Posts Tagged ‘C.P. Dunphey’

Two quick items, the first that Gehenna and Hinnom’s YEAR’S BEST BODY HORROR 2017 ANTHOLOGY (see September 25, et al.) arrived in yesterday’s street mail just in time for a glance through on Halloween, which seemed sort of proper.  It is a big book, as noted before just from the contents, with my story in it a reprint from some years back titled “Flesh,” about a man who wishes to gain weight.  For more on YEAR’S BEST BODY HORROR 2017 one can press here.

Then this morning I came across a short tale on Carrie Ann Golden’s A WRITER & HER ADOLESCENT MUSE blog, “A Halloween Haunt Story,” which is well in the spirit and can be read here.  But the thing is, then scroll down to the end and at the right is a link to “Author Interview:  James Dorr” — a rerun, as it were, of Carrie’s last year’s just-after-Halloween (cf. November 14 2016) interview of . . . moi.  So for still valid info on me, for those who may have missed it, on the not yet out TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH as well as THE TEARS OF ISIS, themes found in my writing, characterization, an excerpt from TOMBS, and other such lore, just give it a click as well.*

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*As now it happens (November 2) that the links below the story may change from day to day, mine no longer being in the slot.  So, if still interested in Carrie’s year ago interview of me, a direct link is here.

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The word is out!  Gehenna and Himmon’s one-week Halloween sale — October 25 through October 31 — has started today with prices slashed to 99 cents per publication (cf. October 16).  As anticipated, the sale will apply only to electronic editions, but even at that bargains abound.  Also, HINNOM MAGAZINE 003, scheduled to be out on Halloween day, cannot be included but, in Editor/Publisher C.P. Dunphey’s words, “to make up for this, the magazine will have a promo during November, leading up to the YEAR’S BEST TRANSHUMAN SF 2017 ANTHOLOGY.”

Titles that are included are HINNOM MAGAZINE issues 001 and 002, YEAR’S BEST BODY HORROR 2017 ANTHOLOGY (including *ahem* my story “Flesh”), GEHENNA CLASSICS:  H.P. LOVECRAFT Volume 1, and GEHENNA CLASSICS:  PHILIP K. DICK Volume 1.  Or to read it on G & H’s own site, including live links to all sale titles, press here — but remember, again, regular prices go back in effect after Halloween!

Tis the season, well into the run-up to Halloween.  Thus in today’s email, from C.P. Dunphey of Gehenna Publishing, [w]e are happy to announce that from the 25th-31st of October, we will discount all our titles to $0.99 on Amazon.  We may have some difficulty running the promotion for HINNOM MAGAZINE Issue 003, but rest assured, we will do our best to include the Halloween-themed issue in the lot.

We advise you to buckle up and prepare for one haunting Hallows’ Eve with these terrifying tales.

He says “all our titles” from which presumably not only the two already published issues of HINNOM MAGAZINE but YEAR’S BEST BODY HORROR 2017 ANTHOLOGY including my story “Flesh” (cf. September 25, et al.), among other books, will be included along with HINNOM’s third issue; also given the low sale price cited it’s most likely for electronic format, but no matter the details it sounds like a sale worth looking into, in less than ten days time.  More details here as they are learned.  And for those who can’t wait, YEAR’S BEST BODY HORROR 2017 ANTHOLOGY is available on Amazon now in both Kindle and paperback editions for which, to take a look, one can press here.

Also received from Bards and Sages Publishing, a galley proof for THE SOCIETY OF MISFIT STORIES, Volume 1, with its lead story by me, “By Force and Against the King’s Peace” (originally published in ALFRED HITCHCOCK’S MYSTERY MAGAZINE; see January 19, et al.).  This will be the promised print collection of stand-alone electronic chapbooks that came out last year under the “Misfit Stories” aegis, hopefully to be out “in both large format trade paperback and hardcover for libraries” in time for Thanksgiving.

The human body has long been the enemy of horror films.  One only has to look as early as THE INVISIBLE MAN or THE WOLFMAN for manifestations of physical forms undergoing irrevocable change.  But the body horror genre encompasses three distinct variations of organic terror:  invasion via disease or decomposition, violation through mutilation or penetration, and transformation from a reconstitution of biology.

