nominated collection THE TEARS OF ISIS, we talk about short story writing in general and why, as a writer, I find short forms more interesting than novels.  But then novels come up too with reference to TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH (expected in June this year, not really “spring,” but that’s because of a change in schedule after my original biographical notes were in) and what is, exactly, a novel-in-stories, also known as a “mosaic novel”?  And, more importantly, why TOMBS is put together in that style.

The Poe citation, incidentally, is to his essay “The Poetic Principle,” which I believe he meant to apply to prose fiction as well.  But to read the whole interview, including some things on the challenges and joys of writing, and what to expect once one has written, why not press here?

Just a quick note, that Weldon Burge has announced a Kickstarter campaign for for the upcoming Smart Rhino Publications anthology ZIPPERED FLESH 3:  YET MORE TALES OF BODY ENHANCEMENTS GONE BAD, scheduled for launch next Tuesday, January 17.  In conjunction with this will be his interview with me (cf. January 8, below) with remarks on short stories, novels-in-stories, structure of novels, and TOMBS:  A CHRONICLE OF LATTER-DAY TIM298555_180672618685797_840344211_nES OF EARTH:  “I’ll be sending out the e-letter once the campaign has started, so you should see your interview posted next week as well!”  Also mentioned in the interview are THE TEARS OF ISIS and “The Poetic Principle” by Edgar Allan Poe.

As for ZIPPERED FLESH 3, my part in this is a strangely muted (given the promise of some of its stories) science fiction tale called “Golden Age,” reflecting a future history of worn out, or otherwise damaged body replacements (see September 9), a reprint originally published in MINDSPARKS in Spring 1994.

No, this is a different one, not the Smart Rhino interview-to-come noted just below, but one completed in a flurry of activities the week before Christmas with Heidi Angell.  This one includes such questions as what director I’d choose were TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH optioned for a movie (my answer suggests three, the third of whom may come as a surprise but whose work has been reviewed on this blog) and what is one great lesson I may have learned through being an author?  I might mention, too, that I may have some other posts on Ms. Angell’s blog in the months to come in anticipation of TOMBS’s planned June release, as well as possibly some reviews of books of mine by her.  And then later this month as well, perhaps we will see the “other,” Smart Rhino Publications’s interview of me by Weldon Burge.

For this one, however, on Heidi Angell’s late Monday MEET THE AUTHOR feature, please to press here.

Another interview lurks in our future.  Completed just now, this one was rather a quickie as well, the contact coming from Smart Rhino Publications Editor Weldon Burge just last week:  James, would you be open to a short interview for the January Smart Rhino newsletter?  It would only be three or four questions, short and sweet.  But I’d need a pretty fast turnaround, if possible.  Please let me know.  Thanks!  My connection here is having stories in two Smart 463_zippered_cvr_3Rhino anthologies thus far, UNCOMMON ASSASSINS and INSIDIOUS ASSASSINS, and in a third to be coming out soon, ZIPPERED FLESH 3 (cf. September 9, et al.).  So, “sure,” I sent back, and we set things up to be done this weekend.

More, such as a tentative date, will be noted here when it is known, but I will say now that, while short, it’s one of the heavier ones I’ve done in terms of writing and writing theory, even including a quote from Poe from his essay “The Poetic Principle.”  Why that essay?  Because I think Poe intended it to apply to fiction in prose as well, perhaps then explaining his own predilection for the short story form, and hence, by extension, mine.  This is for a question having to do with my own short story collection, THE TEARS OF ISIS.  But then, from there, a question on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH brings up a discussion of form, in addition to content, and novels-in-stories or “mosiac” novels (see also, October 20), and why that form might be chosen over traditional narrative for telling certain kinds of stories.  And also, why the mosiac form might answer Poe’s dictum that effective “poetic” writing be kept short.

We have a go for our DUSTY PAGES interview (see July 1, June 28), conducted by British Blogger and generally neat question maker-upper Sonnet O’Dell, and a tentative date of Monday, October 24.  My answers got in in time to be scheduled even earlier but, with Halloween in the offing, I’d wondered if that date might be available instead.  Well . . . no.  Not surprisingly Sonnet likes to do something special herself on All Hallows E’en, but how about a week earlier?  And so, Halloween being on Monday as well, look for an announcement here just before the last week in October, that interview time will be in the near future.

As for neat questions, I’ve already mentioned the one about the duck and the bar.  For another,  I quote verbatim:  “Glass half full or half empty?”  The answer is kind of obvious, actually, if you think about it, but in order to see for  yourself, well, check back here on October 24.  And it’s not just for that one but for the important questions too, the ones about my new novel-in-stories, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, such as “Why did you want to write this book?”  And of course the opening, “Tell me about your upcoming. . . .”

All these and more will be unveiled a week before the end of October — including a brand new blurb for the novel, complete with a quote, composed especially for the occasion (but possibly sneak previewed on these pages a little bit earlier, possibly in the dog days of August when temperatures rise high, higher than summers remembered before, as they might well do on a dying, exhausted planet as well, even the sun growing red in its old age . . . as in, that is . . .  the world of the TOMBS).

And as for the novel itself, it’s expected to follow from Elder Signs Press next spring.




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