So the first answer starts with a citation to “Allan Poe.”  That’s Edgar Allan Poe, of course, but what’s in a word — I still stand by the answer.  And thus the promised interview by Weldon Burge for Smart Rhino Publications (cf. January 11, 8), in conjunction with a Kickstarter campaign for their upcoming ZIPPERED FLESH 3 anthology, is now live.  A mention is made at the very beginning about my Smart Rhino story appearances, “The Wellmaster’s Daughter” in UNCOMMON ASSASSINS, “Labyrinth” in INSIDIOUS ASSASSINS, and “Golden Age” in the upcomi8451b32b-e3c4-41cb-8f3e-7c6834708f13ng ZIPPERED FLESH volume, but that’s not what the interview is about.  Rather, with reference to Poe as well as my Stoker(R) nominated collection THE TEARS OF ISIS, we talk about short story writing in general and why, as a writer, I find short forms more interesting than novels.  But then novels come up too with reference to TOMBS: A CHRONICLE OF LATTER-DAY TIMES OF EARTH (expected in June this year, not really “spring,” but that’s because of a change in schedule after my original biographical notes were in) and what is, exactly, a novel-in-stories, also known as a “mosaic novel”?  And, more importantly, why TOMBS is put together in that style.

The Poe citation, incidentally, is to his essay “The Poetic Principle,” which I believe he meant to apply to prose fiction as well.  But to read the whole interview, including some things on the challenges and joys of writing, and what to expect once one has written, why not press here?

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