Posts Tagged ‘Horror’

It’s either going to be a big, big book or a lot of the stories will be rather short, but Gehenna & Hinnom’s upcoming YEAR’S BEST BODY HORROR (cf. May 8) looks like it’s going to be exciting reading.  Set for a publication date of September 30, here is the table of contents along with the cover, as released Wednesday evening by Editor C.P. Dunphey.

Table of Contents:

(Note:  We have decided to go by alphabetical order by author for the stories, since there are just so many high quality pieces.)

Foreword by C.P. Dunphey
Introduction by ?????

STORIES:
“SLOBBER” by Shaun Avery
“ERUPTION” by Charlotte Baker
“DEVIL’S TEARS” by Shadrick Beechem
“AN ANGEL AMONG US” by David Beers
“HUMAN-KINGS” by Austin Biela
“WRIGGLERS” by Chantal Boudreau*
“LITTLE MONSTERS” by Ed Burkley
“TOM’S THUMB” by K.M. Campbell
“FAMILY DINNER” by A. Collingwood
“THE ITCH” by Stuart Conover
“THE BLIND ASSASSIN” by Damien Donnelly
“FLESH” by James Dorr*
“A NORMAL SON” by Spinster Eskie
“GAS MASK BABY” by Santiago Eximeno
“HUMAN BODY” by Balázs Farkas*
“FRESH FACE” by Tarquin Ford
“MEET THE WIFE” by Kenneth C. Goldman*
“MADMAN ACROSS THE WATER” by James Harper
“MANTIS” by Kourtnea Hogan
“CICADA” by Carl R. Jennings
“TETANUS” by Christopher Vander Kaay
“GRUB” by Alexander Lloyd King
“MY LOVE BURNS WITH A GREEN FLAME” by Thomas C. Mavroudis
“THE FACE IN THE MIRROR” by Sean McCoy
“PORPHYRIA” by John S. McFarland
“THINGS” by Rick McQuiston
“THE FLESH GARDENER” by Jeremy Megargee
“EAR WAX” by G.A. Miller
“THE FACE” by Kurt Newton*
“BATTLEGROUND” by Drew Nicks
“WHIZZ-BANG ATTACK” by Sergio Palumbo
“THE ALWAYS WATCHING EYE” by Gary Power
“HOT FLASHES” by Jenya Joy Preece
“THE IMPLOSION OF A GASTROCRAT” by Frank Roger*
“NO STRINGS” by Josh Shiben*
“BABEL” by Ian Steadman
“A POUND OF FLESH” by Edmund Stone
“CONDITIONED APOCALYPSE” by Aric Sundquist
“LENGTH” by David Turton
“NATURAL GROWTH” by Mijat Vujačić*
“UTTER NO EVIL” by Joseph Watson
“DOWN WHERE HER NIGHTMARES DWELL” by Sheldon Woodbury

* means reprint

And in an ongoing news note, both Amazon and Barnes & Noble are back to offering pretty deep print copy discounts for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, with the B&N price at $11.28 (compared to a full price of $14.95) and Amazon at $10.65, 25 and 29 percent off, respectively.  (For electronic prices, B&N’s Nook is at $8.49, Amazon’s Kindle $8.99.)  I don’t know if this is an August thing, or if it will even last through the month — or extend beyond.  However, if interested, Barnes & Noble can be checked out here and Amazon here.

On both sites there may be individual sellers as well with copies at even lower prices.  But if you find the bargain you want, and like the book too, please consider posting a review of TOMBS at both locations.

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As posted just below there will not be a September “First Sunday Prose Readings” scheduled because the Bloomington Arts Fair, and with it the Writers Guild’s “Spoken Word Stage,” will be on that weekend.  And now a preliminary schedule has been released, with me slotted for a half hour of “horror fiction” at 3:30 Sunday, September 3.  The reading most likely will be from TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, probably the same program I offered at NASFiC last month (cf. July 13).  Then, as we already know from the post below, I will also be a featured reader when First Sunday Prose resumes on October 1, most likely again with a story-chapter from TOMBS, but a different one this time.

In other news, PayPal has apparently adopted a policy this year of refusing to tell people when they’ve received payments, one would like to presume for good purpose.  Keeping us on our toes, for instance, or maybe trying to discourage small businesses from reporting earnings to the IRS.  I’ve asked (well . . . complained to) PayPal about this for which they’ve responded thus far by not bothering to get back to me on it.  Be that as it may, today I’ve discovered — only four days late! — that another mammoth royalty payment has been received by me, of nearly a whopping three times as much as the amount the PayPal folk skimmed off for themselves (to cover, presumably, the cost of providing such services as not emailing me that I’d received it).

