Posts Tagged ‘Crime’

Yes, a lovely spring afternoon, the eve of Easter, and one’s thoughts turn naturally to gentle bunnies.  Candy, jelly beans, chocolate eggs.  But not all that gentle according to watershipdown_violencePhil Brown on CGMAGONLINE.COM!  Yes, from Jan Svankmajer’s ALICE to DONNY DARKO bunnies have their own dark side as well, and let us not forget WATERSHIP DOWN or NIGHT OF THE LEPUS!  Or in short, for one’s Easter viewing enjoyment, please to peruse Mr. Brown’s selections for  “Top 10 Most Frightening Bunnies in Film History” by pressing here.  Which one will you find in your basket this Sunday?

(And a happy Easter to all as well!)

Well, yes, that’s not really what “trifecta” means, not exactly, but here’s another group of three things all bunched up in one post:

1.  THE BOOK OF BLASPHEMOUS WORDS, a prose anthology for which I sent a poem, er, “story in verse” instead (cf. February 4, January 27, et al.) has appeared in my mailbox.  Not surprisingly, my “Tit for Tat,” originally published in James Ward Kirk’s 2015 anthology GHOSTS:  REVENGE, is the only actual poem in the book, but the editors agreed with me that it seemed a perfect fit.  Further info can be found here.

2.  MOTHER’S REVENGE, briefly noted below in Saturday’s triplet re. my story “Swarms” (see April 8, et al.), looks now as though it will slip past its previously announced April 22, Earth Day release, but hopefully will be at least available for pre-order then.  More on this as it develops.

3.  To quote Editor Jay Hartman of Untreed Reads Publishing:  You may have heard that Microsoft is launching a new ebookstore.  This will be part of an upcoming Windows 10 update, and folks will be able to purchase from the MS Digital Bookstore to read on their PC, laptop or tablet devices (like the Microsoft Surface).  I’m pleased to say that thanks to some of the distribution partnerships we have in place, all Untreed Reads titles and those of our distribution clients will be available on the Microsoft platform at launch.  My books in this batch are short story chapbooks I’M DREAMING OF A. . . and VANITAS and the novelette PEDS, all three of which (along with the anthology YEAR’S END:  14 TALES OF HOLIDAY HORROR, with my lead story “Appointment in Time”) can be found/ordered right now by pressing any one of their pictures in the center column, while more background on the new Windows 10 outlet can be found here.

On a lovely afternoon one day after April Fools, the Bloomington Writers Guild/Boxcar Books “First Sunday Prose Reading & Open Mic” (cf. March 5, et al.) featured a heady mix of dark fantasy, science fiction, and mystery.  The first by many-time participant Shayne Laughter brought the ending of “Incident at Grandmothers Cottage,” a police procedural set in a fairytale forest which she had read the first part of at the premiere of the Players Pub Spoken Word series (at which I had also presented my TOMBS-set “River Red,” cf. February 10), followed by Karen Wylie who we have also met before (see November 1 2015 and August 3 2014) with an excerpt from her “science fiction of one sort or another” novel DIVISION, and mystery author, poet, and local WHFB jazz DJ/talk show host Ray Zdonek with a portion of his novel THE LAST ROUNDUP, fourth in his northern Indiana-set Lee Kosak mystery series.  This was followed by five open mike readers of which I was fourth with a 700-word dark fantasy/murder mystery on the subject of pets cooking women (with a bit of back story, that being a “prompt” a few years back at my writers group) called “The Death of Mother Carvey.”

Then yesterday brought the opening entry of the Science Fiction and Fantasy Poetry Association’s Rhysling Showcase, each to include mini-bios of six of the poets in this years Rhysling competition (cf. March 29), for which press here.  These will continue with new posts every other day throughout the month — with (ahem) mine scheduled for April 19.

It happens sometimes.  It’s usually not reported here, but sometimes a magazine or book that’s accepted a story fails to be published.  But life must go on, yes?  Such has been the fate of “In The Octopus’s Garden,” originally published in 69 FLAVORS OF PARANOIA, March-April 1999, which we might recall had been accepted as a reprint for CREEPY CAMPFIRE QUARTERLY for publication later this year (see June 5 2016).  But then in November . . . well, these things happen.

