Posts Tagged ‘Crime’

Tis the season, well into the run-up to Halloween.  Thus in today’s email, from C.P. Dunphey of Gehenna Publishing, [w]e are happy to announce that from the 25th-31st of October, we will discount all our titles to $0.99 on Amazon.  We may have some difficulty running the promotion for HINNOM MAGAZINE Issue 003, but rest assured, we will do our best to include the Halloween-themed issue in the lot.

We advise you to buckle up and prepare for one haunting Hallows’ Eve with these terrifying tales.

He says “all our titles” from which presumably not only the two already published issues of HINNOM MAGAZINE but YEAR’S BEST BODY HORROR 2017 ANTHOLOGY including my story “Flesh” (cf. September 25, et al.), among other books, will be included along with HINNOM’s third issue; also given the low sale price cited it’s most likely for electronic format, but no matter the details it sounds like a sale worth looking into, in less than ten days time.  More details here as they are learned.  And for those who can’t wait, YEAR’S BEST BODY HORROR 2017 ANTHOLOGY is available on Amazon now in both Kindle and paperback editions for which, to take a look, one can press here.

Also received from Bards and Sages Publishing, a galley proof for THE SOCIETY OF MISFIT STORIES, Volume 1, with its lead story by me, “By Force and Against the King’s Peace” (originally published in ALFRED HITCHCOCK’S MYSTERY MAGAZINE; see January 19, et al.).  This will be the promised print collection of stand-alone electronic chapbooks that came out last year under the “Misfit Stories” aegis, hopefully to be out “in both large format trade paperback and hardcover for libraries” in time for Thanksgiving.

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A disturbing film isn’t one that gleefully stands with its arms outstretched to embrace buckets of blood.  A disturbing film is something else, something more — an experience that’s undeniably unsettling whilst it plays out, but even more powerful in the lingering sting it leaves behind.  A truly disturbing movie doesn’t slap you around in your seat on first viewing — instead, it burrows its way into your brain and replays in your thoughts for weeks at a time afterwards.

There are plenty of lists out there that attempt to gather the most disconcerting films of all time in one place, but here at We Got This Covered we’re gonna evade your textbook entries on this occasion — A SERBIAN FILM, HUMAN CENTIPEDE, CANNIBAL HOLOCAUST etc. — and go for a slightly different flavor.  These movies don’t simply disgust by serving as commendable pieces of exploitation cinema, but work in a rather different and more complex way to deeply, deeply disturb.  Watching them once will be more than enough. . .

So starts Gaz Lloyd’s “10 Deeply Disturbing Movies That You Need To Watch, But Only Once,” brought to us by WEGOTTHISCOVERED.COM.  To cut to the chase, to see the list for yourself press here (noting that a few of these specify the original movie, not the remake).  For myself, I think I’ve seen four of the ten, but will need to check further when I’m at home (I’m writing this at a library computer right now) to see if I still have two of the titles.  And, tonight, maybe watch AUDITION again?

Nah, maybe not.

Yes, I am of course one of them, but one must scroll down and down past the other five, to just before the ending blurb for the ZIPPERED FLESH series plus PLAGUE OF SHADOWS.  Not surprisingly, the books featured for all six of us writers include ones by Smart Rhino Publications, including the upcoming ZIPPERED FLESH 3 (cf. June 19, et al.), in my case also covering the two “assassins” anthologies, UNCOMMON ASSASSINS and INSIDIOUS ASSASSINS.  But there are others too.  Also for all six of us there are interviews featured on Editor/Publisher Weldon Burge’s blog, BULLETS AND BUTTERFLIES (see, for me, also January 18).

All told, these are storytellers worth looking into, I think, with information on all of them — including . . . moiavailable here.

There is nothing like hearing a scary story over the crackling of a burning campfire.  Some of the most memorial stories we’ve heard were when we were young, gathered around the warming glow with other kids.  To this day, though you may not necessarily recall the words, but I’m sure you remember the feeling.  The unnerving chills as the sense of dread slowly begins to overwhelm, yet you’re captivated and eager for more.  The stories in this collection are crafted by talented writers to tap into that feeling.   (Amazon blurb)

So has come the word from Jesse Dedman of DEADMAN’S TOME that CAMPFIRE TALES, in two separate volumes, is up for pre-order on Amazon, awaiting official publication on August 1.  So what’s the deal there?  Well, we may remember long, long ago (see June 5 2016, et al.) that a story of mine, “In the Octopus’s Garden,” was slated to publish in CREEPY CAMPFIRE STORIES, except (cf. April 1 this year) CREEPY CAMPFIRE STORIES was to be no more.  But then (April 21) the campfire spark was rekindled, with DEADMAN’S TOME sponsoring a new CAMPFIRE TALES which, with this new announcement, is almost upon us.

