Posts Tagged ‘C.P. Dunphey’

Today brought an announcement from Weldon Burge of Smart Rhino Publications, that ZIPPERED FLESH 3: YET MORE TALES OF BODY ENHANCEMENT GONE BAD (cf. April 27, 19, et al.) is headed toward a, hopefully, pre-Halloween release.  Just in time for costume suggestions, eh?  In this one my story is in final place, the thought to take with one to possibly a ZIPPERED FLESH 4 — or possibly just to hold in one’s own head — and a probably rather benign one at that, called “Golden Age.”  And with the announcement, here is the finalized table of contents:

Horns, Teeth, and Knobs–Billie Sue Mosiman
Upgraded–Shaun Meeks
Worm–Jeff Menapace
Reduced to Tears–Adrian Ludens
Going Green–Christine Morgan
A New Man–William F. Nolan
Transposition–Jason V Brock
The Rose–Jack Ketchum
Consume–Daniel I Russell
All Will Turn to Gray–Jezzy Wolfe
Invisible–E.A. Elizabeth Black
And the Sky was Full of Angels–L.L. Soares
Shopping Spree–Meghan Arcuri-Moran
Closer–Charles Colyott
Dog Days–Graham Masterton
Switch–Jasper Bark
Hypochondria–Martin Marty Zeigler
Gehenna Division, Case #609–Sandra R. Campbell
Golden Age–James Dorr

And, speaking of body enhancements gone bad, let us also recall the “other” anthology, YEAR’S BEST BODY HORROR 2017 (cf. May 8), due out tentatively in late September from Gehenna & Hinnom.  My story in this is called, simply, “Flesh,” one a bit on the surrealistic side concerning a wealthy man who decides to become fat.  More on this, as on ZIPPERED FLESH 3, will be revealed here as it becomes known.

No, the Goth cat Triana’s kibble was on time and eaten; rather the headline refers to Third Flatiron Publishing’s Kurt Vonnegut tribute anthology CAT’S BREAKFAST (see May 17, April 27), also served up on Kindle this morning. That’s Kindle, not kibble, for which via Amazon one may press here, with a paperback edition expected from Createspace in the near future.  To quote from the blurb:  While satire and humor have long been standard tools of the trade for fiction writers, the authors have channeled the uniquely Vonnegutian attitude into all-original stories that probe and instruct us on themes such as free will, mental illness, social cruelty, loneliness, and family.  The book [also] contains a flash humor section.  (This from the publisher’s own site, with this next from Amazon)  The new “Cat’s Breakfast” anthology from Third Flatiron pays tribute to the imagination and inspiration of the late author Kurt Vonnegut. Emulating Vonnegut’s famous “gallows humor” and skeptical view, these all-original satirical stories are a delightful antidote for the malaise and division plaguing contemporary society.

What more can one ask for?  My puss in the purée is “Dead Girls, Dying Girls,” originally published in SO IT GOES, Perpetual Motion Machine Publishing’s 2013 tribute anthology (cf. April 24 2013, et al.), a modern morality tale of sorts of a thoroughly up-to-date young lady, a science fair, and . . . bears.

Then in other news, a third review of TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH is now up on the Amazon site.  This is the one from THE GEHENNA POST (cf. June 3), an extremely good description in my opinion, and can be seen in situ by pressing here (where one may note also that Amazon is still offering a substantial discount, but not quite as big as it had once been, so perhaps one might buy now lest the price go up further 😉 ).

“It began innocently enough with a Meet the Author Interview.”  So begins Heidi Angell’s entry on her blog, AN ANGELL’S LIFE OF BOOKISH GOODNESS, complete with a link to the interview itself (cf., also, January 10), followed by a note and links for the three guest posts also published on TOMBS over the past several months (cf. May 18, et al.).  But that’s not all, even before that Heidi has posted a video of her first impressions which, by way of a preview, you can check out here (or, again, the link is there as well for you).  But then comes the main event, for which I can just say “Wow!” Heidi Angell’s review of TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH, for which please press here.

If I may quote the last part (a “spoiler,” if one will):  I highly recommend this book for anyone who likes to think deep thoughts about what they read.  For anyone who has an interest in politics, social issues, climate issues, anthropological studies, biomedical, and for the curious who like to imagine how the world could turn out.  For me, this was more realistic an outcome than the Divergent series, Hunger Games, or Maze Runner, though definitely not for the same audience.  This is a grown up’s view for grown-ups of what a dystopian world could potentially provide.  Or again, to read the review as a whole, press here.

It can also be found, with Christine Rains’s earlier review (see June 1) on Goodreads, by pressing here.  Also, with C.P. Dunphey’s GEHENNA POST review (see June 3), all three reviews should eventually be on Amazon’s listing for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, although none have actually appeared there yet (I rather wish Amazon would hurry with it, but then they’re still offering their discount price, so slowness may have its advantages too 😉 ).

We may recall C.P. Dunphey’s interview of me, “Love and Death:  An Interview With TOMBS Author, James Dorr” (see May 26), as one homing in in detail on various aspects of TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH itself.  Inspiration, ghouls, the use of languages — and where does Vodoun come into the picture?  We’ve seen the preview, as it were, but what of the show?