Body horror?  Yes, today’s email includes an announcement from Gehenna & Hinnom Editor/Publisher C.P. Dunphey that Shane Ramirez’s “Deconstructing Body Horror,” part of which is quoted above, as originally published in SOUNDONSIGHT.ORG and POPTOPIQ.COM has been selected asbh2 the introduction for YEAR’S BEST BODY HORROR 2017 ANTHOLOGY, the contents page for the rest of which has appeared below (cf. August 10, also September 18, 13, et al.).  This is a large book at 400-some pages, with forty-plus stories, expected out on September 30 and available for e-copy pre-order by pressing here.  And my cut in the carnage?  A story called “Flesh,” the surrealistic tale of a man of means and a nightmare-based need of a weighty nature.

The gravitational assist trajectories at Jupiter were successfully carried out by both Voyagers, and the two spacecraft went on to visit Saturn and its system of moons and rings.  Voyager 1 encountered Saturn in November 1980, with the closest approach on November 12, 1980, when the space probe came within 124,000 kilometers (77,000 mi) of Saturn’s cloud-tops.  The space probe’s cameras detected complex structures in the rings of Saturn, and its remote sensing instruments studied the atmospheres of Saturn and its giant moon Titan.  (Wikipedia, “Voyager 1”)

Two items occurred to me to close out the weekend, the first that there were space probes prior to Cassini (cf. September 17, 11, 7), including Voyagers 1 and 2 which also paid a visit to Saturn.  Launched 16 days apart in 1972, Voyager 1 was actually the second, but was on a trajectory that had it reaching Saturn first, performing flybys of not just Saturn and Titan, but also the moons Tethys, Mimas, Enceladus, Rhea, and Hyperion.  And while Voyager 2 also went on to Uranus and Neptune, on August 12 2012 Voyager 1 became the first human-made object to enter interstellar space.  Also, unlike Cassini, both Voyagers continue to journey outward.

So, why my interest?  Thirteen years after Voyager 1 and Saturn, a story of mine, one marking a breakthrough in my writing in my opinion, appeared in the July 1993 edition of Algys Budrys’s short-lived magazine TOMORROW.  Titled “Moons of Saturn,” it told of a couple watching a detailed series of news items on TV of the Voyager mission as it might have been, bringing in also the mythical origins of the moons’ names.  Added to this are fancied adventures on, e.g., the “jewel mines of Rhea,” these conducted through dreams or, possibly, astral projection, all through which the woman, Phoebe, 518B8qShonL._SX331_BO1,204,203,200_named for one of the moons herself, grows progressively weaker as the man (“Enceladus,” as named by Phoebe) attempts to find a cure.  This latter possibly with tones of vampirism. . . .

And the thing is (or, here comes the plug!), while TOMORROW and its electronic successor TOMORROW SF are now long gone, “Moons of Saturn” has been reprinted in my collection THE TEARS OF ISIS.  For more information, or possible purchase, just press its picture in the center column.

Then one more item in the life of the writer:  Gehenna and Hinnom Editor/Publisher C.P. Dunphey emailed that the payment for my story in THE YEAR’S BEST BODY HORROR 2017 ANTHOLOGY (see September 13, August 10, May 8) has been sent to Paypal — a thing good to know since Paypal seems no longer to bother to tell people themselves when they’ve received money.  The story in question here is called “Flesh” — and like “Moons of Saturn” may be a little on the surreal side although with a more domestic setting — and also a reprint originally published in Spring 1999 in MAELSTROM SPECULATIVE FICTION.  THE YEAR’S BEST BODY HORROR can be pre-ordered now, by pressing here, in anticipation of a September 30 publication date.

 

Can’t resist reprinting this just-received press release from Gehenna & Hinnom (seeing as how I’m mentioned in it):  MISSISSIPPI, September 30th, 2017:  C.P. Dunphey, critically acclaimed author of PLANE WALKER, has collected 40+ stories from the best up-and-coming authors in horror for Gehenna & Hinnom’s debut collection, THE YEAR’S BEST BODY HORROR 2017 ANTHOLOGY.  From Bram Stoker Award-nominated authors like James Dorr, to bestselling science fiction authors like David Beers, the anthology presents no shortage of entertaining visceral horror.

Coming off the heels of an incredibly successful first two issues of HINNOM MAGAZINE — one an H.P. Lovecraft-themed memorial collection — Gehenna & Hinnom launches itself into Late-September with unprecedented anticipation for their Body Horror Anthology.  From tales of infectious diseases rotting flesh to cosmic horror stories of perversion and mysticism, horror readers of all audiences will love this collection.

