Posts Tagged ‘Dystopias’

Another month, another interview, so it may seem.  See, e.g., April 7, March 13, January 10 . . . and that’s just this year!   But come June 1, TOMBS:  A CHRONICLE OF LATTER DAY TIMES OF EARTH is expected to be published and it’s all a part of getting the word out.  Besides, interviews can be interesting both to reader and interviewee if one puts one’s mind to it.  And even fun.

So word came today from blogger Gwendolyn Kiste who interviews quite a number of writers, samples of which can be found by pressing hereThank you so much for your responses!  At this point, it appears that the interview should go live on my website in mid-May.  I will definitely send you an email when I post it.  

And there we have it.  More secrets bared:  My writing habits (some of them quite bad).  The influence of music.  Contributions by the goth cat Triana.  And with this the latest on THE TEARS OF ISIS and, lest we forget, TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH.  One of the fun things, in fact, is that each interviewer is different as well, not just in their questions (some of these, of course, may be common to more than one interview) but also in their approaches to questioning.  Matter of fact?  Interested in detail?  Fun-loving?  Quirky?

Search on “Interview” in the “search here” box at the upper right for a tour of the dates I’ve listed above — a possible project for an otherwise dull rainy day?  And check here in May for a link to the newest by Gwendolyn Kiste as soon as I have it!

The Amazon Publication date listed was March of this year but, due to the kinds of mixups that happen sometimes, my copy of DYSTOPIAN EXPRESS (cf. March 11, et al.) only finally arrived in yesterday’s mail.  But what wonderful timing, the day after dystopianexpressThanksgiving, and special thanks to Hydra Publications Editor Tony Acree for sending it Priority Mail!  So all’s well that ends well — or, in that it’s a book about dystopias, maybe not that well.  My mutt in the melange, in any event, is a tale called “Invisible People” of a near-future society where everyone knows his or her place, or else . . . nobody cares.  Post election blues anyone?  Or more to the point, while as of yet I’ve only glanced at the contents, there’s probably a story that will fit the bill however you voted!  (But to make extra sure you might want to press here.)

Then in other news, due to the holiday I had to wait to use the cave computer’s library annex machine today, but this afternoon I e-sent back the signed contract for MEET CUTE (see November 23).  This is the one about unexpected or otherwise amusing meetings between pairs of people in flash fiction settings, in which my offering is one of forests and fairy lore titled “Butterfly.”

Untreed Reads Publishing has noted that in addition to their own March sale (see March 1, February 28), there are two others that might be of interest in terms of tales by me.  The occasion is “Read an Ebook Week” (yes, this is the first I’ve heard of it too!) which runs from yesterday, Sunday March 6th, to Saturday the 12th, and one participant is Drivethrufiction.com, whose specialty tends to be science fiction and horror.  So check out their site for bargain prices on two Untreed Reads chapbooks, the Christmas horror tale I’M DREAMING OF A. . . . and the near-future, dystopian sf novelette PEDS.  This one, IDOA_SMincidentally, is for the whole month though, through March 31st, just like Untreed Reads’s own sale and you might want to compare their discounts too by pressing the pictures in the center column just to make sure you’re getting the best price.

And then for the other, this one ending the 12th, the rules seem a bit complicated to me so I’ll quote directly from Untreed Reads’s email:  25-50% off depending on how long a title has been out.  A few titles are 75% off if they’ve been out a significant amount of time.  No titles are being given away for free and any title priced at $0.99 is not discounted.  Purchasers have to enter a coupon code to get the discounted price during checkout.  Since a coupon code is required to get the lower price, there are no price matching issues between Smashwords and Amazon.

I don’t have a Smashwords account myself and, lacking that, have no idea where I would find their coupon code, but those more sophisticated than I no doubt know its secret.  I did run a search myself for my titles and ended up here, not on a page for Untreed Reads chapbooks but (after you scroll past the initial listings for one “F B Dorr”) a list of twenty-some anthologies by various publishers, most of which (the exceptions are PRESIDENTIAL PULP and the nonfiction title) contain stories by me.  But as for whether or not these are discounted, as said already, finding out apparently would require having Smashwords’s coupon code to apply at checkout.