Fast forward to this month, lots going on, but for thirty solid days in March no new acceptances, story or poetry, to be reported until Friday afternoon, March 31, and an email time-stamped 2:45 p.m.:  Thank you for submitting “In the Octopus’s Garden” to TALES TO TERRIFY.  We loved this story and would like to accept it for publication.  So you lose one, you win it back.  TALES TO TERRIFY is a podcast with “In the Octopus’s Garden” tentatively set to air “somewhere around July-December 2017.”  But for those who can’t wait or would like to read it in print as well, it’s also lead story in THE TEARS OF ISIS which can be ordered by clicking its picture in the center column or pressing here.

If you’re familiar with Smart Rhino’s anthologies (and we certainly hope you are!), you may remember his stories “The Wellmaster’s Daughter” in UNCOMMON ASSASSINS, and “Labyrinth” in INSIDIOUS ASSASSINS.  His story “Golden Age” will be published in ZIPPERED FLESH 3, now in production.  So marks the start of Monday’s outing of Smart Rhino Press Editor/Publisher Weldon Burge’s blog, BULLETS AND BUTTERFLIES.  Here you will find things concerning my collection THE TEARS OF ISIS and the lure of short stories, as well as my upcoming novel TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, though of the latter the publication date is now set for June (i.e. rather than “spring,” which only means things sometimes get out of date; also the poet Allan Poe may be better known as Edgar Allan, but typos can happen too).  Also the blog itself  may seem familiar, having also been published in Smart Rhino Publications’s own January NEWSLETTER (see January 18).  But as Weldon himself says on his Facebook page:  Just posted my interview with Bram Stoker nominee (and frequent writer for Smart Rhino Publications) James Dorr.  His story “Golden Age,” will appear in the upcoming ZIPPERED FLESH 3.  He has some great advice for writers from his own experience.  So maybe it will be worth reading anew.

Or in any event for those new to this blog it can be found here.

The announcement, from Editor/Publisher Weldon Burge, was brief:  All of the Smart Rhino books are currently on sale at Smashwords, most at 50% off.  The sale is until March 11, so grab them while you can.  Just search for the individual titles.  But the finding them may possibly not be quite so simple as it may seem (hint:  for some, you may have to toggle the “adult” switch ON).  For mine, press here, but — remember — then toggle the words “Adult Content” at the top right to be sure it’s on (a check mark is good, circle with a slash through it is bad).  Then scroll down past THE GOOD FIGHT 3:  SIDEKICKS for the ones I’insidiousassassinsm in, and ignore PRESIDENTIAL PULP plus the history one at the very end.  These are all anthologies or magazines with stories by me in them, whether or not they may be on sale, with the Smart Rhino ones being INSIDIOUS ASSASSINS and UNCOMMON ASSASSINS (this latter, I think, toward the very end).  But linger a bit, perhaps there are others that you may like too.  Or  if in a hurry, UNCOMMON ASSASSINS can be found here and INSIDIOUS here (the “Adult” switch pre-set), with my stories in each being “The Wellmasters Daughter” (see August 16 2012, et al.) and “Labyrinth (see January 23 2015, et al.) respectively.

In other news, we had another pleasant, sunny afternoon for this month’s “First Sunday Prose Reading & Open Mic,” co-sponsored by the Bloomington Writers Guild and Boxcar Books.  And for two hours, we had a good crowd as these things go, with about eighteen people (fourteen of who persisted through open mike afterward) for featured readers Eric Rensberger, with a contemplative essay on books and dust; Joan Hawkins, standing in for advertised reader Jenny Kander who couldn’t make it due to illness, with a memoir of 1974 Prague under Soviet occupation; and bestselling “rural noir” fiction writer Bonnie Jo Campbell with two short shorts from her MOTHERS, TELL YOUR DAUGHTERS collection, an excerpt from the title story, and the opening paragraph of her novel ONCE UPON A RIVER.  Then after the break (with lovely cookies), mindful of Mardi Gras having been less than a week before, I ended a walk-on session of some five readers with a New Orleans set “Casket Girls” story, “Death and the Vampire,” in which the flavor of Death is found to be, if not the best, at least not bad.