But more to the immediate point, here is the announcement late yesterday from Editor/Publisher C.P Dunphey:  We are excited to announce that the Body Horror Anthology is live for pre-order in digital formats!  The release date is still set for September 30th for both print and e-book, and we are excited to unleash this behemoth into the world.

At 400 pages, this will be a big book (cf. August 10 for a contents listing, May 8), with a pre-order price for the Kindle edition at $4.99.  And as noted above, both print and electronic versions will be physically out at the end of the month.  My part in this one is a slightly surrealistic tale called “Flesh,” of a man of wealth who has a weight problem, but perhaps not the kind one might first think.

So if you can’t wait (and who could blame you?) to pre-order now press here.

What is it with lists?  I’ve had too many lately, probably, but this is a major one to round out the month with.  From the GEHENNA POST, “43 Underrated Films from the Darker Side of Cinema You’ve Probably Never Seen,” with plot descriptions from IMDb plus links to Amazon (though, of the latter, mostly Blu-ray ones, but peons like me can click from there to mere DVD).  To quote from the site:  In this list, you will find 43 films that we felt are lacking in recognition and that deserve more appreciation and acknowledgement.  These films are in no particular order.  There are a few foreign language films, but we are planning an entirely different list for them (so don’t be disappointed at the lack of representation just yet!), seeing as there are so many great pieces out there from across the world.

Appetite whetted?  I will say there are some I haven’t seen myself, including the one pictured here, LAST SHIFT.  Also, while mostly horror, a fair number of them are science fiction — or mostly science fiction.  But to see for yourself, press here.

It’s either going to be a big, big book or a lot of the stories will be rather short, but Gehenna & Hinnom’s upcoming YEAR’S BEST BODY HORROR (cf. May 8) looks like it’s going to be exciting reading.  Set for a publication date of September 30, here is the table of contents along with the cover, as released Wednesday evening by Editor C.P. Dunphey.

Table of Contents:

(Note:  We have decided to go by alphabetical order by author for the stories, since there are just so many high quality pieces.)

Foreword by C.P. Dunphey
Introduction by ?????

STORIES:
“SLOBBER” by Shaun Avery
“ERUPTION” by Charlotte Baker
“DEVIL’S TEARS” by Shadrick Beechem
“AN ANGEL AMONG US” by David Beers
“HUMAN-KINGS” by Austin Biela
“WRIGGLERS” by Chantal Boudreau*
“LITTLE MONSTERS” by Ed Burkley
“TOM’S THUMB” by K.M. Campbell
“FAMILY DINNER” by A. Collingwood
“THE ITCH” by Stuart Conover
“THE BLIND ASSASSIN” by Damien Donnelly
“FLESH” by James Dorr*
“A NORMAL SON” by Spinster Eskie
“GAS MASK BABY” by Santiago Eximeno
“HUMAN BODY” by Balázs Farkas*
“FRESH FACE” by Tarquin Ford
“MEET THE WIFE” by Kenneth C. Goldman*
“MADMAN ACROSS THE WATER” by James Harper
“MANTIS” by Kourtnea Hogan
“CICADA” by Carl R. Jennings
“TETANUS” by Christopher Vander Kaay
“GRUB” by Alexander Lloyd King
“MY LOVE BURNS WITH A GREEN FLAME” by Thomas C. Mavroudis
“THE FACE IN THE MIRROR” by Sean McCoy
“PORPHYRIA” by John S. McFarland
“THINGS” by Rick McQuiston
“THE FLESH GARDENER” by Jeremy Megargee
“EAR WAX” by G.A. Miller
“THE FACE” by Kurt Newton*
“BATTLEGROUND” by Drew Nicks
“WHIZZ-BANG ATTACK” by Sergio Palumbo
“THE ALWAYS WATCHING EYE” by Gary Power
“HOT FLASHES” by Jenya Joy Preece
“THE IMPLOSION OF A GASTROCRAT” by Frank Roger*
“NO STRINGS” by Josh Shiben*
“BABEL” by Ian Steadman
“A POUND OF FLESH” by Edmund Stone
“CONDITIONED APOCALYPSE” by Aric Sundquist
“LENGTH” by David Turton
“NATURAL GROWTH” by Mijat Vujačić*
“UTTER NO EVIL” by Joseph Watson
“DOWN WHERE HER NIGHTMARES DWELL” by Sheldon Woodbury

