Sound Essay in Jan. HWA Newsletter’s Blood and Spades
. . . because poems work on rhythms and sounds, the same as music, even without having tunes to accompany them. One hint, though, when reading poetry, try reading it out loud. Or at least (if, say, there are people around you and you don’t like being stared at) pronounce the words under your breath, the way you’re taught not to read in school. Because the point of poetry is not just what it says, but the way it says it.
So there’s rap music, too. And poetry slams. And, when I was much younger, poets sometimes read poems with jazz in the background. A muted piano, stand-up bass, a drummer for accents with cymbals and brush, an alto sax, maybe, while the poet recited the words over it, not as lyrics, but for their own sake, the musicians having the job to make sure their own sounds worked with them.
So there! (said I) to answer the rhetorical question, if you like music why should you like poetry too? Of course I go on with it a little, and even throw in an example or two, and that was the essay, “It Begins With the Sound,” that we might recall was one of those featured in this Fall’s issue of ILLUMEN (see November 5, October 8), along with another by fellow poet and poetry essayist Marge Simon. But Ms. Simon is also editor of the “Blood and Spades: Poets of the Dark” column in the HWA NEWSLETTER and, as it happens, asked for reprint rights for the January 2017 issue (cf. November 12) to spread the good word to the horror writers. And so, today, for pre-New Years Eve readers, the January NEWSLETTER has just come out.
Of course there’s a catch. To read it there you have to be a member of the Horror Writers Association yourself. It is, incidentally, at least the third poetry essay I’ve had published in “Blood and Spades” (I think actually the fourth, the first being one on Edgar Allan Poe many, many years back, but pretty well lost in the dust of history) and quotes in part from one by me in June 2010, “Edgar Allan, Allen Ginsberg, and All that Jazz,” which is noted in the current issue too. (Then, for completists, there is one yet more recent, “Vamps: The Beginning,” that appeared in January 2012. Both this and the 2010 one, incidentally, can also be read by clicking POETRY (ESSAYS) in the PAGES column on the far right.)
However, for those who aren’t members of HWA, “It Begins With the Sound” can also still be read in its ILLUMEN version, which can be purchased by pressing here.