This just in from Editor Cliff Gerstang, that EVERYWHERE STORIES:  SHORT FICTION FROM A SMALL PLANET, VOLUME II (cf. November 27, September 29, et al.) can now be obtained in a Kindle edition.  One need but press here.  But for those new to this blog (or perhaps short of memory), let us now take a trip on the Wayback Machine to July 25 2016everywhere-stories-vol-ii, quoting from publisher Press 53:  With a theme of “It’s a Mysterious World,” this exciting addition to the EVERYWHERE STORIES series, edited by award-winning author Clifford Garstang, takes readers on a journey around the globe:  to a wrestling match in Turkey, to a mysterious eye doctor in Guatelmala, to a homeless man wandering the streets of Chicago, to a religious school in Samoa, to a drowning in Mexico, to a fortune-telling monk in Korea, to a miraculous hotel in Egypt, and to more stories in countries on every continent.

Yes, that EVERYWHERE STORIES, VOLUME II, originally published in good ol’ print in the days of yore on September 26.  So these things take time, sometimes.  My tale in this one is “The Wellmaster’s Daughter,” of crime and family life gone sour in the Sahara Desert, originally told in ALFRED HITCHCOCK’S MYSTERY MAGAZINE, November 1991, and also reprinted in my collection STRANGE MISTRESSES:  TALES OF WONDER AND ROMANCE (for more information, click its pic in the center column).  Or for the print version of EVERYWHERE STORIES, VOL II, us dead tree buffs can still press here.

THE BOOK OF BLASPHEMOUS WORDS (see January 19, 16) is the one about mankind’s relationship with its gods, sometimes sweet, sometimes sour.  Or maybe for our purposes here, most often sour.  My song in this sin fest is a poem this time, a “story in verse” about a dead boy named Little Willie called “Tit for Tat” (originally published in GHOSTS:  REVENGE, 2015).  And now with publication due soon, Adrian Ludens, whose story “Hero Worship” will be in the book as well, has shared its contents list from publisher A Murder of Storytellers, along with this flattering comment about three of its contributors:

Some very talented authors lined up for this anthology.  Especially excited to see Joseph Shelton, John Biggs and James Dorr included.  Never been disappointed by any of their stories.  Can’t wait to read this!

and from the publisher:

Just a few more days.  To tide you over until then, here’s the TOC for THE BOOK OF BLASPHEMOUS WORDS.

A Hole in the Head Reveals the Secret Nature of All Things by Joseph Shelton
Sack Race To The River by Chris Kuriata
Holy Fire by Tracy Fahey
The Order of the Night Moose by Jonathan Raab
Hare Hill by Kristin J. Cooperblasphemouswords
The Holy Filth by Tom Breen
Madness by Morrison
Hero Worship by Adrian Ludens
An Adventure in Wootton by Colin Harker
Meant to Be by Kelly Gould
Outer Darkness by Grant Skelton
The Damned by Jake Teeny
Kill Fee by Victor H. Rodriguez
The Blue Ruin of Vicar Junípero, the Throat of Heaven by Rhoads Brazos
Grume by Tim Meyer
The Unearthed Thing by Ben Larned
Tit for Tat by James Dorr
Bust to Dust by Wesley Southard
Hiding from the Rain by Mark L. Groves
The Sign by John Biggs
A Demanding Religion by Darrel Duckworth
The Hunted by Shannon Iwanski
Killing the First Gods by Morgan Crooks
Our Pale Lady Clad In Red by 瓦砾卡夫卡
A Bloody Miracle by Anusha VR
Insiliconation by Eric Reitan
The Annunciation of Josie by Jack Burgos
The Edifice by Lorraine Scheln
Angels are so Beautiful Until They Rust by Jason Howell

Yes, a raise of the glass to Edgar Allan Poe, “who started it all,” January 19 1809 – October 7 1849 — and see, as well, my interview by Weldon Burge linked in the post just below, start-poecoat1ing quite by coincidence with a quotation from Poe.  Go ahead, take a quick look — I’ll wait!  Okay, and now to the business of . . . well, actually late yesterday, but posted today.