“In the Octopus’s Garden” itself has been around the block more than once, originally published in 69 FLAVORS OF PARANOIA in March-April 1999, not to mention being lead story in my Stoker nominated (ah, now!) collection THE TEARS OF ISIS.  And elsewhere I’m sure too — that’s octopuses for you!  But the point is, it’s once more slithering up from the depths to be in the new CAMPFIRE TALES, Volume 1, for more info on which one need but press here.  (Or for volume 2 info, press instead here, or to run a quick check on THE TEARS OF ISIS just click on its picture in the center column.)

The Question is asked:  What makes a scary movie scary?

If you glanced at what’s come out in the past 20 years, you might think it’s the amount of diced body tissue flying around the screen.  Horror has always depended on shock value (see: FREAKS below), but what really unsettles us hasn’t changed much: an ominous sound from around the corner, an indecipherable figure in the distance, a sense of impending doom as somebody opens a door.  Gore has its place, but only when it’s attached to an idea.  HOSTEL is less a spine-tingling chiller than an endurance test for ick along the lines of E!’s BOTCHED.

And so it goes (to coin a phrase). Herewith a list everyone’s going to have some disagreements with, courtesy of ESQUIRE.COM (via THISISHORROR.CO.UK), but with the acknowledgement that these are just one horror fan’s opinions.  Mileage may vary (to coin another phrase), but, for me, the value in a project like this is to view it as a kind of checklist to see which pictures I may have missed out on.  So, yes, homage is given to many one would expect, but others less known may be there as well (e.g., to deal from the top, most should recognize Fritz Lang’s M [#47], but how many also know UNDER THE SKIN with Scarlett Johansson [#49]; or consider #21, CARNIVAL OF SOULS) — and how many have you seen?

Well, I’m not going to say (I have seen the three noted just above), but it’s fun to go through, so enjoy Paul Schrodt’s “The 50 Scariest Movies of All Time” by pressing here.  (But caution: for those afraid of spoilers, avoid reading “scariest moments”).

Told you so (cf. May 7; also April 28, 21 2015, et al.), and now it’s up.  A tale of les filles à les caissettes of New Orleans, in particular of the one named “Lo,” being interviewed by a reporter from the Times-Picayune.  But let’s let Short Mystery Fiction moderator Kevin R. Tipple make the formal announcement.

Today, James Dorr shares his “paranormal detective story” archived at DAILY SCIENCE FICTION titled “Dead Lines.”  James adds that the tale is also “. . . intended as a tip of the hat to Edgar Allan Poe as a father of the detective genre.”  While at the site, James has another story, “Casket Girls” in the archives for your reading pleasure.

So what’s the occasion?  May happens to be International Short Story Month and in celebration, the SMFS has been posting a story a day from society members throughout the month.  To see for yourself, one need but press here.  This takes you to the Society’s blog from which there’s not only the story du jour, but scrolling down (e.g, .mine will be one story below if you happen on this tomorrow, Friday May 12) you can read the stories of previous days all the way to May 1.  So how’s that for a deal?

And one thing more, as Kevin points out, an additional link to “Casket Girls” invites you to go to the background tale of les filles’ arrival at the Big Easy in 1728, and the one named Aimée.  And as a further bonus, when on the DAILY SF site if you type my last name in the search box on the right, you can find three additional  stories by me, though not in the New Orleanian series.

May is International Short Story Month and, in celebration, the Short Mystery Fiction Society has put out the call for a story a day, if they can get ’em, from writer-members.  These would be already published stories, to be sure, with the idea that links will be provided on the SMFS blog daily, and word came this morning:  I’m up for Thursday.  That is, this Thursday, May 11, with the story in question one actually published on DAILY SCIENCE FICTION, but nevertheless a mystery of sorts, a tale of les filles à les caissettes of New Orleanian fame and the one called Lo, titled “Dead Lines” (see April 28, 21 2015, et al.).  Moreover, according to coordinator Kevin R. Tipple, “I took the liberty of adding your explanation of the tale to the blog posting so that folks who are clueless don’t send me emails asking what is up 🙂 ,” this regarding the story’s also referencing, in an oblique way, Edgar Allan Poe as a founder of the detective story — and also, if he includes it, a second link to the original story “Casket Girls.”

So you get two for one on Thursday (or even more — since the story will be in DAILY SF’s archives, type “Dorr” in the search box it will provide to find three additional short shorts by me).  Or, if in a hurry to see what’s what on the mystery side, the SMFS blog with today’s story can be reached by pressing here.