For how much?  From whom?  For what story and where?  Well, as is my custom, let’s let that be secret to prevent embarrassment on all sides, but this is for an anthology that’s been in print for a few years now, and for which the initial payment had been refreshingly substantial (well, for an individual story, shall we say in a highish two figures?).

July seems to be the month for sending a thing to one place, seeing it come back accepted by another.  One example, “Flightless Rats” (see July 7), the tale of an innocent vampire maid and a bounder’s attempt on her virtue in 19th century New Orleans.  For today, the call had been in April.  It took some time, but the time has come:  we’re putting together an anthology of  poetry and flash fiction about spirits, ghosts, seances, Ouija boards, famous hauntings, not-so-famous hauntings, possessions, and anything else relating to supernatural bumps in the night (or day, we aren’t fussy).  And there it was.  Reprints being okay, I responded with the 300-word saga of a young lady with an interest in witches, but, if these weren’t available, other bump-in-the-nightly creatures would do, and lessons she learned in a house she was told was haunted.  Originally published in GOTHIC BLUE BOOK IV:  THE FOLKLORE EDITION (Burial Day Books, 2014), the title was “School Nights.”
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Today the word came back from Managing Editor Kate Garrett, not for the anthology, WHITE NOISE & OUIJA BOARDS, but for the publisher’s seasonal magazine THREE DROPS FROM A CAULDRON.  I really enjoyed this story, and though it isn’t quite right for the ghosts anthology, I wondered if it would be okay for me to publish it in the Samhain 2017 edition?  I like spookier, horror-tinged work for that one, and would love to include your story.  The Samhain special will be published online and in print on 13th October.  (And it isn’t technically open for submissions until 21st August, but I really like this.)
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So I emailed back, “Yes.”

From C IS FOR CTHULHU to Clive Barker’s THE THIEF OF ALWAYS?  Indeed, there are books for the younger set, first readings for our tots of terror (while me, I was raised on THE STORY ABOUT PING, “[t]he tale of a little duck alone on the Yangtze River”).  And so for today, courtesy of DIRGEMAG.COM, hark to “10 Beginner’s Horror Books for Your Little Darkling” by Marni Molina.  Or to let her explain, . . . you can’t seem to shake this tiny human relying on you to not only love them and feed them and keep them safe, but to educate them, teach them right from wrong, and expose them to art and culture.  While it’s clearly our responsibility as breeders to raise our little darklings right, I believe it is our right as humans to enjoy the process.  One of the best ways I’ve found to connect with and delight my little monster while finding genuine joy in the process is to consume stories together.

To share for yourself, you and your moppets of madness need but press here.  But Ms. Molina does add this caution:

In preparing these suggestions for you, I tried to stick with a few basic guidelines.

1. No scarring the kids!  The goal is to spark their love of storytelling in the horror genre.
2. No scarring the adults!  The goal is to enjoy these stories with your spawnlings.
3. No obvious answers!  I kept my focus on lesser known titles, when I could.
4. No Halloween veneers over mainstream children’s lit standbys!  I endeavored to single out titles that are wholly dark-themed, horror-lite, or horror.

Enjoy, enjoy!

In Saturday’s mail, but no, it wasn’t concerned with TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH which, after all, was only published at the beginning of last month.  No, this was a 6-month-plus check for stories in two Elder Signs anthologies, DARK HORIZONS and STREET MAGICK (see March 16; November 27, 4 2016, et al.), that came out in October and November last year, respectively.  The stories in these were both reprints, “Dark of the Moon” in DARK HORIZONS, of lunar exploration and . . . monsters originally published in THE CHILDREN OF CTHULHU (Del Rey, 2002), and STREET MAGICK’s “Bottles,” from CROSSINGS (Double Dragon, 2004)*, of Cold War paranoia and vampires.  And best of all, even though anthologies rarely bring in BIG bucks (the royalty having to be divided among, say, twenty or so different authors, plus editors, et al.), the check for these books is for a respectable two-figure sum.

So no need in this case to keep things anonymous — both books, in fact, were on the shelves briefly in Barnes & Noble’s brick and mortar stores (though not, alas, TOMBS, though I understand it was considered) — as has been the case for most royalties periodically received, in order to avoid embarrassment all around.  Indeed the amount here, put into edible terms, would easily have been enough for a decent dinner for two back in the days when I was courting the woman who was to become my ex-wife.  (Though perhaps it wouldn’t go quite that far now.)  That is, to cover both nourishment and love, which is not a bad deal at all.

 

*And also reprinted in THE TEARS OF ISIS.