Sunday I received the contract for Hydra Publications’ dystopian anthology (see May 30), along with the announcement from Editor Frank Hall that it now has at least a tentative name, DYSTOPIAN EXPRESS.  My story in this is “Invisible People,” itself a reprint originally published in the Winter 1992/93 edition of DARK INFINITY.  Monday the signed copy goes in the mail and, if all goes well, DYSTOPIAN EXPRESS is expected to leave the roundhouse by the end of the year, “sometime between Thanksgiving and Christmas.”

Other authors and stories are also listed in the May 30 post, below.  Mine is a bit of near-future science fiction where people who lose their place in society — as through loss of a job in this case — become truly invisible, but also able to see the real world including its defects, hidden by mass brainwashing techniques from the general populace.

The word came today from Flame Tree Publisher Nick Wells, via Editor Gillian Whitaker, that CHILLING GHOST SHORT STORIES and its companion volumes (cf. August 7, July 31, et al.) will be delayed, in part simply due to the fact that it’s summer — and even printers can take vacations!  “As any Publisher will tell you, printing is easy until it goes wrong.  It’s the most expensive part of the process, and usually carried out in a remote location.  Many’s the time I’ve travelled to a lonely industrial estate, far outside the beautiful city my plane flew over (Hong Kong, Madrid, Seville, Venice) soon to find myself sitting in a windowless room checking proofs as they grind off the press.

“So, we’re told that the inside book blocks have been printed, but they await the return of the specialists from their quiet contemplations on some distant beach, to finish the covers to their and our satisfaction, after which the books can be bound, boxed, and transported across Europe to the UK, then off to the US. . . .”

Thus such things happen, as indeed we’ve seen more than once on these very pages.  In fact the delay here is relatively short with release now expected “in Europe on or around 10th September, with the US, Canada, Australia, New Zealand following as quickly as we can despatch to the various distribution centres around the globe.  Author copies come from our office, and will be despatched as soon as we receive them.”

In other news, Thursday evening marked the Indiana University Cinema’s screening of six award-winning short films from this year’s Sundance Film Festival, two of which held special interest to horror/science fiction aficionados.  The first, from France, and winner of the Short Film Jury Prize:  Animation, was a sort of absurdist disaster movie, listed in the program as “Storm hits jacket.  Written and directed by PauSundancel Cabon.  2014, France, 13 minutes.  A storm reaches the shores of Brittany.  Nature goes crazy, and two young scientists get caught up in the chaos.   Espionage, romantic tension, and mysterious events clash with enthusiasm and randomness.”  Also included are a mad spy-master, a Vespa-riding femme fatale, a witchy mysterious elderly woman, and (to quote the subtitle as best I remember) a “tempest of cows.”

Then, last in the showing, was the Short Film Jury Award (Best of Fest) winner, “World of Tomorrow.  Written and directed by Don Hertzfeldt.  U.S.A., 17 minutes.  A little girl is taken on a mind-bending tour of the distant future.”  In this one, also an animation (and in a charmingly primitive style), a third-generation clone visits her “original.”  Too young to really comprehend, “Emily” is shown a future where human emotions are all but dead; the rich are immortal through successive cloning while those who can’t afford it are downloaded into memory cubes; robots instilled with a fear of death, which they’ve been taught to associate with darkness, endlessly march around the moon in order to always be on the sunlit side; but in which none of this really matters because the whole world is doomed anyway.  And throughout it all, with a deadpan exposition style that made the film screamingly funny.

In short, a good night, and a not-too-disappointing announcement to follow on Friday.

In another short note, my e-novelette PEDS (cf. October 24 et al.) has been given a 4-star rating by Long and Short Reviews, a fiction review site established August 27 2007.  A dystopian story set in a not-too-distant future America, PEDS is a tale of a society divided between those who have and drive cars and those who don’t, a world which, according to the review, “on one page seems so foreign and on another seems all too real.”  PEDS was published by Untreed Reads Publishing last October, “a short but enjoyable story that leaves you with something to think about,” to quote again from the review summation.

More information on PEDS can be found by clicking on its picture in the center column while to read the review itself just press here.   PEDS has also been reviewed by the Open Book Society, details on which, including a link to the review, are in the post below for November 13 2012.




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