Wednesday afternoon’s email brought, from Bards and Sages Publishing’s Julie Ann Dawson:  When we launched THE SOCIETY OF MISFIT STORIES last August, we knew it was a bit of an experiment. We really didn’t know how readers would respond to the project. I’m pleased to say that the response has been wonderful.  So wonderful, in fact, that three of the stories placed very well in this year’s Preditors & Editors Reader Poll.

Chamber Music By Peter A. Balaskas earned 2nd place in the non-genre short story category
Raising Mary:  Frankenstein by Ace Antonio Hall earned 5th place in the horror short story category
By Force and Against the King’s Peace by James Dorr earned 11th place in the fantasy and sci-fi short story category

But the email goes on to say [t]he one question I keep getting asked, however, is “When will the print be available?”  A great many of our readers still prefer print (I know, shocking!).  Of course, individually, each story is too short to justify publishing as a single book.  But as an anthology, it would be perfect.

Which is why I would like to invite each of you to participate in THE SOCIETY OF MISFIT STORIES, Volume I.  This will anthologize all of the stories published in the first year of the project.  We would love to bring your stories to print and, potentially, audio formats. . . . 51hxoyeaatl

Then follow some details, plus an attached agreement which went in the mail today with my okay.  And, let’s not forget the neat Preditors and Editors news, not just for me but a huge shout out for THE SOCIETY OF MISFIT STORIES itself!  This, we may remember (see, e.g., November 18, 2, October 3 2016, et al.), is a continuing series of electronic chapbooks for stories from 5,000 to 20,000 words long, both new and reprints (“By Force and Against the King’s Peace” is the latter, originally published in the December 1999 ALFRED HITCHCOCK’S MYSTERY MAGAZINE), awkwardly long for some electronic markets but too short for novels.  A little more money would change hands too for the print anthology, which is always a sweetener for the writers, and since, judging from the Preditors and Editors standings, the stories themselves seem to be top drawer, some at least of them, it should be a good deal for readers as well.

Also,  for another quick “The Writing Life” extra, here’s a note from A Murder of Storytellers on my story-poem “Tit for Tat.”  James,  Wanted to let you know that I looked over this piece and saw no need for editing.  So, unless you’ve got a burning desire to fix something, it’s good to go.  What it’s going to is their upcoming THE BOOK OF BLASPHEMOUS WORDS (see January 16).  And an editor’s pass with no changes at all is always good news for a writer to receive.

Another interview lurks in our future.  Completed just now, this one was rather a quickie as well, the contact coming from Smart Rhino Publications Editor Weldon Burge just last week:  James, would you be open to a short interview for the January Smart Rhino newsletter?  It would only be three or four questions, short and sweet.  But I’d need a pretty fast turnaround, if possible.  Please let me know.  Thanks!  My connection here is having stories in two Smart 463_zippered_cvr_3Rhino anthologies thus far, UNCOMMON ASSASSINS and INSIDIOUS ASSASSINS, and in a third to be coming out soon, ZIPPERED FLESH 3 (cf. September 9, et al.).  So, “sure,” I sent back, and we set things up to be done this weekend.

More, such as a tentative date, will be noted here when it is known, but I will say now that, while short, it’s one of the heavier ones I’ve done in terms of writing and writing theory, even including a quote from Poe from his essay “The Poetic Principle.”  Why that essay?  Because I think Poe intended it to apply to fiction in prose as well, perhaps then explaining his own predilection for the short story form, and hence, by extension, mine.  This is for a question having to do with my own short story collection, THE TEARS OF ISIS.  But then, from there, a question on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH brings up a discussion of form, in addition to content, and novels-in-stories or “mosiac” novels (see also, October 20), and why that form might be chosen over traditional narrative for telling certain kinds of stories.  And also, why the mosiac form might answer Poe’s dictum that effective “poetic” writing be kept short.




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