Well, for the main event, really, one should buy the book.  A click on its picture in the center column brings more information, or press either of the Amazon or B&L links (both still offer discounts as of today) on May 30’s post, below.  But we’ve also seen one review already, by Christine Rains (cf. June 1) — are there not any others?

The answer (surprise!) is yes.  First came the interview, then — today — C.P. Dunphey’s review is now up on GEHENNA POST.  May I offer a quote?

TOMBS is an unexpected, enigmatic piece that author James Dorr spent years creating.  The world is visually stunning, the layers and depths of the universe never faltering in their ability to not only captivate the reader, but to also offer a lending hand in an escape to a world full of wonder and astonishment.  From the Old City to the Tombs, every setting is flawlessly illustrated with language poetic and frequently romantic.  Dorr crafts his universe with talent unrivaled and unparalleled.

To see all press here.

Yes, we said “Friday night” (see post just below), but the Gehenna & Hinnom Books interview of me on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH is live now!  Kudos go to Editor/Interviewer C.P. Dunphey for excellent quickness, as well as great questions on origins, ghouls, use of languages, social cultures, and more.  Discover the parts played by whimsy — and guilty pleasures, the influence of Voodoo, and Charlie Chaplin’s “The Little Tramp.”  Pre-TOMBS “history.”  The long, long path to publication by Elder Signs Press and the inspiration of other authors and books going back to 1485 (and worldviews going back far, far, farther than that).  Of keeping one’s place and fun with details. . . .

And so, like a good zombie that just can’t be kept down — not to mention the biggest picture of the book’s cover I’ve seen thus far! — for the “dirt” on TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH be invited to press here.

SF film fans delight, courtesy of INDIEWIRE.COM let us wallow together in “The 25 Best Sci-Fi Movies of the 21st Century, From ‘Children of Men’ to ‘Her’,” by Chris O’Falt, Graham Winfrey, Kate Erbland, and Zack Sharf, and brought to us via TOR.COM and Stubby the Rocket.  With themes that range from love to fear to humanity itself, the best sci-fi movies of the 21st century all share distinctly original visions. . . , begins the rundown, the rest of which can be seen by pressing here.  And the neat thing is, in scrolling down through it, I’ve probably seen at least half myself already (who knew I had such good taste?), and even own films numbers 1 through 4!

Then in other quick news, last night I turned in an interview to C.P. Dunphey of Gehenna & Hinnom Books, with questions designed almost exclusively with TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH in mind.  Yes, launch time for the novel is drawing nigh — but there’s still time to get a one-third off pre-publication discount by pressing here (or, for B&N fans, better yet here).*  But back to the chase, to quote Mr. Dunphey:  These answers are amazing!  For audiences, they will be superb, and for me as a8451b32b-e3c4-41cb-8f3e-7c6834708f13 reader myself, it answered a lot of questions I had as well.  I will post the interview tomorrow night and will send you the link before I post it to any social media.  Very excited for this to be published.  And yes, I know, would that others would be so enthusiastic!

So look Friday night or, one needing one’s sleep, possibly Saturday morning for a fairly long interview mostly confined to TOMBS.  And after June 1st, when the book is out, I understand there may be a review of it too.
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*I understand there should also be an electronic edition of TOMBS, but not quite yet.

The first anthology of Gehenna & Hinnom will be published in late-September of 2017.  It will feature only the most disturbing and horrifying body horror tales readers have ever read.

The challenge is up to you, the authors. How strange is your narrative capable of being?  How morose is your prose?  How in touch are you with the macabre?

Tentatively titled YEAR’S BEST BODY HORROR in the guidelines, the call seemed tempting.  Pay was minimal but reprints along with original stories would be okay so, as has happened in the past, the muse on my shoulder whispered “Why not?”  That’s the submissions muse, mind you — the story idea muse is not nearly so gentle.  And why not indeed, I had a story originally published in MAELSTROM SPECULATIVE FICTION, in Spring 1999, and. . . .  The word came back from Editor C.P. Dunphey just four days later:  Thank you so much for considering Gehenna & Hinnom for your work, “Flesh.”  The story stands visceral and disturbing; the exact things we love in a work.  We’d love to have it included in our anthology.

As for the story, “Flesh” is a surrealistic sort of a tale in which, in that the guidelines asked for a synopsis, “a wealthy businessman has a series of bizarre dreams as a result of which he decides he should gain weight.  As he grows fatter his wealth grows as well but at the same time he withdraws progressively from ordinary society until one night his dreams come true.”  Also the anthology is listed as open until August 15 so, if interested in submitting yourself, more information can be found here.

Then one other item this afternoon via  POPULARMECHANICS.COM, or, it starts with a wedge-tailed eagle taking down a drone.  And it only gets worse from there in John Wenz’s “7 Robot Beatdowns the Machines Will Definitely Remember When They Rise Up” — would you believe roboticide in the City of Brotherly Love?  Or underage playground bullies?  Anyway, science fiction fans and writers, to better prepare for the Robot Apocalypse, please to press here.




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