In other news, a lovely sunny Sunday afternoon marked this month’s “First Sunday Prose Reading & Open Mic,” co-sponsored by the Bloomington Writers Guild and local bookstore Boxcar Books, with  featured readers Amy L. Cornell (who we’ve met before, cf. May 1 2016) with a poem, a short story, and a sort of essay coming back to poetry; Abegunde (cf. March 27, 6 2016, et al.) with a selection of essays on “what lies beneath” her recent poetry MS about  a visit to Juba, South Sudan (a portion of which was also a finalist for the 2017 COG Poetry Award); and Khashayar Tonekaboni (pen name Terry Pinaud, cf. February 7 2016) with a short story based, in part, on a French Canadian play.  Then after the break, there were five open mike readers with me number three, with a story of sweet lesbian, non-casket girl, vampire love titled “A Cup Full of Tears,” originally published in MON COEUR MORT (Post Mortem Press, 2011).

This also marks the last “First Sunday” gathering for this spring, with the series to resume again in early autumn.

TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH postulates an exhausted, dying Earth with a climate increasingly hotter each year, a result, some speculate, of a sun that’s slowly swelling and getting redder.  One story, in fact, alludes to an exodus of part of humanity centuries, perhaps millennia before.  But what comes after that, that is after the sun has become a red giant, the Earth has been swallowed, and now the sun is shrinking back inward.  Could the exiles return?

Well, in terms of the story, we’re not nearly that far in the future by a long shot (truth to tell, if we’re going to bring facts in, even red-gianthood would still be billions of years off itself), but . . . maybe they could, according to Avery Thompson.  To find out more, one can check out his “Here’s the Last Place Humanity Could Ever Live” via POPULARMECHANICS.COM, including its own link to a 6-minute Youtube presentation on white dwarfs, by pressing here.

Then, entirely unrelatedly, Weldon Burge e-reminded us on Facebook today of an Amazon review of Smart Rhino Publications’s INSIDIOUS ASSASSINS mentioning . . . me:  “Excellent anthology with stories by modern masters of the macabre.  Lansdale and Ketchum are worth the read, but so are Mosiman and Dorr and Mannetti.  These are my kind of stories!” — Paul Dale Anderson

So what the heck, it’s the first review posted on Amazon’s site (including nine words omitted from the Facebook quotation) and can be found here.

Yes, a lovely spring afternoon, the eve of Easter, and one’s thoughts turn naturally to gentle bunnies.  Candy, jelly beans, chocolate eggs.  But not all that gentle according to watershipdown_violencePhil Brown on CGMAGONLINE.COM!  Yes, from Jan Svankmajer’s ALICE to DONNY DARKO bunnies have their own dark side as well, and let us not forget WATERSHIP DOWN or NIGHT OF THE LEPUS!  Or in short, for one’s Easter viewing enjoyment, please to peruse Mr. Brown’s selections for  “Top 10 Most Frightening Bunnies in Film History” by pressing here.  Which one will you find in your basket this Sunday?

(And a happy Easter to all as well!)

Well, yes, that’s not really what “trifecta” means, not exactly, but here’s another group of three things all bunched up in one post:

1.  THE BOOK OF BLASPHEMOUS WORDS, a prose anthology for which I sent a poem, er, “story in verse” instead (cf. February 4, January 27, et al.) has appeared in my mailbox.  Not surprisingly, my “Tit for Tat,” originally published in James Ward Kirk’s 2015 anthology GHOSTS:  REVENGE, is the only actual poem in the book, but the editors agreed with me that it seemed a perfect fit.  Further info can be found here.

2.  MOTHER’S REVENGE, briefly noted below in Saturday’s triplet re. my story “Swarms” (see April 8, et al.), looks now as though it will slip past its previously announced April 22, Earth Day release, but hopefully will be at least available for pre-order then.  More on this as it develops.

3.  To quote Editor Jay Hartman of Untreed Reads Publishing:  You may have heard that Microsoft is launching a new ebookstore.  This will be part of an upcoming Windows 10 update, and folks will be able to purchase from the MS Digital Bookstore to read on their PC, laptop or tablet devices (like the Microsoft Surface).  I’m pleased to say that thanks to some of the distribution partnerships we have in place, all Untreed Reads titles and those of our distribution clients will be available on the Microsoft platform at launch.  My books in this batch are short story chapbooks I’M DREAMING OF A. . . and VANITAS and the novelette PEDS, all three of which (along with the anthology YEAR’S END:  14 TALES OF HOLIDAY HORROR, with my lead story “Appointment in Time”) can be found/ordered right now by pressing any one of their pictures in the center column, while more background on the new Windows 10 outlet can be found here.




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