* means reprint

And in an ongoing news note, both Amazon and Barnes & Noble are back to offering pretty deep print copy discounts for TOMBS:  A CHRONICLE OF LATTER-DAY TIMES OF EARTH, with the B&N price at $11.28 (compared to a full price of $14.95) and Amazon at $10.65, 25 and 29 percent off, respectively.  (For electronic prices, B&N’s Nook is at $8.49, Amazon’s Kindle $8.99.)  I don’t know if this is an August thing, or if it will even last through the month — or extend beyond.  However, if interested, Barnes & Noble can be checked out here and Amazon here.

On both sites there may be individual sellers as well with copies at even lower prices.  But if you find the bargain you want, and like the book too, please consider posting a review of TOMBS at both locations.

Today brought an announcement from Weldon Burge of Smart Rhino Publications, that ZIPPERED FLESH 3: YET MORE TALES OF BODY ENHANCEMENT GONE BAD (cf. April 27, 19, et al.) is headed toward a, hopefully, pre-Halloween release.  Just in time for costume suggestions, eh?  In this one my story is in final place, the thought to take with one to possibly a ZIPPERED FLESH 4 — or possibly just to hold in one’s own head — and a probably rather benign one at that, called “Golden Age.”  And with the announcement, here is the finalized table of contents:

Horns, Teeth, and Knobs–Billie Sue Mosiman
Upgraded–Shaun Meeks
Worm–Jeff Menapace
Reduced to Tears–Adrian Ludens
Going Green–Christine Morgan
A New Man–William F. Nolan
Transposition–Jason V Brock
The Rose–Jack Ketchum
Consume–Daniel I Russell
All Will Turn to Gray–Jezzy Wolfe
Invisible–E.A. Elizabeth Black
And the Sky was Full of Angels–L.L. Soares
Shopping Spree–Meghan Arcuri-Moran
Closer–Charles Colyott
Dog Days–Graham Masterton
Switch–Jasper Bark
Hypochondria–Martin Marty Zeigler
Gehenna Division, Case #609–Sandra R. Campbell
Golden Age–James Dorr

And, speaking of body enhancements gone bad, let us also recall the “other” anthology, YEAR’S BEST BODY HORROR 2017 (cf. May 8), due out tentatively in late September from Gehenna & Hinnom.  My story in this is called, simply, “Flesh,” one a bit on the surrealistic side concerning a wealthy man who decides to become fat.  More on this, as on ZIPPERED FLESH 3, will be revealed here as it becomes known.

No, the Goth cat Triana’s kibble was on time and eaten; rather the headline refers to Third Flatiron Publishing’s Kurt Vonnegut tribute anthology CAT’S BREAKFAST (see May 17, April 27), also served up on Kindle this morning. That’s Kindle, not kibble, for which via Amazon one may press here, with a paperback edition expected from Createspace in the near future.  To quote from the blurb:  While satire and humor have long been standard tools of the trade for fiction writers, the authors have channeled the uniquely Vonnegutian attitude into all-original stories that probe and instruct us on themes such as free will, mental illness, social cruelty, loneliness, and family.  The book [also] contains a flash humor section.  (This from the publisher’s own site, with this next from Amazon)  The new “Cat’s Breakfast” anthology from Third Flatiron pays tribute to the imagination and inspiration of the late author Kurt Vonnegut. Emulating Vonnegut’s famous “gallows humor” and skeptical view, these all-original satirical stories are a delightful antidote for the malaise and division plaguing contemporary society.

What more can one ask for?  My puss in the purée is “Dead Girls, Dying Girls,” originally published in SO IT GOES, Perpetual Motion Machine Publishing’s 2013 tribute anthology (cf. April 24 2013, et al.), a modern morality tale of sorts of a thoroughly up-to-date young lady, a science fair, and . . . bears.

Then in other news, a third review of TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH is now up on the Amazon site.  This is the one from THE GEHENNA POST (cf. June 3), an extremely good description in my opinion, and can be seen in situ by pressing here (where one may note also that Amazon is still offering a substantial discount, but not quite as big as it had once been, so perhaps one might buy now lest the price go up further 😉 ).




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