Today?  Yesterday?  The start of the month?  These types of changes sneak up on one, but this afternoon’s traipse of the internet has revealed that TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH can now be obtained in both Kindle and Nook for electronic readers.  The cost on Amazon is $8.99 as can be discovered (and should one wish, ordered) here while its Nook equivalent can be found for only $8.49 on B&N’s site here (though you then have to press the “See All Formats & Editions” button).  Of other statistics, TOMBS is listed by Amazon in both formats as having been published on June 1, though as we know that was actually the print version only.  Also, one may have noticed the new Nook version comes in at fifty cents less than Amazon’s Kindle, convenient for electronic bargain seekers, but while B&N charges the full list price of $14.95 for its print edition, Amazon cuts that by a whacking two cents to come to a mere $14.93.  (Needless to say, the days of pre-order and later-in-June deep discounts are past, but several reviewers on both the sites seem to indicate the book’s worth its full price.)

Yes, I am of course one of them, but one must scroll down and down past the other five, to just before the ending blurb for the ZIPPERED FLESH series plus PLAGUE OF SHADOWS.  Not surprisingly, the books featured for all six of us writers include ones by Smart Rhino Publications, including the upcoming ZIPPERED FLESH 3 (cf. June 19, et al.), in my case also covering the two “assassins” anthologies, UNCOMMON ASSASSINS and INSIDIOUS ASSASSINS.  But there are others too.  Also for all six of us there are interviews featured on Editor/Publisher Weldon Burge’s blog, BULLETS AND BUTTERFLIES (see, for me, also January 18).

All told, these are storytellers worth looking into, I think, with information on all of them — including . . . moiavailable here.

A lovely, not-too-hot Sunday afternoon brings two quick notes of the “The Writer’s Life” variety.  The first was a contract from Madeline L. Stout of FANTASIA DIVINITY MAGAZINE for reprinting “Flightless Rats” (cf. July 7), starring New Orleanian Casket Girl Aimée on the prowl for a husband, signed and sent back.  Then earlier this p.m. it was time for the annual Bloomington Writers Guild picnic and open reading (see July 24 2016, et al.), starring fried chicken and many sides, in which I read a cautionary poem not of Aimée but those of her kind, titled “Evening.”  Also announced, beginning with the first Sunday next month and “First Sunday Prose Readings,” a new fall cycle of Writers Guild activities will have begun.

There is nothing like hearing a scary story over the crackling of a burning campfire.  Some of the most memorial stories we’ve heard were when we were young, gathered around the warming glow with other kids.  To this day, though you may not necessarily recall the words, but I’m sure you remember the feeling.  The unnerving chills as the sense of dread slowly begins to overwhelm, yet you’re captivated and eager for more.  The stories in this collection are crafted by talented writers to tap into that feeling.   (Amazon blurb)

So has come the word from Jesse Dedman of DEADMAN’S TOME that CAMPFIRE TALES, in two separate volumes, is up for pre-order on Amazon, awaiting official publication on August 1.  So what’s the deal there?  Well, we may remember long, long ago (see June 5 2016, et al.) that a story of mine, “In the Octopus’s Garden,” was slated to publish in CREEPY CAMPFIRE STORIES, except (cf. April 1 this year) CREEPY CAMPFIRE STORIES was to be no more.  But then (April 21) the campfire spark was rekindled, with DEADMAN’S TOME sponsoring a new CAMPFIRE TALES which, with this new announcement, is almost upon us.

“In the Octopus’s Garden” itself has been around the block more than once, originally published in 69 FLAVORS OF PARANOIA in March-April 1999, not to mention being lead story in my Stoker nominated (ah, now!) collection THE TEARS OF ISIS.  And elsewhere I’m sure too — that’s octopuses for you!  But the point is, it’s once more slithering up from the depths to be in the new CAMPFIRE TALES, Volume 1, for more info on which one need but press here.  (Or for volume 2 info, press instead here, or to run a quick check on THE TEARS OF ISIS just click on its picture in the center column.)

It’s just a short post, but cruising the interwebs what should I find but, on SCREENJUNKIES.COM, “5 Best French Vampire Movies”?  In ways it’s a strangely limited list, all five films being made in the late 1960s/1970s and four of them being (including his first, in 1968) by Jean Rollin, for more on whom – in an amazing coincidence – see June 12, below.  But if you like your vamps to exude a dreamy erotica in mildly surrealistic settings, whether or not they’re the absolute best, in four out of five one could do a lot worse.  So with no guarantees*, and today is Bastille Day, for one apparently anonymous film critic’s selections press here.

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*Note that the one non-Rollin entry, Werner Herzog’s NOSFERATU THE VAMPYRE, was co-produced by the French film company Gaument (and does have some French actors, notably Isabelle Adjani as Lucy Harker), but that may be pushing things a little.




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